Bruno Cantais Art

Perfect example of Meanwell’s work. Amazing texture. Framed in a gold wood frame. The piece measures 17.75 x 22 inches framed, 13.5 x 17.5 inches unframed. Signed and dated lower l...

Oil on paper Joffe's career spans the post-World War II Abstract Expressionist movement to the present. She is known for her powerful images of women and horses, often intertwined, a...

Gorgeous oil and watercolor on paper by abstract expressionist artist Adine Stix. Beautiful shades of pink, purples, cobalt blue with s hint of orange cover the paper to create the h...

Mid-century oil of canvas by Wilhelmus Bryan. Bryan was the Director of the Minneapolis School of Art from 1951 to 1962. This abstract was painted in 1962/1963, and has gorgeous deep...

Gorgeous oil on paper by abstract expressionist artist Adine Stix. Beautiful hades of pink, with purple, blue, yellow and a touch of brown create a gorgeous abstract landscape. Sign...

Artist/ School: French School, signed and dated 1970's verso Title: Abstract figures on a moon like surface Medium: oil painting on board, unframed. board: 30 x 33.5 inches Prov...

Oil monotype Joffe's career spans the post-World War II Abstract Expressionist movement to the present. She is known for her powerful images of women and horses, often intertwined, ...

Jim’s of Lambertville is proud to offer this artwork by: Vaclav Vytlacil (1892-1984) He was born to Czechoslovakian parents in 1892 in New York City. Living in Chicago as a youth, he took classes at the School of the Art Institute of Chicago, returning to New York when he was 20. From 1913 to 1916, he enjoyed a scholarship from the Art Students League, and worked with John C. Johansen (a portraitist whose expressive style resembled that of John Singer Sargent), and Anders Zorn. He accepted a teaching position at the Minneapolis School of Art in 1916, remaining there until 1921. This enabled him to travel to Europe to study Cézanne’s paintings and works of the Old Masters. He traveled to Paris, Prague, Dresden, Berlin, and Munich seeking the works of Titian, Cranach, Rembrandt, Veronese, and Holbein, which gave him new perspective. Vytlacil studied at the Royal Academy of Art in Munich, settling there in 1921. Fellow students were Ernest Thurn and Worth Ryder, who introduced him to famous abstractionist Hans Hofmann. He worked with Hofmann from about 1922 to 1926, as a student and teaching assistant. During the summer of 1928, after returning to the United States, Vytlacil gave lectures at the University of California, Berkeley, on modern European art. Soon thereafter, he became a member of the Art Students League faculty. After one year, he returned to Europe and successfully persuaded Hofmann to teach at the League as well. He spent about six years in Europe, studying the works of Matisse, Picasso, and Dufy. In 1935, he returned to New York and became a co-founder of the American Abstract Artists group in 1936. He later had teaching posts at Queens College in New York; the College of Arts and Crafts in Oakland, California; Black Mountain College in North Carolina; and the Art Students League. His paintings exhibit a clear inclination toward modernism. His still lives and interiors from the 1920s indicate an understanding of the art of Cézanne. In the 1930s, his works displayed two very different kinds of art at the same time. His cityscapes and landscapes combine Cubist-inspired spatial concerns with an expressionistic approach to line and color. Vytlacil also used old wood, metal, cork, and string in constructions, influenced by his friend and former student, Rupert Turnbull. He eventually ceased creating constructions as he considered them too limiting. The spatial challenges of painting were still his preference. During the 1940s and 1950s, his works indicated a sense of spontaneity not felt in his earlier work. He married Elizabeth Foster in Florence, Italy, in 1927 and they lived and worked in Positano, Italy for extended periods of time. Later on, they divided their time between homes in Sparkill, New York and Chilmark, Massachusetts, where Vyt, as he was affectionately called, taught at the Martha's Vineyard Art...

Rebeca Mendoza Pequeño Formato , 2016 Oil on canvas 23 x 31 in (58.42h x 78.74w cm)

We are pleased to present this vivid, modernist work by Marcel Janco, one of the founders of Dada. It is housed in a stunning House of Heydenryk frame. Marcel Janco was a Romanian-Israeli-Jewish painter who was one of the founders of Dadaism and a noted modernist architect. His career evinced the modern artist's interest in the primitive in art. In its earliest years, the Romanian avant-garde flourished mainly outside of Romania, thanks to the conservative and nationalistic mood of that country during the post-World War I era. Dada, the anti-art movement, was hatched by a group of Romanian expatriate artists, Tristan Tzara (born Sami Rosenstein), Marcel Janco and other intellectuals working in Zurich in 1915. The Dada movement, which later took root in other centers in Europe and the United States, fostered an abandonment of traditional artistic methods and forms and urged an approach to art without preconceived ideas. A manifesto by Tristan Tzara said that Dada meant nothing, that ''we want works, straightforward, strong, accurate and forever not understood, logic is always wrong.'' Janco built the scenery for Cabaret Voltaire in Zurich that was the first Dadaist meeting place, and he was one of the most energetic members of the Zurich group. At the cabaret the members of the group put on shows and performances that were alien to and completely different from anything to which the bourgeois society of Zurich was accustomed. Marcel Janco was a full partner in all the group's activities - he created the masks they wore during stage performances, and took part in the shows that evoked great rage and indignant responses from the audience. A Dada construction of his was reproduced on the cover of Dada, the group's magazine, published in 1917. His best known Dadaist works were abstract, architectonic plaster reliefs, one of which is in the collection of the MOMA. Janco had his first exhibition at Cafe Voltaire in 1916. In 1917, Janco exhibited at the first Dada show in Zurich at the Dada gallery together with Hans Arp, Giorgio de Chirico, Paul Klee, and Tzara. In 1918, he became a member of Das Neue Leben, a group of artists in Basel that included Arp, Fritz Baumann, Augusto Giacometti...

Gorgeous color is d texture n this 24x24 oil on canvas by abstract expressionist Ben Georgia. Georgia's color block technique and his rich texture make his work a perfect example of Abstract Expressionism. Ben's art has evolved from his studies with Theodore Stamos...

"Orange Red," Oil on Canvas, 30 x 30 Inches, is a brilliantly colored, gorgeous and lush abstraction, very expressionist and fluid in style in shades of orange, yellow, red, white, ...