PORTRAIT OF AN INDIAN NOBLE WOMAN 19TH C , OIL ON CANVAS, RESTORED, FRAMED

1850

Look for free shipping when checking out. If not gallery will pay shipping in Continental USA. Gallery Wrapped. Giea reexamines portraits of individuals throughout history to illustrate the premise that history flows into the present in an ever-changing state. And, with each new context, we view people and events through a contemporary lens specific to that moment. Giea appropriates and contextualizes original portrait elements to create reinvented portraits using technique and patterning that brings a contemporary context and perspective to these historically inspired portraits. My current body of work, Contemporary Histories, explores this phenomena by re-interpreting historical portraiture using a contemporary visual language. It is my intent to create a modern visual lens through which to view these individuals and their legacies, as they continue to flow into the present in ever-changing states. As a keen example of how history changes and morphs over time, I have selected portraits of women who chose an alternate path from the traditional ones prescribed in their times. Some of these individuals overtly stepped outside the traditional roles prescribed for women to realize their goals. Others astutely maneuvered within the social system they lived in to obtain their aspirations. Whether altruistic or nefarious, these women and their actions altered the future cultural landscape. Through a 21st century lens, we view them as women with minds of their own, who made choices to control their own lives and futures. Often, in stark contrast to how they were viewed and how their actions were recorded in their own times. For a modern visual language, a combination of fine and decorative arts has inspired my approach to this subject. Employing several formal contemporary tenets, most notably, rather than place the figure in a 3-dimensional space, as in the originals, the figures reside in flat graphic picture planes of damask designs, repetitive patterns or botanical grounds as modern settings for their modern legacies. These graphic backgrounds symbolize what was historically considered a woman’s proper domain, in particular, gardening and needle crafts, such as; quilting, embroidery and sewing. Formally, unlike the originals, I am working alla prima, rather than with a base grisaille and delicate layers of glazing. While, the patterned and botanical environments, along with gold leaf applications, contemporary compositions and color palettes are formally influenced by a spectrum of 19th - 21st century artists and artisans; from Gustav Klimt and the Wiener Werkstatte to Henri Rousseau, Tamara de Lempicka and Will Cotton. BIO Honora Jacob...

Samuel S.Hoskins Statement on Winter: Delving into the symbolism of winter, I painted a figure dressed in black, embracing the harvest of autumn. In my perspective, winter signifies a moment to take stock of one's life, withdrawing into a state of reflection. It's a time to gaze ahead, anticipating the promises that spring holds for renewal and growth. As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

Samuel S.Hoskins Statement on Sacred Writing : I sought to delve into the concept of sacred texts, encompassing both religious and mythological narratives. Unlike conventional books, these sacred texts are dynamic, evolving throughout an individual's lifetime and human history. Reading such a text in childhood carries distinct significance compared to revisiting it in later stages of life. To symbolize our transformative journey, I depicted a path leading into the forest, illustrating how our life experiences influence our connection with these profound literary works. Sacred Writing 26x34 28x36 with Frame As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

Samuel S.Hoskins Statement on White Roses: "White Roses" is an endeavor to evoke the enchanting fragrance of roses. One of the most delightful aspects of living in Florence, Italy, is cycling through the outskirts of the city in spring after a refreshing rain shower. The rain seems to awaken the scents of various flora. I utilized Viridian Green and Cerulean Blue to capture the cool contrast that rain imparts to the flowers, seeking to encapsulate the sensory experience of those post-rain, blossoming moments. White Roses 14x18 20x24 with Frame As a graduate of The Florence Academy of Art and a devoted oil painter, Samuel Hoskins...

Samuel S.Hoskins Statement on The Traveler : I hold a deep appreciation for the motif of the traveler. I prefer to perceive my life as a narrative in which I play the role of a traveler. Much like in life itself, this journey involves navigating through various elements and facing the challenges that life presents. At times, the journey may be characterized by sunny and pleasant moments, while at other times, it might resemble a chaotic storm. Nevertheless, there is a profound beauty woven in it all. The Traveler by Samuel Hoskins...

BESAME-KISS ME is a new painting from the studio of Cuban artist Cristian Mesa Velazquez. Kiss Me is an oil painting done in the Realist Style of contemporary painting which is oil on canvas. Cristian Mesa Velazquez is known for his figurative and portrait paintings done in the realist style. Cristian studied in several of the best art schools in Cuba and now lives in Barcelona, Spain. Cristian Mesa has won several art prices from several countries around the world including Luxemburg, Spain and Cuba. Born in Cuba, Mesa proposes an art that is reminiscent of the great masters of drawing, due to the cleanliness of his line that combines with highly contrasting tones. On February 18th 2013, the set of five buildings that make up the National School of Arts (ENA) and the Instituto Superior de Arte (ISA) was declared National Monument. The architects Ricardo Porro, Roberto Gottardi and Vittorio Garatti received in Italy the Vittorio de Sica Architecture Award 2012, in recognition of this majestic work. According to UNESCO, this compound is listed as one of the most important Cuban architectural structures and disseminated internationally. It is considered as a unique and representative monument of an unprecedented historical moment. It fulfills a social and practical function, and also has a high cultural and ideological value, being one of the most outstanding examples of the Modernist Movement in Cuba. Emergence of a sui generis place STATEMENT: The National School of Art arises from the need to create a system for arts education in Cuba and achieve its expansion throughout the country. Treasuring our cultural traditions, and conceived as a multidisciplinary center, it gathered the best examples of art in all its manifestations to create the first faculty. For the first time in history, an art school received students from all social classes and regions, making it majority´s right. The selection is based only on the ability and talent of the candidates, which are subject, prior to admission, to very rigorous and grueling tests. In the first academic courses, students had to overcome two levels of education (elementary and middle), but in 1976 it was created the ISA for university education of their students. Expansion of education at the National School of Arts The National School of Arts began teaching four specialties: ballet, music, drama and visual arts. Later modern...

Italian painter (19th century) - Portrait of a gentleman with a book. 92 x 71 cm. Antique oil painting on canvas, without frame. Condition report: Lined canvas. Good condition of ...

Oil on canvas Signed and dated, l.r. This artwork is offered by ClampArt, located in New York City Born in California, John Button (1929-1982) was educated at University of California, Berkeley. After moving to New York City in the early 1950s, he became friends with Fairfield Porter and Frank O’Hara...

The Madonna folded her hands in prayer before the Child Jesus. In this painting, the skill of the artist is amazing with which he expressed the tenderness and touching of the composi...

Ceremonial Portrait of Noble German Lady - amazing discovery of hidden monogram "J.E. 1826" disclosing Great American portraitist Jacob Eichholtz (17...

Pacifying painting of cozy scene with Italian family perhaps having rest on the long road. Warm autumn featuring soft sun create this peaceful atmosphere. By anonymous professional o...

Painted in June of 1874 in Bad Driburg by gifted painter Princess Marie Alexandrine of Saxe - Weimar - Eisenach (1849 – 1922), eldest daughter and second child of Charles Alexander, ...