Thomas Jolly Antiques Figurative Sculptures

A charming bust of a child’s head by Edwin Whitney-Smith, dated 1910, the girl has her head slightly tilted forwards as she looks out from under a lock of hair, set on a square block signed on the reverse ‘E Whitney-Smith 1910’. This bronze is a reduction of Whitney-Smith’s original marble piece, a photograph of which survives in the V&A (object number AAD/1990/12/63). Another version can be seen in a 1920s photograph of the artist in his studio owned by the National Portrait Gallery (NPG x194201). Neither the identity of the sitter nor title of the work is known. Edwin Whitney-Smith (1880-1952) was one of the pre-eminent sculptors of his day. Born in Bristol in 1880, he became a student of William Harbutt, the headmaster of Bath School of Art, best remembered today for inventing plasticine. Whitney-Smith showed great promise from an early age, opening a studio in St John’s Wood, London, in 1910. He exhibited over 40 pieces at the Royal Academy and despite not achieving Academician status, even with list of illustrious proposers, he became a dear friend of Sir Alfred Munnings, the famous horse painter, and sculpted his portrait. He was, however, elected to the Royal Society of British Sculptors and his works were generally well-received by critics and the general public alike. Aside from the RA, he exhibited in Bristol, at the Paris Salon and the Scottish Academy and his work attracted the attention of such important patrons as the Courtauld family. One of his most famous works, The Waking Child, is in the Ferens Art Gallery in Hull and another, The Irishman, is in the Tate. One version of his bust of Ernest Bevin, the trade unionist, stands in Tooley Street in Bermondsey to this day. An article in The Sphere, published on the 3rd of May 1924, referred to the sculptor as “a well-known sculptor of smiling children” and mentioned his “famous babies’ heads”.

PAIR OF ENGLISH STAFFORDSHIRE DOGS 19th Century Earthenware English in molded, relief and gilded ceramics. Wear on the gold. Height: 38 cm. good conditions for the time

This lovely pair of Staffordshire Dogs are named so for the area in England they originate. Two seated King Charles Spaniel dogs with delica...

French terracotta bust of young man resting on circular marble plinth. Signed Houdon, Late 18th century.

For magician and circus lovers. This early 20th century circus banner. Hand painted on canvas.

Four Panel Tropical Underwater Scene with Mother of Pearl Inlays on Wood Panel Elaborate four panel scene by an unknown artist. Water, coral, and some tropical fish have been painte...

Early 20th century fairground figure In the form of Benito Mussolini this early 20th century hand carved French fairground knockdown figure is in original untouched condition. With ...

Fine pair of English Staffordshire glazed ceramic spaniels featuring white bodies with remnants of gold decoration. Beautiful craquelure finish and fac...

Handsome pair of 19th century equestrian Staffordshire porcelain Scottish Highlander hunters on horseback. Each bearded gentleman is depicted seate...

Painted ceramic, good original vintage condition. Beautiful and unique decorative sculpture. Yorkshire Dog Sculpture was produced in Staffordshire, Engla...

A wonderful pair of antique early 20th-Century English Staffordshire spaniel dogs with gilt accents. Maker's mark on reverse. These charming dogs are hand painted with beautiful deta...

Beautifully painted and impressive scale Staffordshire group of a hunter riding back from the hunt with his quarry, a stag draped over the horse. The overall white glaze, except for ...