Items Similar to Blue/Green Flower Holder with Original Frog Insert
Want more images or videos?
Request additional images or videos from the seller
1 of 5
Van BriggleBlue/Green Flower Holder with Original Frog Insertc. 1930s
c. 1930s
About the Item
Blue/Green Flower Holder with Original Frog Insert
Approx 8 x 5 x 3.5 inches
In 1899, when Artus Van Briggle stepped off the train in Colorado Springs he must have felt worlds away from the studios of Paris and the landscapes of Italy where his extraordinary talents had so recently flourished. Here, however, surrounded by the beauty of the Rocky Mountains, the defining moments of his life would occur; the twin destinies of a great artistic triumph and an imminent personal tragedy would unfold, leaving in their wake the dawn of a 100 year artistic legacy - Van Briggle Pottery - an American tradition in art pottery since 1899.
Artus Van Briggle, an American artist of Dutch descent, was established as a world class painter in Europe. Having been trained at the finest academies there, and with paintings accepted by the Paris Salon, he received the highest honors for a painter in his day. Yet his artistic passions would ultimate lead him away from his brush, canvas, and easel toward another artistic pursuit that would ultimately define his genius.
Though Artus was a brilliant painter, his artistic passions were most eloquently expressed in the forms and colors of one of history’s oldest arts - pottery. From his years as a celebrated artist at the famed Rookwood Pottery in Ohio he knew first-hand the extraordinary range of expression an artist could achieve with the potter’s materials. His pursuit was the creation of exquisite satin matte glazes, like those he’d seen on ancient Chinese masterworks, in a palette of glorious colors, never achieved by any artist in modern times. The materials this brilliant artist would use for his greatest artistic pursuit would be minerals from the earth - clays, feldspars, oxides, - and the glowing orange flames of a fiery kiln. When transformed by the creative mind and the skilled hand these materials become the essence of both humanity and nature blended in unity. Clay and glaze are indeed extravagant media, offering the artist a lifetime of challenges and rewards. Artus, however, didn’t have a lifetime - tragically, he had contracted tuberculosis and, though a relatively young man, his future was uncertain.
Artus had achieved some success in discovering a formula for these beautiful matte glazes prior to his arrival in Colorado but he continued his work there, seeking a standard of perfection not yet achieved. Pottery is a melding of art and science, and during the time when he conducted his experiments Artus knew success could not come without the patience of a scientist and the passion found in all great artists. He pursued his vision with tireless effort, though the effects of failing health often interrupted his progress. No specific date is recorded, but one day in the spring of 1901 he reached into the kiln, with the anticipation known well by countless potters throughout the ages, and finally held in his hands the perfect, rich, matte-glazed pottery he had sought for so long - the first pieces created in centuries, the first ever on this side of the world. Against the odds of failing health and a pursuit which no western artist had ever achieved, he succeeded; his passion was realized - a lost art was now reborn. The world would once again see and touch of the soft marble-like glazes first known by ancient Chinese masters half a world and so many generations away.
When you hold in your hand a piece of fine artistry and craftsmanship, a human creation with elegant lines and a sensual surface - something experienced by the eyes and hands and ultimately felt by the soul, you’ll know what Artus Van Briggle was seeking - and what he ultimately achieved. He lived to see his artistic passion fulfilled before his own mortality could eclipse his dream. Though the sun setting on his own life, a new era was on the horizon for one of the oldest arts in history.
Once perfected, Artus Van Briggle’s exquisite new glazes graced his elegant Art Nouveau pottery designs which were sent across the Atlantic and, when shown to Europe’s best art judges, were proclaimed, "A supreme discovery in modern ceramics." Soon, art critics across the continents marveled at his works, lavished him with praise, and brought international acclaim to this quiet American artist on the Colorado frontier.
Before long, he succumbed to tuberculosis and died there in the shadow of the Rocky Mountains, but not before receiving word that when shown at Exhibitions here in the United States and in the Salons of Europe, his creations had won their highest awards.
Van Briggle Pottery is the living heritage of an extraordinary artist whose heart and hands were given only half a lifetime, and to his wife, Anne, whose own dedication and fine artistry after Artus’ death carried their vision to success in its earliest years. Together they left a timeless and permanent imprint on the tradition of American art pottery. With each passing year and with each new piece created, their artistic legacy continues, a legacy in known as:
Van Briggle - a Tradition in American Art Pottery since 1899.
- Creator:
- Creation Year:c. 1930s
- Dimensions:Height: 8 in (20.32 cm)Width: 5 in (12.7 cm)Depth: 3.5 in (8.89 cm)
- Medium:
- Movement & Style:
- Period:
- Condition:
- Gallery Location:Missouri, MO
- Reference Number:1stDibs: LU74732582033
About the Seller
5.0
Vetted Seller
These experienced sellers undergo a comprehensive evaluation by our team of in-house experts.
Established in 1970
1stDibs seller since 2017
141 sales on 1stDibs
Typical response time: 21 hours
- ShippingRetrieving quote...Ships From: Missouri, MO
- Return PolicyA return for this item may be initiated within 2 days of delivery.
