Early 17th Century Ottoman Empire Iznik Pottery Dish

A decorative pottery goblet created by William Moorcroft for James MacIntyre & Co. in 1903. This goblet is part of William Moorcroft's Green and Gold...

A Neoclassical red transferware tile made by Spode 1806-1810, with the ‘Zeus in His Chariot’ pattern. Sir William Hamilton’s Collection of Etruscan, Greek and Roman antiquities, first published in 1766 by Pierre d’Hancarville, was a landmark publication in English design. It intended to disseminate the Antique style through its engravings of Attic pottery. The catalog’s faithful reproductions of Classical vases led British potteries, including Spode, to adapt or even copy the ancient art for modern life. These Spode Greek pattern tiles reflect the major influence of Hamilton’s catalog on English Neoclassicism. The central scene was taken directly from the catalog. This tile can be dated to a narrow window of production in the Spode factory, 1806-1810. During that time, Spode used a technique known as the “Pluck and Dust” method to print in red transfer designs onto creamware. Using this method, source prints were transferred overglaze using tissue imprinted with a very faint rendition of the design outlined in sticky oil. The decorator applied the tissue to the object then carefully “plucked” or pulled it away, leaving the sticky oil design behind. Then, a finely-ground enamel color was “dusted” onto the surface, sticking to any areas that had the oil. A final firing at a low temperature in the enamel kiln made the pattern permanent. The Pluck and Dust technique improved upon bat-printing and enabled larger designers to be transferred. It was short-lived, however, as under-glaze transfer printing soon took over as the preferred method for producing transferwares. Dimensions: 5 in. x 5 in. x 1/4 in. Condition: Excellent. Provenance: The Collection of Nancy and Andrew Ramage Jonathan Horne...

A rosso antico teapot made by Wedgwood ca. 1810. The pot's red body is accentuated by black basalt details in the Egyptian Revival style. This ros...

An extraordinary azure maiolica dish in the Farnese service, made by Castelli d'Abuzzo between 1580 and 1589. In the peak of the High Renaissance, Cardinal Alessandro Farnese commissioned a dinner service from the Castelli maiolica...

A majolica game pie dish made by Minton & Co. in 1864. The dish takes the form of a wicker basket and is covered with oak leaves, acorns, vines,...

A Wedgwood jardiniere with lilac and sage details on a white jasperware ground. Jasperware is perhaps the quintessential Wedgwood clay body and is even considered by some to be a ceramic development on par with porcelain. Originally developed in the 1770s as dyed stoneware bodies (the most ubiquitous of which is pale blue) with applied white figurative decoration in imitation of cameos from the Ancient World, jasperware quickly expanded to a plethora of colorways as per Wedgwood innovation standards. This jardiniere, with lilac and sage decoration on white jasperware ground, is part of Wedgwood’s tricolor jasperware...

17th century Islamic Iznik ceramic pottery Kendi jug This rare and precious antique Kendi jug is probably from the 17th century and it is excep...

This is a beautiful stoneware vase by S. Hublet, made in Belgium. It has a granite like beige, pink and black surface accented by freeform chevrons on the top and the bottom. The center of this magnificent oversized art pottery tea pot...

Dutch Art Nouveau ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs. Matte glaze, mixture of abstract and floral designs, circa 1920s. Very c...

Dutch Art Deco ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs, circa 1920s, matte glaze, which for us is the mixture of abstract and floral d...

Dutch Art Deco ceramic dish from Gouda, Holland with traditional period flowery and curvaceous designs. Circa 1920s, matte glaze, which for us is the mixture of abstract and floral d...

Stunning and heavily made midcentury Danish art pottery bowl designed by Jørgen Morgensen for Royal Copenhagen. Jørgen Morgensen is considered one of the most important potters and sculptors of the 20th century and this very stylish bowl has a central recess with a raised rim relief moulded with a repeat pattern of chicken like birds and finished in brown glazes. The bowl has printed Royal Copenhagen marks to the base along with incised initials JM.