William Baziotes Art

"Labyrinth" 2021, 23.5" x 21.5" vertical drawing on paper by Argentine-born artist Karina Gentinetta (featured in Elle Decor, the New York Times, Traditional Home, Veranda Magazine, ...

Mid-Century oil on board by 20th century artist Ahlan Achoy, signed bottom left. Ahlan Achoy was known for his figurative art and portraiture often in the cubist style. This colourf...

Balancing act 2 (Abstract Painting) Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 2 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Beautiful oil painting on board, attributed to Eugene Pizzuto (1925 - 2004). Framed size: 32 x 44 cm Framing: Hand-stained and waxed oak tray frame. Signature: Unsigned. * About t...

Bright and expressive abstract painting of flowers by Allie Bill Skelton (American, 1942-1986). This piece is unsigned, but was acquired with a collection of other Allie "Bill" Skelton works. Unframed. Image, 12”H x 9”W, oil on artists canvas board. Allie William “Bill” Skelton (American, 1942-1986) was a painter and sculptor active in San Francisco who was involved in the gay art...

Don Clausen American (b. 1930) Untitled (1974) Oil on board Hand signed lower left and verso Framed 11.25 X 13.5 sight 9 x 11.25 inches Don Clausen is an American Postwar & Contemporary painter who was born in 1930. Don Clausen is a graduate of California College of Arts and Crafts in Oakland, California. He lives and works in the San Francisco/Oakland Bay Area. He mainly works in oils on canvas, but sometimes does sculptures and assemblages. In his luminous abstractions, Clausen employs every color of the rainbow, the strong lines forming geometric shapes that appear to fly through space. Nothing is weighed down in his paintings; it’s as if images came to him from outer space or other realms. He turns the physical world into dabs and streaks of color that convey an engulfing sense of motion. Whether abstract expressionism or representational, his works convey enormous energy and vitality, like masterpieces by Jackson Pollock and Willem de Kooning. They also are distinctive for their sculptural quality, a result of his thickly layering the paint and then slicing down to the canvas with a palette knife or section of a venetian blind; his choice of tools is as eclectic as his subject matter. His son is the well regarded sculptor Eric Clausen, a master blacksmith who does sculpture in iron. An active part of the Bay Area arts scene, Don Clausen was contemporaries and consociates of people such as Geraldine Duncann, Donald Namohala Yuen,Jade Fon...

"The Visionary" - Oil on Board Abstract expressionist painting titled "The Visionary" by Hamilton Achilles Wolf (American, 1883- 1967). Shades of red consume the canvas, as a mans ...

Gouache, graphite and ink on Rives paper. Unframed. Balancing Act 4 is part of a series of works on paper started in 2016. They are created in the evenings and aptly named after busy days of teaching and other responsibilities. The artist establishes parameters involving the use of a particular palette, certain mark-making gestures and amount of time spent on each drawing. This work incorporates graphite, ink, and gouache, and is a combination of intuition-based and planned execution. Tracey Adams is an American abstract painter and printmaker. Her artworks reflect a strong interest in musical patterns, rhythms, lyrical compositional elements and what she calls a sense of performance. She lives and works in Carmel, California. Work by Adams is part of the permanent collections of several museums, including the Bakersfield Art Museum, the Monterey Museum of Art, the Fresno Art Museum, the Tucson Art...

Abstract expressionist figure by R. Navarro. Signed "R. Navarro" and dated "2000" lower right. Sand Francisco bay area find by undiscovered artist. Image, 30"H x 20"W.

Norman Carton (1908 – 1980) was an American artist and educator known for abstract expressionist art. He was born in the Ukraine region of Imperial Russia and moved to the United States in 1922 where he spent most of his adult life. A classically trained portrait and landscape artist, Carton also worked as a drafter, newspaper illustrator, muralist, theater set designer, photographer, and fabric designer and spent most of his mature life as an art educator. Carton showed in and continues to be shown in many solo and group exhibitions. His work is included in numerous museums and private collections throughout the world. Norman Carton was born in the Dnieper Ukraine territory of the Russian Empire in 1908. Escaping the turbulence of civil war massacres, he settled in Philadelphia in 1922 after years of constant flight. While attending the Pennsylvania Museum School of Industrial Art, Carton worked as a newspaper artist for the Philadelphia Record from 1928 to 1930 in the company of other illustrator/artists who had founded the Ashcan School, the beginnings of modern American art. From 1930 to 1935, he studied at the Pennsylvania Academy of Fine Arts under Henry McCarter, who was a pupil of Toulouse-Lautrec, Puvis de Chavanne, and Thomas Eakins. Arthur Carles, especially with his sense of color, and the architect John Harbison also provided tutelage and inspiration. Following his time at the Pennsylvania Academy of Fine Arts, Carton studied at the Barnes Foundation from 1935 to 1936 where he was influenced by an intellectual climate led by visiting lecturers John Dewey and Bertrand Russell as well as daily access to Albert C. Barnes and his art collection. Carton was awarded the Cresson Traveling Scholarship in 1934 which allowed him to travel through Europe and study in Paris. There he expanded his artistic horizons with influences stemming from Henri Matisse, Pablo Picasso, Chaim Soutine, and Wassily Kandinsky. While at the Pennsylvania Academy of Fine Arts, Carton was also awarded the Toppan Prize for figure painting as well as the Thouron Composition Prize. He received numerous commissions as a portrait artist, social realist, sculptor, and theatrical stage designer as well as academic scholarships. During this time, Carton worked as a scenery designer at Sparks Scenic Studios, a drafter at the Philadelphia Enameling Works, and a fine art lithographer. From 1939 to 1942, the Works Progress Administration (WPA) Federal Art Project employed Carton as a muralist and easel artist. He collaborated with architect George Howe. The WPA commissioned Carton to paint major murals at the Helen Fleischer Vocational School for Girls in Philadelphia, the Officers’ Club at Camp Meade Army Base in Maryland, and in the city of Hidalgo, Mexico. Throughout the 1940s, Carton exhibited and won prizes for his semi-abstract Expressionist and Surrealist paintings. He socialized with and was inspired by Émile Gauguin and Fernand Leger. During World War II, Carton was a naval structural designer and draftsman at the Cramps...

SALE ONE WEEK ONLY The energy and gusto of the applied paint in "Untitled Abstract" appears close to violent except for the calming influence of the circle in the middle. The red circle tempers the movement a little and brings all the strokes and wild directions into a harmony that is bursting with life. This is an extraordinarily expressive painting by Simpson. Simpson became the first African American to receive a prestigious five-year fellowship from the Charleston Scientific and Cultural Education fund and left South Carolina in 1949 for New York City after he finished high school. He attended New York University and Cooper Union while working in the frame shop of Herbert Benevy. Many well-known artists came to the frame shop and in time critiqued Simpson's work and developed a relationship with him. At NYU Simpson became acquainted with Hale Woodruff...

Signed lower left: “Botkin”. Inscribed verso: “Botkin”. From the estate of the artist.