Mid-Century Mexican Modern Ice Bucket Made in Tropical Woods

This amazing wine rack are made of a mix of tropical woods. The rack holds eleven wine bottles and can be completely disassembled.

Circa 1950. We offer this Mexican modernist serving cart, made of mahogany wood black lacquered, with two rectangular shelves.

Circa 1960. We offer this pair of Mid-Century Modern folding chairs in exotic tropical wood.

Circa 1960, We offer this Mexican copper wine cooler/ice bucket, fantastic patina and very heavy and strong piece.

Beautiful vintage Mexican abalone shell and iron bottle opener in the form of fish.

We offer this folding magazine rack in mahogany wood and brass details, circa 1950.

Scandinavian Modern Glass Ice Bucket by Jacob Bang For Holmegaard, circa 1930. This glass ice bucket is signed “HOLMEGAARD ??8715"

American, 20th century, handmade, sterling silver and wood bowl / ice bucket in Mid-Century Modern style with exquisite geometric design. It measures 8 3/4'' in diameter by 3'' in he...

Mid-century modern lucite ice bucket, circa 1980s. This piece is in great vintage condition and measures 8"D x 8.5"H; a glamorous addition to your MCM bar! #3558

Beautiful silver plated bucket for ice cubes from the French brand Gallia (part of Christofle). On the bottom is a removable plate with holes, for...

Mid-Century modern Italian square ice bucket, 1970s Mid-Century Italian pear shaped ice bucket in chrome plated silver platter, 1970s A wo...

A classically elegant Minimalist design and styled ice bucket from the Cylinda series for Laufer Stelton, from the 1964-1967 MoMA collection. Arne Jacobsen Designer (Danish, 1902-1971). Great addition to any bar, wine tasting room or entertaining friends. The Cylinda Line series was awarded the ID-prize in 1967 by The Danish Society of Industrial Design and the International Design Award in 1968 by The American Institute of Interior Designers. It now also has a permanent place at Cooper-Hewitt, NY / MoMa, NY / Victoria & Albert Museum, London making it a truly Classic product. Today, Arne Jacobsen is remembered primarily for his furniture designs. However, he believed he was first and foremost an architect. According to Scott Poole, a professor at Virginia Tech, Arne Jacobsen never used the word 'designer', notoriously disliking it. His way into product design came through his interest in Gesamtkunst and most of his designs which later became famous in their own right were created for architectural projects. One of his first furniture designs was the Paris lounge chair from 1929 which was also displayed as a part of the interior design of his famous “House of the Future". Most of his furniture designs were the result of a cooperation with the furniture manufacturer Fritz Hansen with which he initiated a collaboration in 1934 while his lamps and light fixtures were developed with Louis Poulsen. In spite of his success with his chair at the Paris Exhibition in 1925, it was during the 1950s that his interest in furniture design peaked. A major source of inspiration stemmed from the bent plywood designs of Charles and Ray Eames. He was also influenced by the Italian design historian Ernesto Rogers, who had proclaimed that the design of every element was equally important "from the spoon to the city" which harmonized well with his own ideals. In 1951, he created the Ant chair for an extension of the Novo pharmaceutical factory and, in 1955, came the Seven Series. Both matched modern needs perfectly, being light, compact and easily stackable. Two other successful chair designs, the Egg and the Swan, were created for the SAS Royal Hotel which he also designed in 1956. Other designs were made for Stelton, a company founded by his foster son Peter Holmbl. These include the now classic Cylinda Line stainless steel cocktail kit...