Orange Ochre, Big by Daniele Giannetti

Orange Ochre, Medium by Daniele Giannetti (Handmade, Hand-Painted) Dimensions: D22 x H22 cm Materials: Terracotta Also Available: Big and small sizes All pieces are made in t...

Augite, Big by Daniele Giannetti (Handmade, hand painted) Dimensions: 65x36 cm Materials: Terracotta All pieces are made in terracotta from Mont...

Olive Umber, Big by Daniele Giannetti (Handmade, Hand-Painted) Dimensions: D21 x H57 cm Materials: Terracotta All pieces are made in terracotta from Montelupo, only fired once, ...

A set of augite (M), olive umber (M), orange ochre (M) & Prussian blue (S) by Daniele Giannetti (Handmade, Hand-Painted) Dimensions: D24 x H33 augite (M), D20 x H30 Olive Umber (M),...

Augite, Medium by Daniele Giannetti (Handmade, Hand-Painted) Dimensions: D24 x H33 cm Materials: Terracotta All pieces are made in terracotta fr...

White vase by Daniele Giannetti Dimensions: Ø 30 x H 16 cm. Materials: glazed terracotta. All pieces are made in terracotta from Montelupo, onl...

A stunning handblown vintage crystal vase known as "Spun" from "Spun" from Skruf, Sweden signed by the talented Bengt Edenfalk. This vase is really special, he has spun clear glass ...

Nice collection of vintage Haeger pottery vessels; 'Haeger' foil label to underside.

This unique vase has a modern appeal thanks to its contemporary wide rectangular shape. This piece will make a striking visual appearance anywhere it is placed and its long slender rectangular opening at its top makes it perfect for holding many flowers. The inside of this handmade ceramic piece is glazed in a subtle pink while the outside is glazed in ocher. Two elements in an antique gold color...

Moroccan Water Jug – Ochre Moroccan Water Jug – Ochre. Hand-made in Morocco. The glass is mouth blown and available in a beautiful ochre colour. Due to the a...

Vessel No. I, in Ochre glaze . Made to order. DEVIN WILDE ceramic objects are one-of-a-kind stoneware editions. Each piece is designed, hand-built, glaze...

“A Robineau vase is a true work of art, unique in conception and perfect in execution, for every piece that left this studio was a labor of love.” – Ethel Brand Wise, The American Magazine of Art, 1929 Adelaide Alsop Robineau was a pioneer in American studio ceramics and excelled as an innovator in pottery both technically and aesthetically. As a young woman of high society in the late Victorian era, she gained early accolades as a skilled watercolorist and china painter and taught for a time at St. Mary’s Hall in Minnesota. In 1899, she married Samuel E. Robineau, a French gentleman and collector of Chinese ceramics. He was deeply intrigued by her talent and steadfastly supported and encouraged her throughout her career. The couple collaborated to produce a popular and influential monthly journal together, Keramic Studio, and went on to build a studio on their property in Syracuse, New York, which they named Four Winds. Robineau would also go on to teach for many years at Syracuse University while creating her own work and raising three children. Early in her career, she studied at Alfred University under Charles Binns, who is widely considered to be the progenitor of contemporary studio ceramics in America. His program established a shift in the craft of ceramics as an academic pursuit, rather than one of apprenticeship. Pottery throwers and the artists who decorated the wares traditionally inhabited separate roles in ceramic manufacture, a practice common in Europe. Binns’ philosophy merged the two, such that the potter had total agency of the final product. This marked a historic divergence in the creation of art pottery – one that Adelaide Robineau...