19th Century Italian Carved Marble Bas Relief of a Winged Cherub

Using the ancient metalworking technique known as repousse, this copper bas relief plaque of a young nobleman was hand-chiseled by a French artist in...

Hand-carved in bas relief during the 1800’s, this French walnut wood panel is in the Neoclassical style. The fantastic carvings portray the goddess, Athena, standing with a spear in her left hand and a plumed hoplite open-faced helmet on her head. Various weaponry and armory can be seen behind Athena and her two kneeling devotees that flank her. All three are clad in a chiton with a zoster wrapped around their upper torso. The helmet, spear, and clothing are all symbols of Athena and often used to depict her in art. The trio of warriors are positioned beneath a strapwork arch that is topped by a winged...

This cast iron charger from Germany was hand-worked in the 1800s. The low-relief image, in this case, a Bacchanalian scene, is full of hundreds of small decorative and figurative details. The main body of the charger is recessed below the outer rim, which is adorned with a ring of foliage motif encircling fleur de lys and scrolls. A raised ridge separates the two repeating motifs, with eight mascaron and scrolled medallions interrupting the interior circle. In the center of the charger is a Neoclassical medallion surrounded by Vitruvian scrolls filled with beading. Based on the lively scene of revelry that surrounds the medallion, it is quite possible that the figure depicted in the medallion is Ariadne, the wife of Dionysus (or as the Romans called him “Bacchus”), the Greek god of wine and merriment. It is most likely an interpretation of when Dionysus found her abandoned on the island of Naxos. Numerous figures dancing and partaking in food and drink can be seen along the outside of the medallion, including mythological beings such as putti, satyrs, and nymphs, set amongst flora dotted with overturned drinking vessels. A small bracket is affixed to the verso side, allowing the cast iron German charger...

Originally from 18th-century Italy, this pair of winged cherubs were hand-carved from wood as reflections of each other, meaning that their bodies are orientated as mirror images. Bo...

In the style of 17th and 18th century Delftware, this pair of large polychrome faience wall plaques are from Holland, a region of the Netherlands. Hand-painted faience from Holland, such as this pair from the 1800’s, were typically painted in the traditional cobalt blue and white, however our plaques have vibrant colors that enhance two distinct scenes. Both plaques feature a roughly ovate shape molding and sinuous cutouts, typically seen in Dutch faience after the 17th century. These contoured edges have been painted with a nondescript motif consisting of quick brush strokes using blue paint. The plaque on the left in our main photo depicts Jesus washing the feet of his disciples. Most of the followers are clad in blue, green, or gold robes...

Possibly inspired by a 1771 painting by Jacques-Louis David, this set of large brass chargers depict the Roman deities, Mars and Minerva. The painting by David (Minerva Fighting Mars...

An outstanding Italian 19th century white Carrara marble relief plaque. The circular solid white Carrara marble plaque depicts the profile of a wo...

Wax relief depicting a vase with flowers Italy, mid-19th century Signed "Scot. inv et fecit" Measures: 37 x 44 x 7,5 cm.  

Impressive pair of large 19th century Italian neoclassical style beautifully hand carved white marble round wall panel medallions of two adorable cupi...

19th century hand carved Italian walnut shelf depicting a pair of winged cherubs.

Beautiful reproduction of putti with pressed marble powder with wooden frame. Not able to give a year of production. Good conditions. Thank you

A very fine mid 19th-century Italian carved Carrera statuary marble relief plaque of four boys playing with a donkey. Mounted on a bronze stand. ...