Marc Baseman

Oil Monoprint Portrait Painting on Paper 1/1 Neo Expressionist

1993

Marc Baseman is a visual artist. Marc Baseman has had several gallery and museum exhibitions, including at The Harwood Museum of Art, University of New Mexico.He has been exhibiting ...

Emilio Cruz (1938-2004) Bonnie and Clyde Pastel on paper Hand signed lower right Dimensions Framed H 15-7/8" W 18-1/2", Sight H 13-1/2" W 16-1/8" Emilio Antonio Cruz (1938 – 2004) was a Cuban American artist who lived most of his life in New York City. His work is held in several major museums in the United States. Emilio Antonio Cruz was an American Artist of Cuban descent. He was born in the Bronx on March 15, 1938. He studied at the Art Students League of New York with Edwin Dickinson, George Grosz and Frank J. Reilly and at The New School in New York City, and finally at the Seong Moy School of Painting and Graphic Arts in Provincetown, Massachusetts. As a young artist in the 1960s, Cruz was connected with other artists who were applying abstract expressionism concepts to figurative art such as Lester Johnson, Red Grooms, Mimi Gross, Bob Thompson and Jan Muller. He combined human and animal figures with imagery from archaeology and natural history to create disturbing, dreamlike paintings. Cruz received a John Hay Whitney Fellowship and awards from the Joan Mitchell Foundation and from the National Endowment for the Arts. In the late 1968, Emilio and wife Patricia Cruz moved to St. Louis to work with Julius Hemphill and the Black Artists Group. He served as director for the visual arts program, which also included painters Oliver Jackson and Manuel Hughes. In addition to artistic contributions, the couple participated in city-wide civil rights protests and rent strikes. Cruz moved to Chicago and taught at the School of the Art Institute of Chicago during the 1970s, where he exhibited widely and was represented by the Walter Kelly Gallery. He wrote two plays, Homeostasis: Once More the Scorpion and The Absence Held Fast to Its Presence. These were first performed at the Open Eye Theater in New York in 1981, and later were included in the World Theater Festival in Nancy and Paris, France, and in Italy. In 1982 he returned to New York where he began to exhibit again. In the late 1980s he resumed teaching at the Pratt Institute and at New York University. Harry Rand, Curator of 20th Century Painting and Sculpture at the Smithsonian American Art Museum, described Emilio Cruz as one of the important pioneers of American Modernism of the 1960s for his fusion of Abstract Expressionist art with figuration. Geno Rodriguez, Curator and Executive Director of The Alternative Museum, wrote in 1985, "Emilio Cruz, is a brilliant and impassioned artist whose current paintings are monumental, imbued with intelligence, fury and an apt sense of irony. They reflect the turbulent world within which we live." Geoffrey Jacques wrote in 1990, "Emilio Cruz paints humanity’s essence. Mythology and archeology are the foremost concerns of the painter Emilio Cruz. Dinosaurs, skeletal humans and fossil-like images are used in his work as metaphoric signposts in a consideration of the basic questions of existence." Art historian and curator Paul Staiti wrote in 1997, "Emilio Cruz's Homo sapiens series is a strange and haunting genealogy of the modern soul... What is at stake here more than biopolitical culture, is the remystification of the body and mapping of consciousness ... For all the trauma, explicit and implicit, Cruz's style is masterful, classical, even beautiful." Exhibitions Cruz held his first solo exhibition at the Zabriskie Gallery in New York in 1963. Afterwards his work was included in many group and solo exhibitions, including the Anita Shapolsky Gallery in 1986 and 1991, museum exhibitions at the Studio Museum in Harlem in 1987, the Pennsylvania Academy of the Fine Arts in 1997. In 1994, Cruz's work was shown as part of the American contingent at the IV Bienal Internacional de Pintura en Cuenca, Ecuador. Other American artists exhibiting at this show were Donald Locke...

Peter Julian (born 1952 in Buffalo, New York) is an American artist best known for his Neo-expressionist paintings in the 1980s. His first major exhibition was in New York in 1982 at The New Museum as part of the museum’s annual “New Work/New York” series of exhibitions. THis piece is from that exhibition. (New Work / New York. 1982; 34 pages; staple-bound; 34 pages; 44 b/w illustrations. Essays by Lynn Gumpert and Ned Rifkin. Foreword by Marcia Tucker. Artists: Tom Butter, Tom Evans, John Fekner, Judith Hudson, Peter Julian, Cheryl Laemmle...

