Skip to main content

Sergio de Castro Art

to
1
1
1
Overall Height
to
Overall Width
to
1
1
1
1
6,857
3,168
2,516
1,217
1
1
1
Artist: Sergio de Castro
French Argentine Modernist 74.47 Abstract Expressionist Painting
By Sergio de Castro
Located in Surfside, FL
Sergio de Castro (15 September 1922 – 31 December 2012) was a French-Argentinian Sergio de Castro was born in Argentina, in an aristocratic family of Spanish origins (Galicia and the Basque Country), the House of Castro. His father was a diplomat, which is why, from 1923 until 1932, Castro lived in Switzerland with his parents and his two sisters. During these years he visited cities like Lausanne, Geneva and Turin. In 1933 he entered a Jesuit school in Montevideo and he started studying music. He discovered poetry by learning to speak and write in Spanish. He was specially touched by the works of César Vallejo. Through the years Castro would become close friends with writers like Octavio Paz, Julio Cortázar, Samuel Beckett, Kostas Papaioannou and Georges Schéhadé. Later, during a trip to Uruguay, he met Joaquín Torres García, with whom he studied painting and monumental art from 1941 until 1949. In 1942 he moved to Argentina, where he would live until 1949. Castro was also friends with other artists like Nikos Hadjikyriakos-Ghikas, Maria Helena Vieira da Silva and Arpad Szenes. In 1945 he found a job as a secretary in the Astronomy Observatorium of the city of Córdoba, where we also worked as the assistant to the musician Manuel de Falla in Alta Gracia, until his death in 1946. In 1945 and 1946 he had a grant from the French government to study musical composition. During the year of 1946 he had an exhibition in New York City among other members of Torres Garcia's workshop. That same year he traveled to the northeast of Argentina and the south of Perú to study pre-columbian art with Gonzalo Fonseca, Julio Uruguay Alpuy and Jonio Montiel. In 1949 he started teaching History of Music in the new music school of the city of La Plata. His work as a musician drew attention from relevant figures such as Wilhelm Furtwängler, Aaron Copland and Juan José Castro. He quit this job when he got a grant from the French government to improve his musical studies in Paris, where he settled in November 1949. Since 1951 he devoted himself exclusively to painting. In 1955, his friend the German writer and translator Edith Aron introduced him to Julio Cortázar, who would become a close friend of him. Castro inspired the character of Etienne in Cortázar's novel Rayuela (Hopscotch). In the book is featured the intimate friendship of the protagonist, Horacio Oliveira, with his companion in the Serpent Club, whom he often visited in his studio in Paris. In 1960 he won the Hallmark Prize in New York. In 1979 he obtained the French nationality. In 1980 he showed his works at the Argentinian pavilion in the 39th Venice Biennale. He was associate professor in the Human Sciences Faculty of the University of Strasbourg from 1981 until 1986. In 1997 he became Officer in the Ordre des Arts et des Lettres. In 2006, Sergio de Castro made a 220-work donation to the Fine Arts Museum of Saint-Lô. He was also a close friend of the musician Alberto Ginastera, who made reference to Sergio de Castro and his first works in his notes on modern Argentinian music. Castro died 31 December 2012 in Paris. He is buried in the Montparnasse cemetery, in Paris, close to his dear friend Samuel Beckett. Monumental works Two wall paintings for the Martirené Pavilion of the Hospital Saint-Bois (1942), in Montevideo (Uruguay), in collaboration with Joaquín Torres García and his disciples, among which Castro was the youngest. The Creation of the Universe (1956–1958), 6m x 20m stained-glass window. Castro worked with painter and glass-maker J. J. K. Ray (1898–1979) in Paris. Selected Exhibitions 1952 Galerie Jeanne Castel Paris 1954 Galería Bonino Buenos Aires and Galerie Pierre Loeb, Paris 1956 Galerie Rive Gauche, Paris 1958 Matthiesen Gallery, London 1959 documenta 2 Kunst nach 1945 Kassel 1961 Matthiesen Gallery, London 1963–64 Galeria Lorenzelli, Bergamo and Milano 1964 Galería Bettie Thommen, Basel 1965 Kunstverein Hamburg Retrospektive 1966 Musée d'Art et d'Histoire, Fribourg, Switzerland (retrospective) 1966 Recklinhausen, Variationen über ein Thema, Städtische Kunsthalle 1970 Retrospektiven in Oslo, Kunstforering, and Kunst Industriemuseet, Copenhagen, Kunstforening, Oslo, Kunstforening, Holstebro 1972 Wildenstein Gallery, London Landscapes of Light 1974 Galerie Jacob, Paris 1975 Kunsthalle Bremen, Retrospektive, Berlin Tempelhof, Kunstamt (Berlin Festival) 1975–76 Retrospective exhibition the Musée des Beaux-Arts de Caen (68 artworks from 1956 to 1966), France 1979 Hommage à Pierre Loeb, Musée d'Art Moderne de la Ville de Paris 1980 39th Venice Biennale 1987 French Institute London. Museo de Arte Moderno de Buenos Aires 1988 Galerie des Ambassades y Galerie Galarte, Sergio de Castro, Natures Mortes, 1958–1965. Paris/ Bayeux, Diocesan Museum of Sacred Art 1989 Galerie des Ambassades, Paris 1991–92 Romont, Swiss Stained Glass...
Category