More From This SellerView All
- Pair of Blue/Green Candle HoldersBy Van BriggleLocated in Missouri, MOIn 1899, when Artus Van Briggle stepped off the train in Colorado Springs he must have felt worlds away from the studios of Paris and the landscapes of Italy where his extraordinary ...Category
1950s Art Nouveau More Art
MaterialsCeramic
- A Close CompetitionBy Maurice MilliereLocated in Missouri, MOMaurice Milliere (1871-1946) "A Close Competition" 1905 Colored Pencil on Paper Signed and Dated Lower Left Site: approx. 35 x 36 inches Framed: approx. 43 x 35 inches Born at Le Havre in Normandy on 12th December 1871, Millière began his art education in his home town but soon transferred to l'Ecole des Beaux-Arts in Paris, where he studied portraiture, life drawing and figure painting in the atelier of Leon Bonnat, whose pupils included Toulouse-Lautrec and Raoul Dufy. He also studied at l'Ecole des Arts Decoratifs. His skill as a draughtsman translated quickly into success as a cartoonist and illustrator and his brilliant interpretation of the "Modern Parisienne" soon became known as the "Petite femme...Category
Early 1900s Art Nouveau Figurative Drawings and Watercolors
MaterialsPaper, Color Pencil
- La CothurneBy Agathon LéonardLocated in Missouri, MO"La Cothurne" 1901 Gilt Bronze Approx 21.5" High (to raised hand) Signed and Dated Foundry Mark "Susse Freres" Originally modeled in white biscuit porcelain this Greek dancer is a from a set of eight created for a dining table. They were immediately successful when they were exhibited in the Sevres pavilion at the 1900 Exhibition. Individual figures could be ordered and "La Cothurne" proved the most popular. Their success led to the firm of Susse buying the right to cast versions in metal. Agathon Leonard (1841-1923) is one of the well-known French Art Nouveau sculptors. Born in Lille in 1841, he first studied there before moving to Paris where he studied at the Ecole des Beaux Arts under Eugene Delaplanche. He gained recognition at the annual Expositiones Universelles, winning a Silver Medal there in 1889 and gold in 1900. His most important piece, Jeu L'echarpe, was the best known series of Sevres production at the turn of the century and sold out at the 1900 Expo in Paris and later was given as a gift by the French Gov't to Nicholas II at the Hermitage. His bronzes were cast at the Susse Freres Editeurs Foundry. He worked also in marble, quartz and ivory. He also produced Art Nouveau medallions...Category
Early 1900s Art Nouveau Figurative Sculptures
MaterialsBronze
- Blonde VivienneBy Tom WesselmannLocated in Missouri, MOBlonde Vivienne, 1985-86 Transfer-printed service plate in colors. Diameter: 12 in. (30.5 cm). published by Rosenthal, Limited Edition, GermanyCategory
1980s Pop Art More Art
MaterialsCeramic
- Lozenge with Dancer and HindBy Pablo PicassoLocated in Missouri, MOLozenge with Dancer and Hind (#620, Ramie) Red Earthenware Clay Edition Madoura Picasso, 93/500 (Verso)Category
1970s Modern More Art
MaterialsCeramic
- Little-Headed Pitcher (R.222)By Pablo PicassoLocated in Missouri, MOTurned Pitcher Edition of 300 A.R. White Earthenware Clay, Oxidized Paraffin Decoration, White Enamel, Black 5.12 x 5.71 inchesCategory
1950s Modern More Art
MaterialsCeramic
You May Also Like
- Peacock Vase by Paul Dachsel for Amphora, Art Nouveau c. 1900Located in Chicago, ILCeramic vase designed by Paul Dachsel for Amphora featuring delicate gold cross-hatching and relief elements to evoke peacock feathers. Polished gold glaze around mouth, on handles, and base relief...Category
Early 1900s Art Nouveau More Art
MaterialsCeramic
- Rare Earthenware Peacock Feather Vases by Clement Massier, Art Nouveau c. 1900By Clement MassierLocated in Chicago, ILA pair of exceptional earthenware vases by Clément Massier in a unique rectangular form, featuring albino peacock feathers enhanced by accents of purple and gold glazing. As Massier ...Category
Early 1900s Art Nouveau More Art
MaterialsCeramic
- Art Nouveau Egyptian Sphinx Bowl by Ernst-Wahliss c. 1900Located in Chicago, ILUnique earthenware bowl featuring a pair of golden Egyptian sphinxes and stylized purple flowers in an incised pattern, with an iridescent glaze of rich green, blue, and purple hues....Category
1910s Art Nouveau More Art
MaterialsCeramic
- Secessionist Vase with Raindrops by Paul Dachsel c. 1900By Paul DachselLocated in Chicago, ILA low naturalistic vase in a rare carmine color of red with purple overtones, featuring an opalescent raindrop ornamentation. Whereas earlier Art Nouveau pottery focused on asymmetri...Category
Early 1900s Art Nouveau More Art
MaterialsCeramic
- Amphora Vase with Water Lilies by Ernst Wahliss, att. Paul Dachsel, c. 1900Located in Chicago, ILEarthy, textured water lily leaf vase with gilted, figural stem arms which encircle the golden mouth of the piece with their flowers. Stamped Ernst Wahliss and numbered in the base. ...Category
Late 19th Century Art Nouveau More Art
MaterialsCeramic
- EDDA Icy Nordic Vase by RStK Amphora c. 1900Located in Chicago, ILHard earthenware vase, matte white with blue-gray accents made to evoke ice and winter. The 1900 EDDA series from Amphora was named after two medieval Icelandic poems of Norse mythology...Category
Early 1900s Art Nouveau More Art
MaterialsStoneware
Recently Viewed
View AllMore Ways To Browse
Blue Green Art
Green With Flowers
Blue Flowers Art
Art Nouveau Original Art
Modern Art Blue Green
Art Nouveau Flower
Vintage Van Art
Blue And Green Original Art
Flowers Used In Art Nouveau
Blue Art Nouveau
Green Art Nouveau
Lost Found Art
Dior With Flowers
Flower Carry
Man With Flower
Green And Blue Flower Art
Vintage Blue Palette
Greatest Modern Art