Marble Statue of Diana the Huntress, Italy, Tuscany, 1850

Refined sculpture depicting a woman flaunting her beauty. Note how the veining of the marble simulates the dress.

Young woman undecided whether to bathe in the fountain or to continue mirroring herself in the water. A small masterpiece of the early Italian Art Nouveau period. Signee L. Nardoni.

Grand Baroque composition made in Naples in the mid-17th century intended for the private chapel of a noble Neapolitan family. In the early nineteenth century on the finely executed ...

Important pair of gilded and finely chiselled bronze androni in Louis XVI style. They are surmounted by lions reclining on a base depicting a coat of arms of a Tuscan noble family and with trimmings facing the fire pots...

Four sconces with hand-sculpted glass Verde Nilo in the style of Fontana Arte, Italy, 1970.

Pair of sconces with hand-sculpted glass Verde Nilo in the style of Fontana Arte, Italy, 1970.

Hand-carved from Italian limestone, circa 1890, this beautiful Neoclassical statue is a unique interpretation of the famous Diana of Versailles statue (the 1st or 2nd-century marble,...

Sculpture, Bust of Diana the huntress - 82 cm - Marble ADDITIONAL PHOTOS, INFORMATION OF THE LOT AND QUOTE FOR SHIPPING COST CAN BE REQUEST ...

Graceful even when standing still the Bronze Diana the Huntress on Marble Base is a striking addition to any setting. Using traditional lost wax casting methods the Bronze Diana stat...

A stunning French turn-of-the-century Louis XVI st. patinated bronze and ormolu statue of Diana the Huntress and her dog, signed F. Hamar. The statue is raised by an elegant oblong b...

A wonderful French 19th century patinated bronze statue of Diana the Huntress, signed HOUDON. The statue is raised by a circular Rouge Griotte and moulded bronze base. The nude Diana...

Alfred Boucher (French, 1850-1934), ‘Diana the Huntress’, A Near Lifesize Statuary Marble Group. Modelled nude with head turned looking to her left, striding forward holding the greyhound by its collar with her right hand and a giltwood bow in her left hand. On an integral carved base with foliage support. Signed 'A. BOUCHER' Boucher’s choice of pose is deliberately indebted to the celebrated mid-16th century painting of Diana the Huntress by an anonymous artist of the School of Fontainebleau. The painting is a mythical representation of Diane de Poitiers, the mistress of King Henry II, in the guise of the goddess Diana, who is shown nude, walking forward beside a greyhound, looking over her left shoulder and holding a bow. Another clear antecedent for Boucher’s ‘Diane the Huntress...