1970s Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil

Related Items
Toma Yovanovich Mid Century Abstract Splatter Painting 1960 Black and White
By Toma Yovanovich
Located in Buffalo, NY
Mid-Century Modern black and white abstract expressionist painting by American artist Toma Tovanovich (1931- 2016). C...
Category

1960s Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil

Untitled
By Michael Goldberg
Located in Austin, TX
Oil, pastel, and paper collage on canvas. Signed and dated verso. 52.75 x 47.75 in. 54 x 49 in. (framed) Gilded floater frame. Provenance Compass Rose, Chicago Born Sylvan Irwin Goldberg in 1924 and raised in the Bronx, Michael Goldberg was an important figure in American Abstract Expressionism, who began taking art classes at the Art Students League in 1938. A gifted student, Goldberg finished high school at the age of 14 and enrolled in City College. He soon found New York’s jazz scene to be a more compelling environment, and he began skipping classes in favor of the Harlem jazz clubs near campus. Goldberg’s love of jazz would become a lifelong passion and a key component to his approach to composition in his paintings. From 1940 to 1942, like many of the leading artists of the New York School, Goldberg studied with Hans Hofmann. In 1943, he put his pursuit of painting on hold and enlisted in the U.S. Army. Serving in North Africa, Burma, and India, Goldberg received a Purple Heart and a Bronze Star before being discharged in 1946. After his service, he traveled and worked in Venezuela before returning to the United States, settling back in New York and resuming studies with Hofmann and at the Art Students League. Living downtown and frequenting the Cedar Bar, Goldberg befriended many of the artists of the New York School. In 1951, his work was included in the groundbreaking Ninth Street Show, co-organized by Leo Castelli, Conrad Marca-Relli, and the Eighth Street Club, and featuring the work of - among others - Hofmann, Jackson Pollock, Willem de Kooning, and Franz Kline. In 1953, the Tibor de Nagy...
Category

1980s Abstract Expressionist Sergio de Castro Art

Materials

Canvas, Pastel, Mixed Media, Oil, Handmade Paper

Untitled
Untitled
H 52.75 in W 47.75 in
The Territory, Glasgow School Abstract Expressionist Mixed Media
Located in Cotignac, FR
A Scottish Glasgow School Abstract Expressionist mixed media painting by Grant McTavish. The work is signed and dated bottom right and is resigned and dedicated to the backboard. The...
Category

Late 20th Century Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil, Acrylic

"Untitled" - Abstract Oil Painting, Gestural Abstraction, Contemporary art
By Dick Wray
Located in Houston, TX
This abstract oil painting by late Houston artist Dick Wray expresses a striking kinetic energy. Thick layers of paint foster a remarkable tactility commonly found in Dick Wray’s art...
Category