MICHAEL HAFFTKA "The Wave" Hand signed lower right "Hafftka" Oil and pastel on paper, 30.5" x 22.25". Framed 39" x 31.5". Michael Hafftka (born 1953) is an American figurative expressionist painter and musician, composer, living in New York City. Hafftka was born in Manhattan, New York (1953) to Eva and Simon Hafftka, European refugees and Holocaust survivors. He was raised in the Bronx and attended public schools. His work is represented in the permanent collections of a number of museums, including: The Metropolitan Museum of Art, New York Museum of Modern Art, Brooklyn Museum of Art, San Francisco Museum of Modern Art, Carnegie Museum of Art, New York Public Library, McNay Art Museum, Housatonic Museum of Art, Arizona State University Art Museum, National Gallery of Art, and Yeshiva University Museum. He was included in the show Jewish Themes/Contemporary American Artists II, The Jewish Museum, New York, Hannelore Baron...

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

On heavy Arches deckle edged paper. This combines text or poetry in calligraphy on the side. Gary Hansmann (1947-2008) was active/lived in California. He is known for abstract, Surrealism figure painting. Gary William Hansmann was born Dec. 4, 1940, in San Diego to Ethel May Williams and Lester Hughes Hansmann. He grew up in Encinitas and served in the Army in the early 1960s. Gary Hansmann, San Diego artist, teacher and gallery owner, was known for his Surrealist nude and animal drawings and graphics. He spent time working in Paris and exhibiting his art throughout Europe, but San Diego was home until he moved to Washington state. His life partner was fellow artist, Jill Hosmer. Mr. Hansmann, a respected printmaker and prolific artist, created thousands of drawings, prints and paintings as well as hundreds of poems. His interest in bullfighting led to a book of poetry and illustrations on the subject, “La Corrida, The Run”, a collection of poetry & artwork written as he was preparing for his first bullfight. Prologue written by famous Mexican Matador Antonio Lomelin. The book is written in English and translated into Spanish on opposing pages and was published in 1983. Mr. Hansmann taught intaglio and monotype at the Academy of Fine Arts in San Diego from 1977 to 1980 and at the San Diego Museum of Art in 1980. He also gave lectures and demonstrations throughout the art community, including at the San Diego Art Guild in Del Mar and Artist Equity in San Diego. Although he attended Palomar College in San Marcos and studied lithography at the San Diego Academy of Fine Arts, Mr. Hansmann was mostly self-taught and self-educated. Mr. Hansmann had shows in several art-world capitals, including Paris; Lisbon, Portugal; Cologne, Germany; Brussels, Belgium; and New York. he had one-person exhibits at the Loft Gallery in Clarkston, the Lewis-Clark State College Center of Arts & History, the Carnegie Art Center in Walla Walla and the Valley Art Center in Clarkston. During his long, distinguished career as an artist he had numerous one-person exhibits all over the world and the United States. His group shows are too numerous to mention, but his one-person exhibits were in Koln, Germany; Bruxelles, Belgium; Paris, France; Viana do Castelo, Portugal; Lisbon, Portugal; Tecate, Mexico; and British Columbia, Canada; and many states at home. Palomar College, San Marcos, Calif. San Diego Academy of Fine Arts Brooklyn Museum, Brooklyn, N.Y. University of Southern California, Idyllwild (ISOMATA) University of San Diego San Diego Museum of Art James Copley Library, La Jolla, Calif. Biblioteca Nazionale Marciana, Venice, Italy Centre de Arte Moderna Gulbenkian Foundation, Lisbon, Portugal Museo Taurino de la Communidad de Madrid, Madrid, Spain Atelier Lacouriere et Frelaut, Paris, France Gordon Gilkey Collection Portland Art Museum, Portland, Or. Coos Art Museum, Coos Bay...

"Vendémiaire" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. This artwork is...

"Man Wearing Crown in Water" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. This artwork is part of a new ongoing series called "Humans Without Warning". Typical of the artist's practice, it is mythic and humanitarian all at once, striking several political and spiritual notes as well. From Dale Williams – "The figures of Humans Without Warning arrive with little forethought. They soon reveal their troubled and antic states of being. They began at the start of the COVID pandemic and explore shared vulnerabilities in a time of political and social disunity. If I am mindful of any of their attributes as I work on them, it is surely how the figures mirror the losses many of us have experienced over the past two years, and the accompanying trudge which often finds us stumbling into numbness." From George Del Barrio (2018), Vanderbilt Republic, Brooklyn NY: "Williams acknowledges a large range of influences on his vision: the moral lessons embodied in the works of 17th century engraver Jacques Lagniet, the darkling phantasms and tragic reportage of Goya’s Caprichos and Disasters of War, and the personal mythologizing of the late paintings of Philip Guston. Such works echo throughout Williams social surrealist re-visioning." Dale Williams has exhibited in the New York City area for over 25 years. He is a 2014 recipient of a Fellowship in Printmaking/Drawing/Book Arts from the New York Foundation for the Arts. His recent one-person show, “America Now Suite,” which re-visioned American history in service of the civic imagination, was held at Gowanus Loft, Brooklyn in October 2018. A selection of portraits from “America Now Suite” was included in the BRIC Biennial, Winter/Spring 2019. His portrait of Osip Mandelstam...

