Tom Rooth Fine Art Mixed Media
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Death's head moths under a full-moon, presented in a hand-carved c1880 oak frame
By Tom Rooth
Located in London, GB
'Death's head moths under a full-moon' work was created by Tom Rooth in the Cambrian Mountains of Wales.
Production process:
Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing.
Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter).
Kintsugi is a 15th-Century practice invented in Japan, and means 'to join with gold'. The practice is a reminder to embrace flaws, and celebrate the missteps of life, recognising that when seemingly catastrophic events happen, beauty and good can still result.
Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's.
Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...
Category
2010s Realist Mixed Media
Materials
Ceramic, Glaze, Pencil
Honeycomb
By Tom Rooth
Located in London, GB
'Honeycomb' was created by Tom Rooth in the Cambrian Mountains of Wales, where Tom lives off-grid.
Each ceramic Honeycomb panel has been handmade, drawn, glazed and fired in the Cambrian Mountains of Wales. The frames are also handmade, and have been gessoed, painted and gilded with 23.5 carat gold - the purest gold you can use for gilding.
It is possible to display your Honeycomb as individually framed panels, or en masse - the photograph, taken at The Treasure House...
Category
2010s Realist Mixed Media
Materials
Ceramic, Glaze, Pencil
Stag beetle, presented in an English, 17th Century hand-carved oak frame
By Tom Rooth
Located in London, GB
This work was created by Tom Rooth in the Cambrian Mountains of Wales, where Tom lives, off-grid.
Production process:
Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing.
Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter).
Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's.
Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...
Category
2010s Realist Mixed Media
Materials
Ceramic, Glaze, Pencil
Homage to a toad - underglaze pencil on ceramic
By Tom Rooth
Located in London, GB
This work was created by Tom Rooth in the Cambrian Mountains of Wales.
A colony of toads live under and around his cottage, and in the summer nights (particularly when going to the kiln late at night to close the vent), Tom often encounters them. They have lived there for generations.
Production process:
Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing.
Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame (the frame dictates the subject-matter).
Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years, and prior to this Bonhams, Phillips and Sotheby's.
Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...
Category
2010s Realist Mixed Media
Materials
Ceramic, Glaze, Pencil
Bee columns, in a water-gilded frame, circa 1870
By Tom Rooth
Located in London, GB
This work was created by Tom Rooth in the Cambrian Mountains of Wales.
Production process:
Tom makes the ceramic panel, which then dries for a month. After this, he carves it down, and then it goes into the kiln for a 48 hour cycle firing.
Tom then draws onto the panel, with underglaze pencils, and then glazes the artwork which goes into the kiln once more, for another 48 hour firing cycle. It is then ready for the frame. Tom has an expert knowledge of frames - his parents were framers and restorers, and he worked at Christie's as Senior Picture Specialist and Director for 14 years.
Tom's works are unique, highly decorative, highly original, and will compliment any interior, whether traditional or contemporary. Tom has exhibited at The Treasure House...
Category
2010s Realist Mixed Media
Materials
Ceramic, Glaze, Pencil
A giant house spider, in a hand-carved spiderweb patterned frame, circa 1880
By Tom Rooth
Located in London, GB
This is a unique and unusual work, by artist Tom Rooth. The spider is drawn with underglaze pencils (pencils made out of ceramic), on a handmade ceramic panel.
The handmade frame, wh...
Category
2010s Contemporary Mixed Media
Materials
Ceramic, Pencil
A London to Glasgow North-Eastern Railway sign, 20th Century
Located in London, GB
A London to Glasgow North-Eastern Railway sign, 20th Century
Painted wood, with modelled train
21 ⅜ x 36 ¼ in. (54.3 x 92.1 cm.)
Category
Late 20th Century Mixed Media
Materials
Wood, Oil
A 'Brown’s Finest' Sporting sign
Located in London, GB
A Brown’s Finest Sporting sign
Painted wood, with a modelled gun
28 ½ x 38 in. (72.4 x 96.5 cm.)
Minor scuffs and surface dirt.
Category
Late 20th Century Mixed Media
Materials
Wood, Oil
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