Staffordshire Prattware Long Case Clock Model
About the Item
- Creator:Staffordshire (Manufacturer)
- Dimensions:Height: 8.3 in (21.09 cm)Width: 2.8 in (7.12 cm)Depth: 1.8 in (4.58 cm)
- Style:Folk Art (Of the Period)
- Materials and Techniques:Earthenware,Glazed
- Place of Origin:
- Period:
- Date of Manufacture:1820
- Condition:Repaired: Filled chip to front left corner of base. Retouched flakes to base. Good. Some tiny flakes to base rim on the reverse. Wear to the reverse. KILN EFFECTS: touch mark to the base rim. RESTORATION. Filled chip to front left corner of base. Retouched flakes to base.
- Seller Location:Chelmsford, GB
- Reference Number:
Staffordshire
Thanks to its reserves of clay, lead, salt and coal, Staffordshire, England, has been a center for ceramics since the early 17th century. The county was home at one time to hundreds of pottery workshops and as many as 4,000 bottle-shaped kilns that operated year-round. The term “Staffordshire Potteries” refers to the industrial area of Stoke-on-Trent — comprising the towns Burslem, Fenton, Hanley, Longton, Stoke and Tunstall — where most of the production was concentrated.
In 1720, potter John Astbury discovered that he could make what would later be called creamware by adding ground flint powder to the local red clay. Because resources were so plentiful in Staffordshire, local potters could afford to experiment, working to refine their techniques and designs. One such innovator was Thomas Whieldon, an important 18th-century potter known today for his tortoiseshell ware, whose brilliant glazed surface of caramel, yellow and green hues was made with copper and manganese compounds. Whieldon operated the Fenton Low workshop, making coffee- and teapots, dinner services and even ornamental knife hafts. He was an influential figure: Josiah Spode apprenticed at the workshop, and Josiah Wedgwood partnered with Whieldon for five years before establishing his eponymous firm in 1759.
Wedgwood is perhaps the best known of the Staffordshire potters. The firm produced a line of light-colored earthenware for Queen Charlotte, who liked it so much that she granted permission to market it under the moniker Queen’s Ware, which despite the name, was designed for everyday use. In the same regal vein, in 1773, Wedgwood created the 954-piece Frog service for Catherine the Great, of Russia. The company is also known for its black stoneware, Black Basalt, which imitates the color and shapes of Etruscan vases; Jasperware, with its classical reliefs applied on the unglazed body; and pearlware.
By the end of the 18th century, Staffordshire was the primary producer of ceramics for the American colonies, even creating patriotic wares celebrating independence for this market. The imagery on Staffordshire ceramics became more standardized the mid-18th century with the advent of transferware, in which a design etched on a copper plate is printed on tissue paper, which is then used to transfer the wet ink onto the ceramic surface. This technique enabled artisans to decorate their wares with complex scenes that wrapped around an object’s surface and make several copies of popular patterns.
The Staffordshire potters also produced decorative figurines, such as this charming pair of cows dating from the 19th century. Particularly popular in Great Britain were pieces with hunting imagery, such as this George IV porcelain stirrup cup in the shape of a fox head wearing a gilt collar inscribed with the word “Tallyho.” Among the many whimsical vessels produced is this mid-19th-century frog mug. The exterior is painted with a charming scene of people picking fruit on one side and ladies on a garden swing on the other side, while inside a molded frog’s head at the bottom of the mug makes a gurgling sound when the the beverage has been almost completely consumed.
- ShippingRetrieving quote...Ships From: Chelmsford, United Kingdom
- Return PolicyA return for this item may be initiated within 14 days of delivery.
- Staffordshire Prattware Long Case Clock ModelBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery Prattware model which features a long case clock with floral decoration to the front, stood directly on the ground, no base. Flatback, decorated only to the fro...Category
Antique 1820s English Folk Art More Clocks
MaterialsPottery
- Staffordshire Pearlware Long Case ClockBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery pearlware model which features a long case clock, stood on a marbleised base. Decorated 'in the round' - decoration to front and ...Category
Antique 1820s English Folk Art Models and Miniatures
MaterialsPottery
- Staffordshire Yorkshire Pottery Prattware Cow & Calf GroupBy Yorkshire PotteriesLocated in Chelmsford, EssexStaffordshire Yorkshire Pottery Prattware figure which features a cow with a recumbent calf, stood on a rectangular base, with grassy detail. Speckled blue, orange and black around t...Category
Antique Early 19th Century English Georgian Figurative Sculptures
MaterialsPearlware
- Staffordshire Pottery Stirrup Cup Modelled as a Fox HeadBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery porcellaneous stirrup cup which features a fox head, stood directly on the ground, no base. Dull gilt base line. Decorated 'in the round' - decoration to front ...Category
Antique 1850s English Victorian Animal Sculptures
MaterialsPorcelain
- Staffordshire Prattware Cow and Calf Creamer with BocageLocated in Chelmsford, EssexTittensor (possibly) Staffordshire Pottery Prattware bocage cow creamer which features a cow and a calf, recumbent on a shaped base. Decorated 'in the round', decoration to front and...Category
Antique 19th Century British Ceramics
MaterialsEarthenware
- René Lalique Frosted Glass Roitelets ClockBy René LaliqueLocated in Chelmsford, EssexRené Lalique frosted glass 'Roitelets' clock. This design features a ring of flying birds (wrens) around the clock face. The numbers on the clock...Category
Vintage 1930s French Art Deco Mantel Clocks
MaterialsGlass
- Antique Swedish Painted Pine Long Case ClockLocated in Kramfors, SELong case clock with red original paint from the mid 1800s. The clock is made in painted pine and dated with the year 1847. Originates from Hälsingl...Category
Antique Mid-19th Century Swedish Folk Art Grandfather Clocks and Longcas...
MaterialsPine
- Antique Genuine Swedish Pine Long Case ClockLocated in Kramfors, SEGenuine antique long case clock from northern Sweden. The clock is made around 1820 with a very well-made and elegant case in painted pine. The...Category
Antique Early 19th Century Swedish Folk Art Grandfather Clocks and Longc...
MaterialsPine
- Swedish Long Case Mora ClockLocated in Hollywood, FLThis is a Swedish long case Mora clock, its been restored and repainted with "Milk Paint". New Battery works have been installed. Original...Category
Antique 1820s Swedish Primitive Grandfather Clocks and Longcase Clocks
MaterialsWood
- Miniature Dutch Walnut Long Case ClockBy Jan HenkelsLocated in Den Haag, NLLove this miniature Dutch walnut long case clock. Not only great looking but also a good working time piece. Comes with a good quality watch. M...Category
Vintage 1950s Dutch Baroque Models and Miniatures
MaterialsWalnut
- Genuine Unusual Antique Northern Swedish Faux Paint Long Case ClockLocated in Kramfors, SEGenuine long case clock from Sweden made during the first years of the 19th century, around 1810. The clock is unusual and genuine, from the village ...Category
Antique Early 19th Century Swedish Folk Art Grandfather Clocks and Longc...
MaterialsPine
- Antique Northern Swedish County Long Case ClockLocated in Kramfors, SECountry long case clock from Sweden made during the 19th century, around 1820 to 1840. The clock is an antique northern Swedish country furniture made in solid Swedish pine. The cloc...Category
Antique Early 19th Century Swedish Country Grandfather Clocks and Longca...
MaterialsPine