Early 2000s Abstract Expressionist Sergio de Castro Art

Materials

Laid Paper, Canvas, Oil

Toma Yovanovich Mid Century Abstract Expressionist Painting 1960 Black and White
By Toma Yovanovich
Located in Buffalo, NY
Mid-Century Modern black and white abstract expressionist painting by American artist Toma Tovanovich (1931- 2016). C...
Category

1960s Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil

Untitled - Dick Wray, Abstract Oil Paint, Gestural Abstraction, Contemporary art
By Dick Wray
Located in Houston, TX
This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...
Category

Early 2000s Abstract Expressionist Sergio de Castro Art

Materials

Canvas, Oil, Laid Paper

Deborah Freedman, Given Melody 24, 2016, Oil Paint, Rag Paper
By Deborah Freedman
Located in Darien, CT
Deborah Freedman is a painter who lives and works in New York City. Her work is deeply informed by nature –especially the Catskill Mountains - and landscape painting of the 19th and early 20th century. After 9/11 when the Ashokan Reservoir became almost inaccessible and ”threatened” what had been idyllic became “disturbed”. The pictures became less ideal and less about location and more abstract and more emotional. The titles; Good Night Irene, Praying for Rain, Cold Spring, Disturbed Landscapes and The End of Snow describe these concerns. “This is landscape as an anatomy lesson; landscape conflated with human form. Landscape which holds the promise of physical pleasure. The abstraction holds the emotional content. If it sounds simplistic, imagine trying to organize a coherent vision of something that does not exist. It mixes the personal with the impersonal, landscape in the guise of familiarity.” Stewart Waltzer. Artnet. A partial list of collections include The Metropolitan Museum of Art, The New York Public Library, Rutgers University, The Department of State, the Library of Congress, IPCNY,The Hess Collection, CITI, Morgan Guarantee Trust, and Memorial Sloan Kettering Hospital. Freedman is a co-founder with Marjorie VanDyke of VanDeb Editions, a printmaking studio dedicated to collaborating with artists to experiment with intaglio and monotype, located in Long Island City, NYC. Residencies include the MacDowell Colony on a printmaking residency making monoprints using etched plates with highly textured surfaces. The tradition there is to invite other residents for studio visits or presentations which led to a collaboration with Alan Fletcher...
Category

2010s Abstract Expressionist Sergio de Castro Art

Materials

Oil, Rag Paper

Deborah Freedman, Given Melody 18, 2016, Oil Paint, Rag Paper
By Deborah Freedman
Located in Darien, CT
Deborah Freedman is a painter who lives and works in New York City. Her work is deeply informed by nature –especially the Catskill Mountains - and landscape painting of the 19th and early 20th century. After 9/11 when the Ashokan Reservoir became almost inaccessible and ”threatened” what had been idyllic became “disturbed”. The pictures became less ideal and less about location and more abstract and more emotional. The titles; Good Night Irene, Praying for Rain, Cold Spring, Disturbed Landscapes and The End of Snow describe these concerns. “This is landscape as an anatomy lesson; landscape conflated with human form. Landscape which holds the promise of physical pleasure. The abstraction holds the emotional content. If it sounds simplistic, imagine trying to organize a coherent vision of something that does not exist. It mixes the personal with the impersonal, landscape in the guise of familiarity.” Stewart Waltzer. Artnet. A partial list of collections include The Metropolitan Museum of Art, The New York Public Library, Rutgers University, The Department of State, the Library of Congress, IPCNY,The Hess Collection, CITI, Morgan Guarantee Trust, and Memorial Sloan Kettering Hospital. Freedman is a co-founder with Marjorie VanDyke of VanDeb Editions, a printmaking studio dedicated to collaborating with artists to experiment with intaglio and monotype, located in Long Island City, NYC. Residencies include the MacDowell Colony on a printmaking residency making monoprints using etched plates with highly textured surfaces. The tradition there is to invite other residents for studio visits or presentations which led to a collaboration with Alan Fletcher...
Category

