Dan Busta Art

'Kate Moss Supreme' photographed in New York's historic Soho area in 2012 by celebrated downtown photographer Fernando Natalici. In 2012, Moss was chosen as the face for Supreme’s spring campaign. Kate’s cold stare down British photographer Alasdair McLellan’s lens, while wearing Supreme's signature box logo tee, a leopard fur coat and cigarette burning down to the filter, makes for a chic New York City...

The Red Room (The Last Picture Show) - 2005 50x49cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and Signature label. Artist Invent...

Cooler than cool... Debbie Harry, New York, 1977, photographed on the set of "The Foreigner" by celebrated New York underground photographer Fernando Natalici. The Foreigner (director Amos Poe 1977) - a seminal cinematic work at the height of the 1970's American underground - a film which has been documented in virtually every publication pertaining to the history of the late 70's New York Downtown Art scene. Digital C-Print on Kodak Lustre. 11 x 14 inches. Hand Signed, titled & numbered from an edition of 25 (+ 10 A/P's) Obtained directly from artist. Lot 180 New York is authorized dealer rep of Fernando Natalici. Excellent condition. About The Artist: New York based photographer Fernando Natalici is best known for his iconographic documentation of the downtown Manhattan art...

16x20” Limited Edition Next available edition printed upon purchase. Other sizes available. Please allow 4 weeks for production.

11 x 14" vintage silver gelatin photograph of Argentinian dancers Julio Bocca and Eleonora Cassano photographed nude for the December 1993 issue of Pl...

11 x 14" vintage silver gelatin photograph of American Ballet Theatre dancer Stephan Jan-Hoff photographed nude, 1967. Signed on the verso by Jack Mitchell. Comes directly from the J...

11 x 14" vintage silver gelatin photograph of Warhol Superstars Candy Darling and Dorian Gray (nude) for 'After Dark' magazine, 1971 Signed by Jack Mitchell on the print verso. Comes...

The Red Room (The Last Picture Show) - 2005 20x20cm. Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and Signature label. Artist Invent...

A 1992 Annie Leibovitz " Keith Haring " 1986, Institute of Contemporary Arts exhibition poster. Printed in 1992 to accompany the exhibition at The National Portrait Gallery, Washingt...

Fly me to the Moon (Till Death do us Part) - 2005 50x49cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Inve...

11 x 14" vintage silver gelatin photograph of British pop artist Gerald Laing and his wife Galina pose nude for wedding photos in Jack Mitchell's studio,...

Price for UNFRAMED item The Robin Rice Gallery proudly announces SUMMERTIME Salon 2018, an annual photography exhibit featuring gallery artists as well as a few newcomers. This year’s opening reception will be held on Wednesday, June 27th from 6 – 8 PM, and the show will be on view until September 23rd, 2018 Rice has brought together the works of 55 gallery artists and nearly a hundred photographs for this salon-style exhibition. From floor to ceiling, the walls of the gallery are a mosaic of various size photographs in sepia, color and black & white, expertly hung to fit together like pieces of a puzzle. “This is my favorite exhibition even though it takes months to curate and a week to install,” says Rice. “I love the moment when a viewer is first drawn to an image. Sometimes in’s indefinable; a moment when the viewer not only shares but reconnects to an experience remembered.” Each year, the Summertime Salon matures and Rice’s annual masterpiece is revealed to showcase an exhibition stronger than the year before. Rice has a close relationship with the works of her photographers, and strategically curates the show to best exemplify the artists’ strengths, remaining cohesively linked by Rice’s aesthetic. This year’s invitational image, Hoop and Ball by Nenad Samuilo Amodaj is from a series of one hundred photographs. Rice chose three photographs from Amodaj’s series to create a triptych on the back wall of her gallery for this exhibition. The invitational image is of a standing semi-nude woman in profile wearing a hoop skirt. Her entire head rests inside of a large white plaster ball that she holds above her. He explained: “I wanted to explore the abstract architectural properties of the hoop skirt, a clothing item with curious geometric form that appears both in nature and in the world of artifice.” Before photographing the model he created numerous figure drawings that helped solidify his vision for the series. Male nude...