Wright Royston Adzak Pop Art Aluminum Lemon Dish for Atelier A 1960s

Magnificent crystal bowl with decorative metal inclusions. Engraved Paul Nicolas Nancy (1875-1952) Paul Nicolas is a Pioneer of his art and an exceptional master glassmaker from "N...

Ceramic tureen with handle and lid from the 1960s designed by Roger Capron decorated with a white enamel pattern on a blue-gray background. 33cm Diameter with handle Container diame...

1960s Sweden suspension or pendant lamp, designed by Einar Backström and Erik Höglund for the glassmaker Boda Glasbruk (later known as Kosta Boda). The enamel painted metal frame sh...

1960 Sweden suspension or pendant, designed by Erik Höglund for the glassmaker Boda Glasbruk (later known as Kosta Boda). This pentagonal pendant lam...

Set of four dining chairs "Dordogne" for Charlotte Perriand by Robert Sentou. Robert Sentou (1922-2008), had founded 1947, a furniture manufacturing workshop he called "La Chaise Pai...

Terracotta sculpture call "TOTEM" signed and dated by Barbara Tribe, 1966. Barbara Tribe (1913-2000) was a Australian-born sculptor who spent much of her life living and working in St Ives (Cornwall UK). She was the first sculptor and the first woman artist to be awarded the coveted New South Wales Traveling...

Dish anonymous, Japan. 1960s. Stoneware. D: 30.5 cm H: 5.5 cm

Dish designed by Carl-Harry Stålhane for Rörstrand, Sweden. 1960s. Stoneware. Signed. Measurements: H: 6 cm / 2 1/4" Diameter: 18.5 cm / 7 1/4". Carl-Harry Stålhane (1920-1990) was born in the town of Mariestad, in the west of Sweden. As a child, he dreamed of being a successful painter. He started working for Rorstrand in neighboring Lidkoping at the age of 18. Initially, he decorated ceramic wares as assistant for the leading artist Gunnar Nylund. Carl-Harry decorated Rorstrand’s exclusive Flambé range as well as producing idyllic floral designs. In the mid 1940s, Carl-Harry Stålhane began to develop his own stoneware. He had his first solo exhibition in 1948, impressing the public with an ability to work in most contemporary styles of stoneware. But after studying in Paris in the late 1940s, Carl-Harry found a style that was truly his own. Inspired by the hunger for new products to meet the post-war economic boom, he developed from being a gifted decorator to a first-rate ceramic artist. He was praised for his "column-like, slender-necked stoneware vases with their peach surfaces", as one magazine put it. Spurred on by a deep love of the ceramic wares of the Far East, Carl-Harry liberated himself from the European tradition of ceramics, finding inspiration in foreign cultures, in Picasso and in constructivist art. The 1950s brought major successes: a diploma and a gold medal at Milan Triennials as well as solo exhibitions in Sweden, the UK and the USA. Carl-Harry commenced his career as an industrial designer in 1954. His Blanca tableware — in elegant white porcelain — was much in demand and gained him international prizes. He designed almost everything from numerous table sets decorations to rustic ashtrays. Carl-Harry Stålhane’s production of unique ceramic works of art increased notably in the late 1950s. In 1960 he reached something of a peak with an exhibition at Galerie Blanche in Stockholm. The exhibition showed robustly dark wares that were hailed as the new ceramics...

A very beautiful and substantial Mid-Century Modern round blue enamel dish, plate, or vide-poche, circa 1960s, mid-20th century. A great standalone piece or as a catchall for change/...

Marcello Fantoni (born 1915) beautiful ceramic dish or vide-poche, signed, in excellent condition.  

Dish or vide poche in enamelled ceramic, representing an Hen. This item is from Italy Circa 1960, it is signed underneath. The patina is old and beautiful, the condition is good wit...

Very large Glazed stoneware center plate with silver overlay Dimensions: 15 inch in diameter This beautiful piece is part of the artist's Argenta Series, which he produced for the G...