2010s Abstract Expressionist Sergio de Castro Art

Materials

Oil, Rag Paper

Deborah Freedman, Given Melody 16, 2016, Paper, Oil Paint
By Deborah Freedman
Located in Darien, CT
Deborah Freedman is a painter who lives and works in New York City. Her work is deeply informed by nature –especially the Catskill Mountains - and landscape painting of the 19th and early 20th century. After 9/11 when the Ashokan Reservoir became almost inaccessible and ”threatened” what had been idyllic became “disturbed”. The pictures became less ideal and less about location and more abstract and more emotional. The titles; Good Night Irene, Praying for Rain, Cold Spring, Disturbed Landscapes and The End of Snow describe these concerns. “This is landscape as an anatomy lesson; landscape conflated with human form. Landscape which holds the promise of physical pleasure. The abstraction holds the emotional content. If it sounds simplistic, imagine trying to organize a coherent vision of something that does not exist. It mixes the personal with the impersonal, landscape in the guise of familiarity.” Stewart Waltzer. Artnet. A partial list of collections include The Metropolitan Museum of Art, The New York Public Library, Rutgers University, The Department of State, the Library of Congress, IPCNY,The Hess Collection, CITI, Morgan Guarantee Trust, and Memorial Sloan Kettering Hospital. Freedman is a co-founder with Marjorie VanDyke of VanDeb Editions, a printmaking studio dedicated to collaborating with artists to experiment with intaglio and monotype, located in Long Island City, NYC. Residencies include the MacDowell Colony on a printmaking residency making monoprints using etched plates with highly textured surfaces. The tradition there is to invite other residents for studio visits or presentations which led to a collaboration with Alan Fletcher...
Category

2010s Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil

Deborah Freedman, Given Melody 15, 2016, Paper, Oil Paint
By Deborah Freedman
Located in Darien, CT
Deborah Freedman is a painter who lives and works in New York City. Her work is deeply informed by nature –especially the Catskill Mountains - and landscape painting of the 19th and early 20th century. After 9/11 when the Ashokan Reservoir became almost inaccessible and ”threatened” what had been idyllic became “disturbed”. The pictures became less ideal and less about location and more abstract and more emotional. The titles; Good Night Irene, Praying for Rain, Cold Spring, Disturbed Landscapes and The End of Snow describe these concerns. “This is landscape as an anatomy lesson; landscape conflated with human form. Landscape which holds the promise of physical pleasure. The abstraction holds the emotional content. If it sounds simplistic, imagine trying to organize a coherent vision of something that does not exist. It mixes the personal with the impersonal, landscape in the guise of familiarity.” Stewart Waltzer. Artnet. A partial list of collections include The Metropolitan Museum of Art, The New York Public Library, Rutgers University, The Department of State, the Library of Congress, IPCNY,The Hess Collection, CITI, Morgan Guarantee Trust, and Memorial Sloan Kettering Hospital. Freedman is a co-founder with Marjorie VanDyke of VanDeb Editions, a printmaking studio dedicated to collaborating with artists to experiment with intaglio and monotype, located in Long Island City, NYC. Residencies include the MacDowell Colony on a printmaking residency making monoprints using etched plates with highly textured surfaces. The tradition there is to invite other residents for studio visits or presentations which led to a collaboration with Alan Fletcher...
Category

2010s Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil

"Untitled" - Abstract Oil Painting, Gestural Abstraction, Contemporary art
By Dick Wray
Located in Houston, TX
This vibrant artwork by late Houston artist Dick Wray is an abstract oil painting in the style of abstract expressionism. Thick layers of paint foster a remarkable tactility commonly...
Category

Early 2000s Abstract Expressionist Sergio de Castro Art

Materials

Canvas, Oil, Laid Paper

III. 2011-2013. Paper, plastic glass, oil, 90x68 cm
By Verners Lazdans
Located in Riga, LV
III. 2011-2013. Paper, plastic glass, oil, 90x68cm
Category