"Running To Running From" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. Thi...

"Running To Running From" is an acrylic paint and mixed media on paper, by Brooklyn, New York artist Dale Williams. It measures 50" high by 38" wide. Thi...

"The golden triangle" is the second pair from the series of Abfillage works referred to as "Renegades of a breaking nation". The eliminated afro hair, the symbol, and the expressions form the basis of the narrative of this art. The expression of serenity, tranquility, calmness, pride, unconscious of the external environment, and a state of deep thought defines the emotional status of the subject. The symbol of this pair is a triangular sign made with a golden color on the neck. It is made of three strokes, unlike the first pair made of 2 strokes, thereby showing a transition. It is basic and a symbol of balance like the other four paintings. The term "golden triangle" is a term used in mathematics for a triangle with an interior angle ratio of 1:2:2. But rather than constructing a mathematical golden triangle, the triangle was painted with golden pigment. The triangle is a symbol of geometric sturdiness and strength, a symbol of harmony, and unity of 3 parts. When we are focused on our truth, we are connected to life and have the experience of life coming to us. "Renegades of a breaking nation" is a series of 5 Abfillage artworks, created in 3 sections creating a form of transition using 3 symbols. A transition from a state of one nation to another. By creating a combination of expressive portraits and symbols in gold acrylic pigments which all signify balance. A transition to steadiness, equilibrium, and stability of a country. Shipping Procedure Ships from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born and raised in Nigeria, West Africa, Prosper grew up drawing comics and characters which enabled him to understand the human figure and expressions properly, after which he became a full-time studio artist in 2017 Prosper studied at the Federal University of Technology Owerri, where he learned Building technology with an architectural background on designing. He also acquired expertise in graphic design, illustration, 3D modeling, video editing, and animation In 2018 he had his first official art exhibition where he won the Peace Poster award for his painting on Peace at the ANBUKRAFT He has participated in several exhibitions and competitions since then and has won some of them In 2020 he was signed as a brand ambassador to TECNO mobile Nigeria on a one year deal His works has appeared in countries like South Africa, United Kingdom, United States, Canada, Japan e t c Prosper Aluu makes figurative and expressive paintings His stylized figures show the use of the artistic devices of elongation and exaggeration and his unique style of painting the iconic afro hairstyle These are his ways of celebrating and negotiating African identity In traditional African art visual codes, the exaggeration of the head in comparison to other parts of the body is a well-known visual strategy to establish the head as the seat of wisdom...

"The golden triangle" is the second pair from the series of Abfillage works referred to as "Renegades of a breaking nation". The eliminated afro hair, the symbol, and the expressions form the basis of the narrative of this art. The expression of serenity, tranquility, calmness, pride, unconscious of the external environment, and a state of deep thought defines the emotional status of the subject. The symbol of this pair is a triangular sign made with a golden color on the neck. It is made of three strokes, unlike the first pair made of 2 strokes, thereby showing a transition. It is basic and a symbol of balance like the other four paintings. The term "golden triangle" is a term used in mathematics for a triangle with an interior angle ratio of 1:2:2. But rather than constructing a mathematical golden triangle, the triangle was painted with golden pigment. The triangle is a symbol of geometric sturdiness and strength, a symbol of harmony, and unity of 3 parts. When we are focused on our truth, we are connected to life and have the experience of life coming to us. "Renegades of a breaking nation" is a series of 5 Abfillage artworks, created in 3 sections creating a form of transition using 3 symbols. A transition from a state of one nation to another. By creating a combination of expressive portraits and symbols in gold acrylic pigments which all signify balance. A transition to steadiness, equilibrium, and stability of a country. Shipping Procedure Ships from Nigeria This work is unique, not a print or other type of copy. Accompanied by a Certificate of Authenticity (Issued by the Gallery) About Artist Born and raised in Nigeria, West Africa, Prosper grew up drawing comics and characters which enabled him to understand the human figure and expressions properly, after which he became a full-time studio artist in 2017 Prosper studied at the Federal University of Technology Owerri, where he learned Building technology with an architectural background on designing. He also acquired expertise in graphic design, illustration, 3D modeling, video editing, and animation In 2018 he had his first official art exhibition where he won the Peace Poster award for his painting on Peace at the ANBUKRAFT He has participated in several exhibitions and competitions since then and has won some of them In 2020 he was signed as a brand ambassador to TECNO mobile Nigeria on a one year deal His works has appeared in countries like South Africa, United Kingdom, United States, Canada, Japan e t c Prosper Aluu makes figurative and expressive paintings His stylized figures show the use of the artistic devices of elongation and exaggeration and his unique style of painting the iconic afro hairstyle These are his ways of celebrating and negotiating African identity In traditional African art visual codes, the exaggeration of the head in comparison to other parts of the body is a well-known visual strategy to establish the head as the seat of wisdom...