TISHU Furniture

A large unframed Japanese Futonji textile art circa late 19th century toward the end of the Meiji period. Seamed together from four vertical sections of cotton in deep indigo color, ...

A pair of small ceramic vases with superb surface decorations made by Japanese studio Seikozan circa 1890-1910s (late Meiji Period). One of the many artist studios that specialized i...

A stunning Japanese embroidery tapestry circa 1880s-1900s from late Meiji period, presented with an original wood frame with inner gold trim. The tour-de-force embroidered tapestry s...

A delicate and rare Japanese ceramic vase by the important Meiji imperial potter Makuzu Kozan (1842-1916) circa 1887-1910. Dated to his underglaze phase post 1887 after he successful...

Known in Japanese as Bozugappa (priest's raincoat), this cape-like garment was worn by the travelers in Japan circa late 19th century to early 20th century (end of Meiji period). Derived from the cape worn by the Portuguese missionary, who first arrived in Japan in mid-16th century, this type of cape was originally reserved for the Japanese military...

A spectacular Japanese embroidered silk panel beautifully presented in a gilt frame suspended in a lucite shadow box with gilt wood border. The silk picture is dated to 1890-1910s toward the end of Meiji Period, when Japanese started to participate international expose by presenting its best art and craft. Elaborate embroidered silk tapestry like this was very popular among westerners due to its superb craftmanship and also exotic subject matter that was often derived from classic Japanese folklore, mythology and various motifs. The tapestry on offer is such an example. It depicts an old couple...

An impressive Japanese embroidery tapestry circa 1890s Meiji period, presented with brocade border on linen canvas in a Lucite shadow box. The stunning design features three dragons coiling and flying in the clouds. The high relief technique used to render the dragons using mostly the silver threads gives this piece a tremendous sense of motion. The most auspicious mythological creature in Japan and China, dragons were a very popular motif in textile art. In this particular piece, it is the impressive size, the superb craftsmanship, the profuse use of silver threads and near perfect condition that set it apart. Japanese Meiji textiles were widely exhibited in the west during turn of the 20th century at the international exposition. It was used to showcase the Japanese aesthetics with the techniques at their pinnacle. These expositions solidified the country's images overseas and felled the Japanese craze in the west, which turned out to be a long-lasting influence on the western art. Many pieces were purchased and stayed in the west. It is likely this estate piece was from one of the expositions based on its high quality. For two similar dragon tapestries...

A fantastic set of six antique trays that fit into a stack, likely from British India turn of the 20th century. The wood is likely rosewood with attractive grains and the trays are i...

Sometimes categorized as the fourth-phase chief blanket, this wonderful piece of Navajo textile art is well preserved and can be dated to 1890-1910. Wov...

This stoneware vase of a jar form was finely decorated with low relief carving and delicate colored glazes depicting bundles of peony flowers. It was made by Ito Tozan I (1846-1920) circa 1890-1900s in the late Meiji Period. The color pallet was both bold and subtle, with dark green and rusty leaves with golden outlines and white and light yellow peony petals covering much of the surface. Impressed with potter's mark on the base. Examples of two pieces by Ito Tozan I were in the collection of MNAAG (Guimet) Paris. Inventory no. MG 13790 an 13792. A vase with similar shape and decoration techniques is featured as Lot 1340 Fine Japanese Art, 13 Sep 2017 Bonhams New York Tozan Ito I established his ceramic business in Kyoto 1867. His studio made both porcelain and stoneware in a style some considered Satsuma while they retained a sophistication of Kyoto ware...

A black lacquer tebako (hand box) with maki-e decoration and silver trim, circa late 19th century, Meiji period. The surface of the lid features a Rinpa style maki-e paint depicting ...

A Japanese lacquered wood sake ewer with maki-e design, circa late 19th century, Meiji period. The nicely decorated lacquerware is of a Classic sake ewer for...

A visually stunning Japanese embroidery tapestry circa 1890s-1900s late Meiji period, presented with a linen matt with gold trim in a gilt wood frame. The design showcases a flying p...

A beautiful Japanese textile art panel with an embroidered dragon on a swirling cloud background, nicely framed with a linen matt in an antique-fi...

A visually stunning Japanese fukusa panel with an embroidered dragon on a swirling cloud background, nicely displayed on a scarlet felt matt in a carve...

On offer is the last one of the set of seven framed Japanese textile art called Oshi-E circa Meiji Period (1868-1912). This rare set consists ...

On offer is a set of five Japanese textile art panels called Oshi-E circa Meiji Period (1868-1912). This usual set of panels depict various aspects of daily life in Edo time with beautiful details. Some of these panels are snapshots of the buzzling commercial activities at the marketplace, providing insight into the signages, architecture, costumes and how people interacted within a historical and pictorial context. Other panels depict daily leisure activities such as lounging in the park or visiting friends. The realistic rendering and attention to details are not short of "photographic" quality. From the signage of the shops to the motions and attires of the individual characters, from the hairstyle, small ornaments, down to the facial expression, were all recorded in great details. Each panel was signed with the artist's name Yukihana in Kanji with a red seal. These panels are unframed and await your custom touch (framing with inner gilt spacer and mat costs about 250-500 depending on the material chosen, see a framed example in the last picture of a single framed panel we have for sale). We offer them for sale individually, but it will be great for a collector to consider the whole set so that they can stay together. The Oshi-E (also known as kiritori zaiku) is a type of ornamental textile art dated back to the Muromachi period (1392-1573). It started among the elite aristocratic women in Kyoto before spreading wider in the Japanese society. Throughout Edo and Meiji period, Oshi-E were sometimes used to make offerings to the altars in the temple and in the late 19th century, it was exported to the west along with the other embroidery textile art. Oshi-E was made by using silk wadding to create a relief design. Various silk fabric swaps and sometimes wires and tassels, often recycled from older kimonos...

An exquisite Japanese sterling silver ornamental bonbon dish, circa 1890-1900. The piece was rendered in the shape of a stemmed branch of chrysanthemum blossom and was made for export market. Both botanically realistic and stylish, the piece showcases a high degree of artisanal sensitivity and technical ability of the silversmith who created this lovely piece. The petals that form the exteriors were outlined with deep and fluid relief lines of sculptural quality. The branches and leaves were rendered with attentions to the smallest details, with molding and surface texturizing using chasing in contrast with hammering. The interior of the dish is equipped with a conforming inner dish and when it is taken out, revealing the chased lines. The piece, although practical, is basically an okimono in sculptural form, a work of art on its own. It weighs about 22 ounces. Under the dish, it is marked "Pure Silver" in Kanji and SM in a rectangular cartouche. The research (carried out by Adrien Von Ferscht, an expert and author on Asian Export Silver) identified it to be Sadajiro Musashiya...

A Japanese sumi ink calligraphy Buddhist mandala mounted as a paper hanging scroll known as Kakejiku or sometimes Moji mandala. Termed as gohonzon in Japanese, it is a venerated object within Nichiren Buddhism (Hokkeshu; lotus sect). The originally concept was developed by the 13th century Buddhist priest Nichiren to guide the energy of the devotional chanting to...

A Japanese silk embroidery Fukusa panel presented in mat and glazed gilt wood frame circa 1890-1910s (end of Meiji Period). The blue silk pane...

An antique hand-made quilt circa 1890-1900s originated from Ohio. The quilt features a striking patched square pattern with fan motifs, all hand stitched with colorful cotton appliqu...