Three-Seat Sofa by Ilmari Tapiovaara for Paolo Arnaboldi, Italy, 1957

In the 1950s, Italian design took a crucial turn from the technical, formal and artistic point of view. Designers took tips from names in contemporary art and architecture like Alvar...

The “Laila” models from the series by the Finnish designer Ilmari Lappalainen originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection. Designed in the halcyon phase of what we know today as mid-century modern, this charming sofa is a unique evidence of how traditional Finnish craftsmanship was brought into modernism. This sofa is from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic mid-century modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. As an essentially Finnish modern piece, this sofa is built around the core characteristics of the era: gently rounded edges, tapered wooden legs, and a generous, fully upholstered body. The style was modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushion and back with three large tufted buttons. In the absence of ornamentation, the three large tufted buttons on the back stand out, creating depth as they sink into the textured green fabric. The design has the “classic Nordic look”, which explains the contemporary popularity of this sofa both among the public and museums. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden, tapered legs as well. Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. This sofa was created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. Favourites of this time included Ilmari Lappalainen’s Laila...

The “Laila” models from the series by the Finnish designer Ilmari Lappalainen originates from 1948, with the earliest original drawings kept in the Lahti City Museum in their Lappalainen Collection. Designed in the halcyon phase of what we know today as Mid-Century Modern, this charming sofa is a unique evidence of how traditional Finnish craftsmanship was brought into modernism. This sofa is from the Finnish designer’s most famous series called “Laila”. The design became sought after by collectors even in its production time, which is quite rare in the case of Nordic Mid-Century Modern furniture. Lappalainen was a renowned designer, famous for his designs’ comfort. Some of his designs even received medical approval because they had such a good seating that it prevented back problems. As an essentially Finnish modern piece, this sofa is built around the core characteristics of the era: gently rounded edges, tapered wooden legs, and a generous, fully upholstered body. The style was modelled on the Swedish and Danish furniture of the time, including the round edges and generous seat cushion and back with three large tufted buttons. In the absence of ornamentation, the three large tufted buttons on the back stand out, creating depth as they sink into the textured green fabric. The design has the “Classic Nordic look”, which explains the contemporary popularity of this sofa both among the public and museums. The modern aesthetic is further elevated by the textured, premium upholstery that complements the shape and the wooden, tapered legs as well. Wood is omnipresent in the Nordics, and Finnish woodworking is world-famous for its traditions. This sofa was created for Asko, the Finnish furniture manufacturing company founded in 1918 by Aukusti Asko Avonius, known for the production of high-quality furniture. By 1930 the company had developed into the largest furniture chain in Finland and the largest supplier of furniture in the Scandinavian countries. Favourites of this time included Ilmari Lappalainen’s Laila...

This Italian sofa from the 1950s exudes timeless charm and elegance. Cloaked in rich red velvet, this three-seater sofa visually demonstrates why the appeal of Italian mid-century fu...

Rino Levi was one of the pioneers of the modern movement in Brazil, advocating for simple, practical and economical design, disparaging the imitation of classicism. ‘Classical spirit’ rather than classical forms was his ideal. Levi was instrumental in spreading the fame of Brazilian modernism through his furniture designs as well. As this beautiful Brazilian wood sofa shows, by the 1960s, Levi abandoned Italian rationalism in favour of an approach closer to that of the Rio modernists both in his architectural and furniture designs. As a piece of true Brazilian mid-century design, the beauty of the wood and organic shapes and lines dominate this three-seater sofa. The tilted, architectural lines of wood making up the armrests create a visually distinct and exciting appearance. The additional horizontal lines connecting to the backrest are a creative addition, while also supporting the overall stability. The frame with its joinery praises Rino Levi’s craftsmanship and architectural expertise. The beautiful colour of the wood is highlighted by the light upholstery of the body in a premium bouclé fabric, including the three removable cushions. This sofa model is rare to find, for as during Brazil's military dictatorship, it was against the law to export furniture. The ban on exports only ended in the 1980s, but it still took some time for things to change, not to mention that handmade pieces were created in limited editions. Therefore, it is no exaggeration to say that this sofa is special, and a real rarity. Condition: In good vintage condition. Wear consistent with age and use. Some scratches and marks on the wood. The sofa has been reupholstered recently in a premium bouclé fabric. Each of our items can be re-upholstered by our in-house atelier in a fabric of choice. Please reach out for more information. Dimensions: 86.41 in W x 28.74 in D x 30.31 in H; Seat height 16.14 in 219.5 cm W x 73 cm D x 77 cm H; Seat height 41 cm About the Designer: Rino Levi was a Brazilian architect important to the development of modernism in Brazil. Levi was born to Italian Jewish parents on December 31, 1901 in São Paulo, Brazil. After graduating from Colégio Dante Alighieri in São Paulo, Levi studied in Milan and Rome under Marcello Piacentini. In 1924, he moved to the School of Architecture of Rome. There, he met Adalberto...

This wonderful commemoration of Finnish mid-century design is the Susanna sofa created by Lahti Lepokaulusto and designed in the 1950s by Oiva Parviainen...

Ilmari Tapiovaara for Esposizione La Permanente Mobili manufactured by Paolo Arnaboldi, sofa, teak, leather, brass, fabric, Italy, 1957. This three-seat sofa is designed by Finnish...

A stylish Italian sofa by Paolo Buffa. In walnut and blondwood and newly upholstered in dusty pink boucle. En suite with a matching pair of armchairs.

Three-seater white velvet sofa with metal and brass, Digamma model designed by Ignazio Gardella for Gavina in 1957. The extraordinary elegance of the Digamma three-seater sofa, created in 1957 by Ignazio Gardella for Gavina, is revealed through a surprising combination of materials and futuristic design. The carefully crafted metal structure supports the upholstered part of the sofa, creating a perfect balance between form and functionality. The distinctive signature of Ignazio Gardella, a renowned designer and visionary engineer, is evident in the curved brass terminals on which the sofa gracefully rests. His architectural conception, bridging art and design, is reflected in every detail of this unique piece. The Gavina brand introduced the Digamma collection in 1957, ushering in a new approach to seating that goes beyond traditional forms of sofas and armchairs. The series, of which this extraordinary sofa is a part, features square and rational volumes, demonstrating an exceptional level of innovation for its time. Today, the sofa is in excellent condition, meticulously restored in upholstery and adorned with a light-shaded velvet covering that enhances its intrinsic beauty. Its dimensions of 197x82,5x81 make it ideal for comfortably accommodating three people, offering a seating experience that combines style and comfort without compromise. A functional work of art, Ignazio Gardella's Digamma Sofa...

Pirkka stool by Ilmari Tapiovaara. Designed for Laukaan Puu in 1957.

Equal parts style and comfort this luxurious three-seater bench designed by Ilmari Tapiovaara for Stendig is the epitome of Contemporary design. The solid chrome frame, in wonderful ...

c. 1960s. Iconic mademoiselle chair painted white but aged. Tagged. Made in Sweden