Mogens Bøggild Furniture

Art Deco bronze silver plated and black patinated sculpture "Leda and the Swan" created in 1925 by the celebrated French painter and sculptor Marcel A. Bouraine. This piece was showe...

Falconet was born to a poor family in Paris. He was at first apprenticed to a marble-cutter, but some of his clay and wood figures, with the making of which he occupied his leisure h...

Vintage patinated bronze sculpture 'American Bald Eagle Upon Landing' USA, Circa 1960s Of large scale, realistically cast and modeled of a land...

French Art Deco golden eagle sculpture by ROLAS, France, 1930s. Spelter and marble. Height : 27.4"(69.5cm), Width : 18.5"(47cm), Depth : 9.6"(24.5cm). Some small bites on the bottom...

Two 1880s bronze eagles signed A. Marionnet. They have brass plaques that were originally fastened to the sculptures, but are now not attached. One says A. Marionnet, Paris.

Two 1960s Modernist Clear and Gold Murano Glass Sculptures of Swans are a delightful representation of the artistry and craftsmanship associated with...

1960's Brutalist bronze, brass and walnut table sculpture, in vintage original condition with some wear and patina to the brass due to age and use.

This is a large and patinated bronze figure of a horse. It is almost life-like and has great pony details from head to tail. No visible signature.

Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...

Small bronze sculpture depicting nude female. Made by the Danish artist and sculptor Ove Fritz Rasmussen, (1911-1973). It dates to the late 1940s or early 1950s. It is signed by hand...

SALE ONE WEEK ONLY “Leda and the Swan” is by Reuben Nakian (1897 - 1986). He was an American sculptor and teacher of Armenian extraction. His works’ recurring themes are from Greek and Roman mythology. Nakian’s small bronzes achieve majesty and power which are not dependent on size and amplitude. With characteristic freshness, he has reinterpreted the classical subject of Leda and the Swan refining it in the Classical-Renaissance-Baroque tradition in a contemporary way. Dr. Robert P. Metzger gives us his aesthetic interpretation of this work which retells the myth in classical hedonism and freedom of expression showing Leda and the Swann prior to her being ravaged and during their first meeting. “The young virgin is fascinated with her new found friend and accepts him in a spirit of playfulness, contentment and wonder. She is dreamily available and shyly seductive as the deceptively tame swan snuggles up to her with its phallic-like neck.” Leda appears composed, placid yet open and available as compared to her more intense and passionate states in other of Nakian’s depictions on the same theme. This was cast at the "Renaissance Art Foundry" in 1978 and is so marked on the base being #5 of 7. It is believed that “no other sculptor of the twentieth century matched Rueben’s heroic renditions with the grand themes of Western Art. His erotic mythological figures exude a joyous energy of gesture and movement which place them among seminal sculptural achievements of the past one hundred years.” Nakian studied at the Independent School of Art in New York City previously known as the Robert Henri School … with Homer Boss...

Impressive porcelain by "finissime porcellane" 1950s from Firenze in Tuscany.