2010s Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil, Plastic

Previously Available Items
French Argentine Modernist 74.46 Abstract Expressionist Painting
By Sergio de Castro
Located in Surfside, FL
Sergio de Castro (15 September 1922 – 31 December 2012) was a French-Argentinian Sergio de Castro was born in Argentina, in an aristocratic family of Spanish origins (Galicia and the Basque Country), the House of Castro. His father was a diplomat, which is why, from 1923 until 1932, Castro lived in Switzerland with his parents and his two sisters. During these years he visited cities like Lausanne, Geneva and Turin. In 1933 he entered a Jesuit school in Montevideo and he started studying music. He discovered poetry by learning to speak and write in Spanish. He was specially touched by the works of César Vallejo. Through the years Castro would become close friends with writers like Octavio Paz, Julio Cortázar, Samuel Beckett, Kostas Papaioannou and Georges Schéhadé. Later, during a trip to Uruguay, he met Joaquín Torres García, with whom he studied painting and monumental art from 1941 until 1949. In 1942 he moved to Argentina, where he would live until 1949. Castro was also friends with other artists like Nikos Hadjikyriakos-Ghikas, Maria Helena Vieira da Silva and Arpad Szenes. In 1945 he found a job as a secretary in the Astronomy Observatorium of the city of Córdoba, where we also worked as the assistant to the musician Manuel de Falla in Alta Gracia, until his death in 1946. In 1945 and 1946 he had a grant from the French government to study musical composition. During the year of 1946 he had an exhibition in New York City among other members of Torres Garcia's workshop. That same year he traveled to the northeast of Argentina and the south of Perú to study pre-columbian art with Gonzalo Fonseca, Julio Uruguay Alpuy and Jonio Montiel. In 1949 he started teaching History of Music in the new music school of the city of La Plata. His work as a musician drew attention from relevant figures such as Wilhelm Furtwängler, Aaron Copland and Juan José Castro. He quit this job when he got a grant from the French government to improve his musical studies in Paris, where he settled in November 1949. Since 1951 he devoted himself exclusively to painting. In 1955, his friend the German writer and translator Edith Aron introduced him to Julio Cortázar, who would become a close friend of him. Castro inspired the character of Etienne in Cortázar's novel Rayuela (Hopscotch). In the book is featured the intimate friendship of the protagonist, Horacio Oliveira, with his companion in the Serpent Club, whom he often visited in his studio in Paris. In 1960 he won the Hallmark Prize in New York. In 1979 he obtained the French nationality. In 1980 he showed his works at the Argentinian pavilion in the 39th Venice Biennale. He was associate professor in the Human Sciences Faculty of the University of Strasbourg from 1981 until 1986. In 1997 he became Officer in the Ordre des Arts et des Lettres. In 2006, Sergio de Castro made a 220-work donation to the Fine Arts Museum of Saint-Lô. He was also a close friend of the musician Alberto Ginastera, who made reference to Sergio de Castro and his first works in his notes on modern Argentinian music. Castro died 31 December 2012 in Paris. He is buried in the Montparnasse cemetery, in Paris, close to his dear friend Samuel Beckett. Monumental works Two wall paintings for the Martirené Pavilion of the Hospital Saint-Bois (1942), in Montevideo (Uruguay), in collaboration with Joaquín Torres García and his disciples, among which Castro was the youngest. The Creation of the Universe (1956–1958), 6m x 20m stained-glass window. Castro worked with painter and glass-maker J. J. K. Ray (1898–1979) in Paris. Selected Exhibitions 1952 Galerie Jeanne Castel Paris 1954 Galería Bonino Buenos Aires and Galerie Pierre Loeb, Paris 1956 Galerie Rive Gauche, Paris 1958 Matthiesen Gallery, London 1959 documenta 2 Kunst nach 1945 Kassel 1961 Matthiesen Gallery, London 1963–64 Galeria Lorenzelli, Bergamo and Milano 1964 Galería Bettie Thommen, Basel 1965 Kunstverein Hamburg Retrospektive 1966 Musée d'Art et d'Histoire, Fribourg, Switzerland (retrospective) 1966 Recklinhausen, Variationen über ein Thema, Städtische Kunsthalle 1970 Retrospektiven in Oslo, Kunstforering, and Kunst Industriemuseet, Copenhagen, Kunstforening, Oslo, Kunstforening, Holstebro 1972 Wildenstein Gallery, London Landscapes of Light 1974 Galerie Jacob, Paris 1975 Kunsthalle Bremen, Retrospektive, Berlin Tempelhof, Kunstamt (Berlin Festival) 1975–76 Retrospective exhibition the Musée des Beaux-Arts de Caen (68 artworks from 1956 to 1966), France 1979 Hommage à Pierre Loeb, Musée d'Art Moderne de la Ville de Paris 1980 39th Venice Biennale 1987 French Institute London. Museo de Arte Moderno de Buenos Aires 1988 Galerie des Ambassades y Galerie Galarte, Sergio de Castro, Natures Mortes, 1958–1965. Paris/ Bayeux, Diocesan Museum of Sacred Art 1989 Galerie des Ambassades, Paris 1991–92 Romont, Swiss Stained Glass...
Category

