Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 9

Jean Louis Prévost
PRÉVOST. Print from Collection des Fleurs et des Fruits

1805

About the Item

Original stipple engraving by Charles-Louis Ruotte, printed in colour and finished by hand. Framed and glazed, overall size: 63.3 by 47.2 cm. [Paris 1805]. Prevost came from a long line of French artists spanning 400 years. Jean-Louis himself first exhibited at the Salon when only fourteen years of age, showing paintings of bouquets, a vase of flowers and other small botanical studies. Immediately he was commissioned by Monsieur Roussel to paint the flowers in the wealthy landowner's garden. The result was a 12-volume work of gouache studies, entitled "Hortus Cellensis", and was at once acquired by the Paris Natural History Library. Prevost's "Collection des Fleurs et Fruits", a series of 48 stipple engraved plates depicting bouquets and baskets of fruit was engraved by the brilliant and versatile artist Charles Louis Ruotte, who had learned the new practice of coloured engraving under Bartolozzi in London. The work is known as one of the most magnificent and beautiful publications in the world of botanical art, and was used as a manual for designers of chintzes and toiles. Above all, he was a master of composition who could unerringly blend the finest hot-house specimen with the simplest bloom of field or hedgerow to produce beautiful images.
  • Creator:
    Jean Louis Prévost (1750 - 1820, French)
  • Creation Year:
    1805
  • Dimensions:
    Height: 25.04 in (63.6 cm)Width: 18.59 in (47.2 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
    Framed and glazed in a handmade gilt frame. Overall dimensions: 63.6 x 47.2 cm.
  • Gallery Location:
    London, GB
  • Reference Number:
    Seller: 935121stDibs: LU141926745862
More From This SellerView All
  • GALLESIO. A Group of Six Grapes.
    Located in London, GB
    Six hand-coloured plates of Grapes, printed in colour and finished by hand. Framed and glazed, overall size: 42.5 by 57.5cm. Pomona Italiana Ossia Trattato Degli Alberi Fruttiferi...
    Category

    1810s Naturalistic Still-life Prints

    Materials

    Engraving, Handmade Paper

  • REDOUTÉ. Musa paradisiaca - Banana
    By Pierre-Joseph Redouté
    Located in London, GB
    Stipple-engraved plate of Bananas printed in colours and finished by hand. [Chez l’Auteur, Paris, 1802] The highest peak of Redoute's artistic and botanical achievement... Among the most important monuments of botanical illustration ever to be published." (Frans A. Stafleu, "Redoute - peintre de fleurs" in A Catalogue of Redouteana). Redoute was at the height of his powers during the publication of Les Liliacees. It is easily the equal in accomplishment of its more popular successor, Les Roses. The work is broader than its title implies, including as it does petaloid monocotyledons in general belonging, for example to Commelinaceae, Bromeliaceae, Liliaceae, At this time, he had as patron and sponsor Josephine...
    Category

    Early 1800s Naturalistic Still-life Prints

    Materials

    Engraving, Handmade Paper

  • BESLER. A Group of Four Peonies.
    Located in London, GB
    Four magnificent copper engraved plates with hand-colour from "Hortus Eystettensis", one of the earliest and most famous works in the field. [Nuremberg and Eichstatt, 1640]. The Hortus Eystettensis is a pictorial record of the flowers grown in the greatest German garden of its time, that of Prince Bishop of Eichstatt, Johann Conrad von Gemmingen. The garden was begun by Joachim Camerarius in 1596 and, after his death in 1598, completed by Basil Besler...
    Category

    1640s Naturalistic Still-life Prints

    Materials

    Copper

  • BROOKSHAW. A Pair of Melons: White Seed'd Rock and Silver Rock Mellon
    By George Brookshaw
    Located in London, GB
    Pair of aquatints with stipple-engraving, printed in colours and finished by hand, made for Brookshaw's most famous work "Pomona Britannica" or a "Collection of the Most Esteemed Fru...
    Category

    1810s Naturalistic Still-life Prints

    Materials

    Aquatint, Handmade Paper, Engraving

  • THORNTON. Group of Carnations
    By Dr. Robert John Thornton
    Located in London, GB
    Magnificent print by Robert John Thornton; aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First ...
    Category

    1790s Naturalistic Still-life Prints

    Materials

    Engraving, Handmade Paper, Aquatint, Mezzotint

  • THORNTON. The Roses
    By Dr. Robert John Thornton
    Located in London, GB
    Magnificent print by Robert John Thornton. Aquatint and mezzotint, printed in colour and finished by hand, heightened with gum arabic, from The Temple of Flora. [London 1799] First state. Thornton was a prolific medical author and Doctor of Medicine, practicing at St Andrews University and licentiate of the Royal College of Physicians. However, he is best remembered for this great botanical publication The Temple of Flora, which formed a part of the larger work - New Illustration of the Sexual system of Linnaeus. In 1797, he also began advertising for subscribers to his planned natural history publishing venture, which eventually comprised of 30 folio botanical plates. For these remarkable illustrations, he engaged the services of the leading artists and engravers of his day: Sir William Beechey, James Opie, Henry Raeburn, John Russell, Philip Reinagle and others as painters; Francesco Bartolozzi, Richard Earlom and John Landseer. Most of the images were painted by Peter Charles Henderson and Philip Reinagle. These botanical illustrations are unique as they were the first flower prints with landscape backgrounds, depicting the natural habitat of the plant. The life-size flowers stand out dramatically and the whole effect is startlingly modern. Thornton's announced intention was to make this work the most magnificent tribute ever paid to the famous Swedish botanist Linnaeus by illustrating his Sexual System with the finest possible prints. All these were engraved on a larger scale than anything which had hitherto appeared and then were printed in colour, an expensive and uncommon method in England at this time. A brilliant effect. This rare and celebrated plate of the Roses...
    Category

    1790s Naturalistic Still-life Prints

    Materials

    Engraving, Handmade Paper, Mezzotint, Aquatint

You May Also Like

Recently Viewed

View All