K.G. Subramanyan

Lady on the Chair, Ink on paper, Black Color by KG Subramanyam “In Stock”

Sunil Das - Head, Ink & Watercolour on paper - 11 x 17.25 inches (unframed size) Free Shipping Without Frame Sunil Das (1939-2015) was a Master Modern Indian Artist from Bengal. Ex...

Sunil Das - Untitled - 8.5 x 7 inches (unframed size) Ink &Charcoal on paper Inclusive of shipment in ready to hang form. In the sixties Sunil's art was often seen to feature a dial...

Jatin Das - Kneeled to the Earth - 30 x 20 inches (unframed size) Charcoal on paper Inclusive of shipment in a roll form. Style : The multi-faceted Jatin Das has been a part of the Indian art scene for more than four decades, with his paintings, murals and sculptures. The human body holds an endless fascination for him and he pursues his quest for dynamic figures tirelessly, using a linear structure and quick brushwork. The man-woman relationship, in particular, with all its attendant pain and joy is a constant source of inspiration to him. He believes that painting is an intensely personal experience, the results of which cannot always be shared with others. About the Artist and his work : Born : Jatin Das is one of India's most prominent painters. He was born in Mayurbhanj Orissa in 1941. Education : He has completed his education in 1962 from Sir J. J. School of Fine Arts, Mumbai. He has been also involved with art institutions, in several capacities as a teacher at the College of Art, New Delhi, and at the National School of Drama, New Delhi; as a consultant for the Handicrafts Board, and for the Folk Art Museum, Orissa, to mention a few of the positions he held. Solo exhibition : He has held many solo exhibition including : 2010-11 'Hand-held Space', Museum Gallery; Gallery Art and Soul, Mumbai, 2009 The Artists Alley Gallery, San Francisco, USA, 2009 Chelsea Arts Club, London, 1976 Kumar Art Gallery, New Delhi, 1975 Gallery de Sfinx, Amsterdam, 1975 Commonwealth Institute Art Gallery, London, UK, 1975 Schloss Bellevue, Kassel, West Germany, 1975 City Museum and Art Gallery, Birmingham, UK. Group exhibition : He has participated in many group exhibition including : 1982 ‘Moderene Kunst Heute’, Museum of Modern Art, Darmstad, Kunsthalle, West Germany, 1980 Contemporary Paintings in Miniature Format, Lalit Kala Akademi, New Delhi, 1979 All India Exhibition of Prints, Chandigarh, 1979 Asian Arts Exhibition, Fukoaka Art Museum, Japan, 1978 National Gallery of Modern Art (N.G.M.A) Collection, Warsaw, Alleppo, Damascus, Narodini Gallery V, Loden, Prague, Cultural Centre, Niavaran, Budapest. Honours and Awards : 2012 Padma Bhushan by the Government of India. 2007 Conferred the D.Litt. (Honoris Causa), Utkal University of Culture, Bhubaneswar. 2007 Seminar Management Institution, Bhubaneswar. 2007 Bharat Nirman Award. 2007 Order of the Star...

Paritosh Sen - Untitled - 30 x 22 inches (unframed size) Charcoal on paper Inclusive of shipment in a roll form.The work comes with a certificate signed by the artist himself. An il...

Dhiraj Chowdhury - Urbashi Series - 12 x 12 inches (unframed size) Charcoal on Board ( Framed & Door Delivered ) Style of the Artist : He steadfastly believes that art has to be closely associated with life – with humanity, with humanism. And he comes through with this concept in his works – which are sometimes heart – reading, sometimes violent, brutal even chaotic, but always cogent, modern, and somehow loaded with both wisdom and hope. About the Artist and his work : Born : 1936, West Benagal, India...

Debabrata Basu - Being one with Nature I - 26 x 20 inches (unframed size) Charcoal on Fabriano Paper Style : Debabrata derives his style and theme by introspecting within himself. T...

-ARTIST STATEMENT- I depict my person in multiplicity with different selves representing dramatis personae. My likeness is both implicit and symbolic in the portrayal of my narrative; the drama involved in creating art and the artist’s role in society. I use realism to invite the viewer into mysterious inner worlds that are layered reflections of the outer. Dehumanizing environments are imbued with art historical references as a critique of power structures. The artist is an Everyman who is at odds with society and his self. Visually my work is a celebration of society’s dark undercurrents and its overlooked absurdities. I use charcoal and printmaking media as their tenebrous values add a fitting metaphor. The nuances of light and shadow seduce viewers into a world their better judgment would have them avoid. This provokes a sense of disquietude that causes viewers to assess our world through the austerity of a colorless, yet not humorless, light. -BIO- Christopher Ganz grew up in Northeast Ohio and from early on had a fertile imagination and an interest in art. Christopher's artistic education truly began at the University of Missouri, where his love of the human form led to many figure drawing classes and his exposure to the wonders of printmaking. Christopher's then went onto graduate school at Indiana University and a summer abroad program in Italy was a dream realized. Christopher then grasped charcoal with a renewed vigor and large, sfumato-laden drawings ensued. Christopher's artistic influences are many; from a seminal exposure to Dore's engravings of the Divine Comedy, to Rembrandt, Caravaggio, Goya, and up to Lucian Freud, Mark Tansey...