1970s Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil

French Argentine Modernist 74.47 Abstract Expressionist Painting
By Sergio de Castro
Located in Surfside, FL
Sergio de Castro (15 September 1922 – 31 December 2012) was a French-Argentinian Sergio de Castro was born in Argentina, in an aristocratic family of Spanish origins (Galicia and the Basque Country), the House of Castro. His father was a diplomat, which is why, from 1923 until 1932, Castro lived in Switzerland with his parents and his two sisters. During these years he visited cities like Lausanne, Geneva and Turin. In 1933 he entered a Jesuit school in Montevideo and he started studying music. He discovered poetry by learning to speak and write in Spanish. He was specially touched by the works of César Vallejo. Through the years Castro would become close friends with writers like Octavio Paz, Julio Cortázar, Samuel Beckett, Kostas Papaioannou and Georges Schéhadé. Later, during a trip to Uruguay, he met Joaquín Torres García, with whom he studied painting and monumental art from 1941 until 1949. In 1942 he moved to Argentina, where he would live until 1949. Castro was also friends with other artists like Nikos Hadjikyriakos-Ghikas, Maria Helena Vieira da Silva and Arpad Szenes. In 1945 he found a job as a secretary in the Astronomy Observatorium of the city of Córdoba, where we also worked as the assistant to the musician Manuel de Falla in Alta Gracia, until his death in 1946. In 1945 and 1946 he had a grant from the French government to study musical composition. During the year of 1946 he had an exhibition in New York City among other members of Torres Garcia's workshop. That same year he traveled to the northeast of Argentina and the south of Perú to study pre-columbian art with Gonzalo Fonseca, Julio Uruguay Alpuy and Jonio Montiel. In 1949 he started teaching History of Music in the new music school of the city of La Plata. His work as a musician drew attention from relevant figures such as Wilhelm Furtwängler, Aaron...
Category

1970s Abstract Expressionist Sergio de Castro Art

Materials

Paper, Oil

Sergio De Castro art for sale on 1stDibs.

Find a wide variety of authentic Sergio de Castro art available for sale on 1stDibs. You can also browse by medium to find art by Sergio de Castro in oil paint, paint, paper and more. Much of the original work by this artist or collective was created during the 1970s and is mostly associated with the abstract style. Not every interior allows for large Sergio de Castro art, so small editions measuring 37 inches across are available. Customers who are interested in this artist might also find the work of Armand Rottenberg, Claude Tétot, and Sandra Detourbet. Sergio de Castro art prices can differ depending upon medium, time period and other attributes. On 1stDibs, the price for these items starts at $2,800 and tops out at $2,800, while the average work can sell for $2,800.

Artists Similar to Sergio de Castro

Recently Viewed

View All