Edgar Brandt Style French Art Deco Chandelier

French Art Deco nickel-plated bronze chandelier. Having milky white glass and floral motif. Very elegant adding the perfect Deco decor to your home. Giving off beautiful amount of li...

This French Art Deco chandelier has six opalescent glass shades resting on polished nickel design frame.

Stunning French Art Deco chandelier. Having six outer panels in molded clear frosted glass decorated with geometric and fruit motif. The cen...

Very beautiful French Art Deco floral chandelier. In yellow frosted molded glass with floral motif, mounted in bronze design frame. Re-plati...

Stunning French Art Deco chandelier with four Opalescent glass shades having clear and green color. The frame is beautiful with Deco details. Height without chain 16 inches

Beautiful French Art Deco pendant chandelier. In pink moulded glass shades with geometric motif polished details mounted in silver design frame...

Edgar Brandt Art Deco chandelier Chandeliers circa 1930 stamped twice Edgar Brandt in wrought iron Nickles. 4 shades in alabaster and 4 bubles led. The chandelier is electrify as new...

Art deco chandelier circa 1925. Wrought iron frame decorated with ginkgo biloba leaves. Alabaster basin. Stamped E. Brandt on the mount. The chan...

Wrought iron chandelier by Brandt, frosted glass shades by Daum, signed.

Original french art deco chandelier in wrought iron by Edgar Brandt with Daum tulip-shaped frosted glass. Iconic and emblematic model from the collaboration...

Art deco wrought iron chandelier with ginkgo biloba leaf decoration, circa 1925. 4 tulips and a central glass paste shell signed Daum Nancy. Frame stamped E Brandt. Chandelier electrified and in perfect condition. This chandelier will be disassembled and sent in two separate boxes. One for the glass and another for the frame. Height: 86cm Frame diameter: 42 cm Shell diameter: 27 cm Weight: 12kg You can contact me for more information and for delivery costs. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects...

Edgar Brandt and Daum Nancy Art Deco chandelier. Art deco chandelier circa 1925 in wrought iron decorated with leaves and windings. Frame stamped E. Brandt. Coupe in blue and cream glass paste signed Daum Nancy. In perfect condition and electrified. Total height: 95 cm Diameter: 50cm Weight: 12 Kg You can contact me for more information and delivery costs. Edgar Brandt was born in Paris in 1880 and studied at the Vocational School of Vierzon. In 1925, BRANDT took part in the International Exhibition of Modern Decorative and Industrial Arts. Following the success of the Salon, the same year, he inaugurated his gallery at 27 boulevard Malesherbes. He exhibits there his creations of artistic ironwork, furniture, sculptures, lighting and decorative objects, but also the creations of other artists with whom he collaborates (Daum, Lalique). The BRANDT gallery will be the first decorative art gallery in Paris. BRANDT is considered the greatest exponent of Art Deco ironwork. He died in Collonge-Bellerive on May 8, 1960. Daum (French establishment created in 1878) is a glass and crystal workshop located in Nancy. Founded by the industrialist and notary Jean Daum, the workshop was then taken over by his sons Auguste and Antonin, who ran it during the Art Nouveau period. It was not until the Universal Exhibition of 1900 that the company was at the forefront of the decorative art scene, when Daum received the prestigious Grand Prix medal. At this time, Daum glass became more complex, acid treatment was often used in the cutting, enameling and etching of a piece to produce glass masterpieces. Daum also produces applied glass elements, such as handles and ornamental motifs in naturalistic shapes. The Daum brothers quickly became big names in Art Nouveau, rivaling the famous designer Émile Gallé, and established themselves as leaders in the field of decorative glass after his death. In 1906, Daum revived glass paste, a process by which glass is transformed into paste, then it is applied to the surface of a mold and fired. This technique originates from ancient Egypt. Today, Daum is the only industrial crystal manufacturer that uses the glass paste process for its glass objects and crystal sculptures. Following the First World War, Paul Daum began to develop works in the Art Deco style, moving away from naturalistic forms and turning to linear, angular, simplified forms and geometric patterns characteristic of the movement. After the Second World War, Henri and Michel Daum became interested in the transparency of glass and pure lines. Daum collaborates with a large number of famous artists, such as Louis Majorelle, Salvador Dalí, Hilton Mac Connico, Elizabeth Garouste and Mattia Bonetti to create glass paste objects.