Bronze European Contemporary Sculptural Door handle by Margit Wittig

Margit Wittig has used her sculptural skills to create beautifully-crafted, well-proportioned door handles, which are compositions of her unique signature pearl-shaped designs. Eac...

Margit Wittig has used her sculptural skills to create beautifully-crafted, well-proportioned candlesticks, which are compositions of her unique signature pearl-shaped designs. Each candlestick begins as hand-sculpted spheres which are used to create moulds in three sizes. Margit refers to these finished spheres as pearls. These highly original, eye-catching candlesticks come in three different sizes depending on the number of pearls: three, five and seven. The candlesticks are cast in resin and Jesmonite mixed with pigment at the start of the process, to ensure color consistency. Some of the candlesticks are subtly finished with hand painted gold patina to reflect the shimmer of the candle. Each one is made with a solid brass drip catcher and can be cast in a variety of colors. Working from her studio in London, as well as candlesticks, Margit creates artistic lighting...

Margit Wittig has used her sculptural skills to create beautifully-crafted, well-proportioned contemporary candlesticks, which are compositio...

New collection: This contemporary Margit Wittig bronze table lamp sits on a round base . The material Wittig chose for this unique 21st century table lamp is Bronze , which gives thi...

Margit Wittig has used her sculptural skills to create beautifully-crafted, well-proportioned candlesticks, which are compositions of her unique signature pearl-shaped designs. Each candlestick begins as hand-sculpted spheres which are used to create moulds in three sizes. Margit refers to these finished spheres as pearls. These highly original, eye-catching candlesticks come in three different sizes depending on the number of pearls: three, five and seven. The candlesticks are cast in resin and Jesmonite mixed with pigment at the start of the process, to ensure colour consistency. Some of the candlesticks are subtly finished with hand painted gold patina to reflect the shimmer of the candle. Each one is made with a solid brass drip catcher and can be cast in a variety of colors. Working from her studio in London, as well as candlesticks, Margit creates artistic lighting...

These contemporary Margit Wittig table lamp is mounted on a solid slate bases and feature five mouth blown glass shapes in green with gold and silver leaf and multiple resin hand-cas...

A pair of Italian design door handles / door pulls the in bronze sculptural circa 1980. A pair is the front and back.

Dated to the early 20th century, this antique turned newel post was crafted from American oak with a simple ball finial top. The original dark finish...

Door handle bronze sculpture attributed to Willy Daro.

Gaudí Calvet door handle by Antoni Gaudí Dimensions: D23 x H11 cm Materials: Brass Before reissuing Gaudí’s furniture, BD, together with the arch...

A glazed stoneware free form vase by American Ceramist Robert Chapman Turner (1913 - 2005) titled "Oshogbo Form III" circa 1970s. The piece was purchased in 1981 and held in the same collection since. The vessel is one of the classic forms with variations in Turner's repertoire since 1970s when he started to make non-functional abstract sculptural pieces. The vessel features an irregular hand-built form with surface markings and overall red glaze, inspired by his trips to Africa. Incised signature "Turner" on the base. "In 1971–72, drawn by the power of African sculpture, and wishing to imbue his work with a greater sense of universality, Robert Turner traveled to Nigeria and Ghana. The trip proved transformational. In West Africa he was deeply moved by the way in which art was ingrained in daily experience, and by the beauty of traditional forms of architecture, pottery, ceremonial objects, and decoration. After his return, Turner began to produce series of distinctive vessel types named after African kingdoms and peoples—Ashanti, Ife, Oshogbo, Akan. The first is a squat, lidded pot; the others are cone and cylinder shapes." Smithsonian American Art Museum Robert Turner's work is in numerous museum collections including the Smithsonian Museum of American Art, Los Angeles County Museum of Art and the Nelson-Atkins Museum of Art, Kansas City. For another example of the form similar to this piece, see page 40 in "Robert Turner Shaping Silence A Life in Clay" by Marsha Miro and Tony Hepburn.

Produced in São Paulo, Brazil. This Door Handle was meticulously handmade by master artisans one piece at a time. It is therefore quite difficult, if not impossible to make identical items. The brass casting is produced by formation of a mold from a mixture of sand and the liquid alloy of copper and zinc. The projects are based on a contemporary appropriation of traditional methods from Brazilian artisans and reinterpreted through the integration of new forms and noble materials. An aesthetic infused with “beauty of imperfection" is obtained by the expressive potential of each material, generating works that recall nature and rationality. Estúdio Orth...