Vintage Art Deco Moderne Flame Mahogany Sideboard

An extraordinary French walnut cabinet by Louis Majorelle (1859–1926) exceptionally executed period Art Nouveau styling. Circa 1900. Majorelle know for often ornamented his pieces...

An exceptional vintage country French Louis XV style fruitwood breakfront sideboard. Hand-crafted in France during the first half of the 20th c...

A rare Continental Italian Renaissance Revival oak and leather sideboard with warm, rich patina. Born in the early 19th century, exquisitely hand-crafted and exceptionally execut...

French Perfection!! A most impressive Renaissance Revival Henry II style well carved solid walnut sideboard server from the second half of the 19th century, finished in later chic distressed dusty blue painted finish with light airy hues of chalky gray. Born in France, circa 1870, this piece is wonderfully hand carved and crafted with wonderful attention to detail. It features a rectangular wooden top over an ornate frieze with foliate carvings and decorative ornamentation, large dovetailed drawer in the center, flanked by a pair of smaller drawers, all affixed with original patinated brass pulls, rising over the open shelf base with classical arched fluted columns, paneled back, above stepped molded skirt, resting on bun feet. It's a most impressive piece with the commanding presence 16th century Henri II furniture is known for, including handsome masculine lines and strong architectural form, combined with a relaxed shabby chic farmhouse refinement, beautifully aged warmth, and unfussy elegant sophistication. Dimensions: (approx) 36" high, 44" wide, 23" deep Versatile. Having the ideal smaller size and proportions for a variety of different uses, including as a dining room sideboard or breakfast...

An extraordinary, very fine quality, circa 1920s French gilt bronze ormolu mounted mahogany, burled walnut, tambour marble-top sideboard (credenza serve...

A rare and important American Art Deco Century of Progress Sideboard by iconic designer Wolfgang Hoffmann (Austrian, 1900-1969) for Romweber Company, Batesville, Indiana. circa 1933-1936 Created for the 1933 Chicago World's Fair, fine quality craftsmanship and construction, having a rectangular exotic rosewood veneered top over conforming solid wood case fitted with four drawers affixed with horizontal pulls, the top drawer opening to reveal felt lined divided interior for silverware, flanked by cabinet doors opening to shelved interior, subtle geometric lines add interest. Rosewood, mahogany, richly figured blonde - golden birch or primavera. Signed, top drawer interior, featuring 1933 World's Fair mark impressed. **Please note, at the time of writing this, a matching display case - vitrine cabinet (shown in last photo) is currently available separately** Provenance / Acquisition: Property from the important and iconic Collection of Mr. James I. Rafftesaeth Jr., Dallas, Texas Acquired from highly reputable auction house, Heritage Auctions, Dallas, Texas. 2022 Design Signature Auction catalog #8091 History: Wolfgang Hoffmann was born in Vienna, Austria in 1900. He is the son of famous architect, pedagogue and Wiener Werkstatte cofounder, Joseph Hoffmann (1870-1956). Early on, following his father’s s interests, he was trained in the decorative arts and design. Wolfgang Hoffmann once reminisced, “I spent eight years at the Realschule, then three years went to a special architectural school, where I perfected my technical knowledge of architecture and general construction. From this school, I was graduated to the Kunstgewerbeschule [Studying under Oskar Strnad and Josef Frank in Vienna]. After finishing this school, I had one and a half years of practical in a well known architect’s office. Thereafter I worked in my Father’s office for two years”. Hoffmann met his future wife, Polish immigrant Pola (1902-1984) when they were both studying at the Kunstgewerbeschule. Joseph Urban (1872-1933) was needing an assistant for his architectural business in New York and contacted his friend and colleague, Joseph Hoffmann in Vienna. Hoffmann recommended his son Wolfgang. Urban hired him and sent a first class passage ticket to Vienna for Wolfgang to travel to New York. Wolfgang married Pola and traded his ticket for two tickets to America in steerage, arriving in New York City in December of 1925. Leaving the Urban office after nine months, Wolfgang and Pola formed an independent design practice with offices on Madison Avenue in Manhattan with the purpose of creating contemporary interiors and industrial designs. Early work included theaters, stores, and apartments mostly in New York City. During the late 1920’s and early 1930’s the Hoffmanns designed custom furniture for private clients. Some of these examples were shown in the February 1929 issue of House and Garden. Curiously, the examples’ design was attributed to Urban and the production to Pola Hoffmann, Inc. Established in the fall of 1928, the American Designers’ Gallery was “devoted exclusively to showing objects and interiors for practical use… by fourteen American architects and designers”. Its members included the Hoffmans and Urban as well as ceramist Henry Varnum Poor (1888-1971), architect Raymond Hood (1881-1934), artist designer Winold Reiss (1886-1953), graphic designer Lucien Bernhard (1896-1981), decorator Donald Deskey (1894-1989), and architect Ely Jacques Kahn (1884-1972). The Hoffmanns’ work was included in the American Designers’ Gallery’s two showcase events, its 1928 and 1929 exhibitions. Their dining alcove at the 1929 event featured a bench with a dinette table and two chairs in American walnut designed by Wolfgang and a rug by Pola. Lucien Bernhard, fellow Austrian immigrant who settled in New York a year before the Hoffmanns, operated the gallery and decorating service Contempora with Munich resident Bruno Paul (1874-1968). The Hoffmanns, occasionally participating with Contempora, designed a number of outstanding interiors, including the constructivist living room of 1930 for Mrs. O.R. Sommerich at 40 East 66th street. In 1934, Donald Deskey commissioned Wolfgang to design birchwood furnishings for the eclectic apartment at 625 Park Avenue belonging to Helena Rubinstein. In 1931, Wolfgang exhibited his work at the Pennsylvania Art Museum and the Museum of Modern Art in New York City. The same year, with Kem Weber (1889-1963) he organized the second and final exhibition of AUDAC- “Modern Industrial and Decorative Arts”- at the Brooklyn Museum. At this event, the Hoffmanns showed the dining room previously included in the American Designer’s Gallery’s 1929 exhibition in the Chase Bank Building lobby at 145 West 57th Street in Manhattan. In 1932 Wolfgang was asked to assist Urban in developing the color scheme for the 1933-34 Chicago World’s Fair “A Century of Progress”. He was also commissioned to design the interior and furniture for the fair’s lumber industries house. There he executed its living and dining rooms furnished by Kroehler Manufacturing Company of Chicago; the boys’ room by Shower Brothers...

Gorgeous and unique sideboard in lacquered and finely painted mahogany, the top is made of black speckled white granite. The style is linked to the production of Vittorio Ducrot and Ernesto Basile.

French Art Deco mahogany sideboard cabinet with 4 glass front doors and inlaid trim edge under a marble top with 4 tapered fluted ebonized ...

Amazing piece, so much quality, inlay with mother-of-pearl and walnut wood creates a beautiful baskets on the door, wonderful original hardware, just beautiful.

Exceptional French Art Deco elegant 1930's sideboard with inset marble top made out of amboyna burlwood in a high gloss finish, elaborately done with clear piano...

Art Deco sideboard, solid wood veneered structure. Of great quality A rich base composed of a black frame that contains a rosewood band with 2 parallel maple profiles, running around...

Art Deco Paul Frankl for Johnson Furniture Mahogany and Cork sideboard An exquisite, iconic and truly timeless and unparalleled classic sideboard by Paul Frankl for Johnson Furnit...