The artwork is unframed and will be shipped rolled in a tube Krzysztof Gliszczyński is Professor for painting on Academy of fine arts Gdansk. Krzysztof Gliszczyński born in Miastko in 1962. Graduated from the Gdańsk Academy of Fine Arts in 1987 in the studio of Prof. Kazimierz Ostrowski. Between 1995 and 2002 founder and co-manager of Koło Gallery in Gdańsk. lnitiator of the Kazimierz Ostrowski Award, con-ferred by the Union of Polish Artists and Designers (ZPAP), Gdańsk Chapter. Dean of the Painting Faculty of the Gdańsk Academy of Fine Arts in the years 2008-2012. Vice Rector for Development and Cooperation of the Gdańsk Academy of Fine Arts in the years 2012-2016. Obtained a professorship in 2011. Currently head of the Third Painting Studio of the Painting Faculty of the Gdańsk Academy of Fine Arts. He has taken part in a few dozen exhibitions in Poland and abroad. He has received countless prizes and awards for his artistic work. He is active in the field of painting, drawing, objects, and video. Artist Statement In the 1990s I started collecting flakes of paint – leftovers from my work. I would put fresh ones in wooden formworks, dried ones in glass containers. They constituted layers of investigations into the field of painting, enclosed in dated and numbered cuboids measuring 47 × 10.5 × 10.5 cm. I called those objects Urns. In 2016, I displayed them at an exhibition, moulding a single object out of all the Urns. The Urns inspired me to redefine the status of my work as a painter. In order to do it, I performed a daunting task of placing the layers of paint not in an urn, but on a canvas, pressing each fresh bit of paint with my thumb. In the cycle of paintings Autoportret a’retour, the matter was transferred from painting to painting, expanding the area of each consecutive one. Together, the bits, the residua of paint, kept alive the memory of the previous works. It was a stage of the atomization of the painting matter and its alienation from the traditional concepts and aesthetic relations. Thus, the cycle of synergic paintings was created, as I called them, guided by the feeling evoked in me by the mutually intensifying flakes of paint. The final aesthetic result of the refining of the digested matter was a consequence of the automatism of the process of layering, thumb-pressing, and scraping off again. Just like in an archaeological excavation, attempts are made to unite and retrieve that which has been lost. This avant-garde concept consists in transferring into the area of painting of matter, virtually degraded and not belonging to the realm of art. And yet the matter re-enters it, acquiring a new meaning. The matter I created, building up like lava, became my new technique. I called it perpetuum pictura – self-perpetuated painting. Alchemical concepts allowed me to identify the process inherent in the emerging matter, to give it direction and meaning. In a way, I created matter which was introducing me into the pre-symbolic world – a world before form, unnamed. From this painterly magma, ideas sprung up, old theories of colour and the convoluted problem of squaring the circle manifested themselves again. Just like Harriot’s crystal refracted light in 1605, I tried to break up colour in the painting Iosis. Paintings were becoming symptoms, like in the work Pulp fiction, which at that time was a gesture of total fragmentation of matter and of transcending its boundaries, my dialogue with the works of Jackson Pollock and the freedom brought by his art. The painting Geometrica de physiologiam pictura contains a diagram in which I enter four colours that constitute an introduction to protopsychology, alchemical transmutation, and the ancient theory of colour. It this work I managed to present the identification of the essence of human physiology with art. But the essential aspect of my considerations in my most recent paintings is the analysis of abstraction, the study of its significance for the contemporary language of art and the search for the possibilities of creating a new message. For me, abstraction is not an end in itself, catering to the largely predicable expectations of the viewers. To study the boundary between visibility and invisibility, like in the work Unsichtbar, is to ask about the status of the possibilities of the language of abstraction. The moment of fluidity which I am able to attain results from the matter – matter...

This layered paper and drawing collage titled "Mass Study II" is an original artwork by Seth Clark made of paper, charcoal, pastel, graphite, and acrylic on wood panel. Using found ...

This architectural wall-hanging artwork titled "In Isolation Series VII" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This p...

This architectural wall-hanging artwork titled "In Isolation Series VI" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...

This architectural wall-hanging artwork titled "In Isolation Series II" is an original artwork by Seth Clark made of collage, charcoal, pastel, graphite, and acrylic on wood. This pi...