E.F. Caldwell Silverplated Humidor Box in Renaissance Style
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E.F. Caldwell Silverplated Humidor Box in Renaissance Style
About the Item
- Creator:Edward F. Caldwell & Co. (Maker)
- Dimensions:Height: 4.5 in (11.43 cm)Width: 14 in (35.56 cm)Depth: 11 in (27.94 cm)
- Style:Renaissance Revival (Of the Period)
- Materials and Techniques:Metal,Silvered
- Place of Origin:
- Period:
- Date of Manufacture:circa 1910
- Condition:Wear consistent with age and use. Very good condition.
- Seller Location:New York, US
- Reference Number:Seller: 2381stDibs: LU6079228158042
Edward F. Caldwell & Co.
Edward F. Caldwell & Co. was among America’s preeminent lighting manufacturers of the late 19th to the mid-20th centuries, illuminating the halls and ceilings of some of the most notable buildings in the United States. In addition to St. Patrick’s Cathedral in New York City and the White House in Washington, D.C., the company’s masterful light fixtures also adorn the homes of some historically prominent figures, such as J.P. Morgan and Phillip Lehman.
The firm was founded in 1895 by American Edward F. Caldwell and Victor F. von Lossberg, a Latvia native who was raised in Russia. The founders became acquainted while working at Archer & Pancoast Manufacturing Company of New York, which produced gas lighting fixtures.
In 1901 Edward F. Caldwell & Co. opened a foundry, where the owners and the lighting artisans they recruited could explore a range of metalworking techniques and design styles. Caldwell and von Lossberg quickly rose to the top of the electric light manufacturing business with their shared vision, choosing to deliver quality elegant fixtures that frequently drew on historic European designs. The firm produced magnificent lighting pieces, as well as finely crafted decorative objects and mirrors. Their neoclassical designs borrowed heavily from Baroque and Rococo styles — Edward F. Caldwell & Co. also devised Art Deco fixtures during the 1920s — and favored bronze, silver, iron, copper and brass as their primary materials.
With construction on the rise in New York in the early 1900s, not many outfits could take on large-scale lighting contracts. With over 1,000 employees, Edward F. Caldwell & Co. could take on heavy commissions.
After Caldwell died in 1914, von Lossberg carried the company until he died in 1942. Edward F. Caldwell & Co. closed its doors owing to financial troubles in 1959.
Today manufacturer’s work can be seen all across New York City — including at the Bank of Manhattan and the famous Waldorf Astoria hotel — and Edward F. Caldwell & Co. creations are highly sought after by lighting and decor enthusiasts.
On 1stDibs, explore a selection of vintage Edward F. Caldwell & Co. table lamps, chandeliers and pendants, sconces and floor lamps.
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- Renaissance Damascened Steel Casket from 1872 Great London ExhibitionLocated in New York, USOur gold damascened Renaissance Revival jewelry chest by Antonio Cortelazzo (1819-1903) was commissioned by the English lawyer and antiquarian, Sir William Drake (1817-1890) and exhibited by the artist at the 1872 International Exhibition in London. It features a pair of dragons supporting the arms of Drake plus repoussé trophies and gold-ground scrollwork, raised on scroll and mask feet. The lid is signed CORTELAZZO VICENZA FECIT 1870. With original descriptions written in ink on paper. The first reads "Steel Casket damascened gold and ornamented with 4 plaques of repousse work by Cortelazzo of Vincenza. Coll: Sir W R Drake S.L.A." where the initials refer to the Society of Antiquaries of London. The second similarly reads "Casket of Steel damascened with gold and ornamented with four plaques of silver repousse work. By Cortelazzo of Vincenza. Lent by Sir William Drake." Exhibition: International Exhibition of 1872, London. Provenance: The Collection of Sir William Drake, F.S.A., Christie's, London, June 30, 1891, lot 602, 33 GBP. The Collection of M.F. Adie Esq., purchased circa 1950 from H.W. Keil Ltd, Broadway, Worcestershire, England. Literature: The Official Catalogue, Fine Arts Department London, International Exhibition of 1872, London, J.M. Johnson & Sons, Victoria and Albert Museum. (See images here in our listing.) The Art Journal, London, 1872, p 2. Nineteenth Century Silver, J. Culme, London, 1977, p 17. The Layards, Cortelazzo and Castellani: New Information from the Diaries of Lady Layard, Jewellery Studies I, J. Rudoe, 1983, p 86. A Renaissance-Revival Masterpiece by Antonio Cortelazzo, B. Shifman, Cleveland Studies in the History of Art, vol 8, p 103. In 1872 The Art Journal Catalogue wrote "Among the art gems of the present exhibition are to be found the productions from the hand of Antonio Cortelazzo of Vicenza, now as well known in England for his skill as a metalworker as he is appreciated among his fellow workers in his native italy by whom he is recognized as Facile Princeps in the art. In the mechanical skill with which he inlays metal upon metal he has his rivals; but in the combination of that process with purity of design and artistic fancy of ornament which distinguishes all his works, he stands unrivalled. The 'Coffre' is in intarsia of gold and silver (partly flat and in other parts relief) on steel. It is one of numerous specimens of Cortelazzo's work which are to be found in the collection of Sir William Drake, one of the principal English patrons of the artist whose genius is now fully appreciated. Drake was a wealthy lawyer and collector of contemporary as well as renaissance and baroque works of art. A client of the connoisseur and dealer William Blundell Spence, Sir William acquired works by leading artists of the period including the Florentine sculptor and wood carver, Luigi Frullini (1839-1897), English art potters, the Martin brothers, and the celebrated goldsmith and damascener, Placido Zuloaga...Category
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