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Knole Settee, Cowdray Park, English, Lengyon & Co, olive velvet, tapestry

About the Item

- EXCEPTIONALLY, RARE, MUSEUM QUALITY PIECE, THE COWDRAY PARK KNOLE SETTEE, INVENTORY NUMBER D2029 - Supplied by Lengyon & Co, the pre-eminent maker, to Viscount Cowdray, Cowdray Park, Sussex. Part of the furnishings in the Great Hall at Cowdray Park, bearing a brass disc with the inventory number D2029 - In the late-19th century this model of settee was revived, particularly for Great Halls, bedrooms and galleries in large country houses for its early aesthetic, comfort and draught exclusion from the high backs. - It retains the original iron ratchets so the wings can be lowered to different heights. - The 17th century Brussels tapestry panel is finely woven with a central cartouche and floral sprays and, unusually, retains its blue colouring - The settee has been re-upholstered in a sage green velvet as the original was threadbare when I acquired it. - The passmenterie has been colour-dyed to match the tones of the velvet and the tapestry and hand-made. - It is extremely comfortable, you sink back into it. - It is sturdy and suitable for everyday use as the velvet has 100 years of life in it and the tapestry has been cleaned, conserved and stablised This is an early 20th century interpretation of the infamous, sumptuously, upholstered, 17th century, couch with hinged arm rests, found at Knole Park, Sevenoaks, Kent, the ancestral seat of the Sackvilles made by the most eminent upholsterer of the early 20th century. The original couch served the dual purpose of bed and settee, and is one of the earliest examples of English, upholstered, seat furniture. This is a particularly fine example, with an exceptional provenance. The straight, padded back incorporating a piece of mid-17th century tapestry depicting a characteristic baroque cartouche with cornucopia containing tulips surrounded by a profusion of floral sprays and bunches of grapes. The adjustable padded wings joined to the arms with ratched iron hinges and attached to the back. The arms are supported by oak turned uprights, one bearing the Cowdray Park inventory number D2029 on a brass disc. The seat with a large loose cushion. Standing on original castors. English, second half of the 19th century. The original silk damask was threadbare and the settee has been re-upholstered in a grey/green velvet with custom made passmenterie. Closed Length 176 cm. 69 ¼ in, Fully Extended Length 254. 100 in., Depth 69 cm. 27 in., Height 111 cm. 43 ½ in. seat height 54 cm. 21 ¼ in. During the late-16th/early 17th century a new form of day-bed was introduced to match the contemporary upholstered ‘X’ chairs and stools. They were padded and upholstered throughout and the ends were let down on a toothed steel ratchet to enable the occupant to repose at full length. They were generally destroyed when the coverings had worn out at the woodwork was of little value. One survives at Knole Park, illustrated above. Similar couches were plentiful in France under Louis XIII and can be seen in Abraham Bosse’s engravings of domestic interiors but they were only found at Court and the houses of great noblemen in this country. When the contents of the Royal Palaces were dispersed after Charles I’s execution a number of couches were included in the sale. Francis Lenyon, Lenyon & Co., Lenyon & Morant Born in England in 1877, Lenygon was trained as a cabinetmaker and studied at the South Kensington Museum in London. By 1900, he found work with Art Workshops, Ltd., and soon after with Charles Duveen, son of Sir Joseph Duveen. Employed by C.J. Charles for several years, Lenygon became well-known as cabinetmaker to England's aristocracy. He opened his own firm, Lenygon & Co., in 1904, and in 1912 merged with Morant & Co., to become Lenygon & Morant, holding royal warrants under four successive British kings. In 1910, Lenygon made his first visit to the United States to supervise the interior decoration of Whitlaw Reid, and soon opened a New York branch of his firm. As in England, Lenygon's American clients were wealthy and sophisticated and relied on Lenygon to furnish authentic and reproduction interiors in period styles. In the 1930s, Lenygon was hired by Nelson Rockfeller to serve as a major consultant to the reconstruction of Colonial Williamsburg in Virginia, and selected all the furnishings for the Governor's Palace there. Lenygon was widely known for his expertise in 17th- and 18th-century British furniture and interiors and lectured widely on the subjects. He served as president of the American Institute of Decorators and the Art and Antiques Dealers League of America. He was also a Fellow of the Royal Society of Arts and the North British Academy. Lenygon died in New York City in 1943. He was survived by his second wife, Jeanette Becker Lennygon, whom he married in 1926. Jeannette was also a well-respected interior designer, best known for her redecoration of several rooms in the White House during John F. Kennedy's presidency and for the interior redesign of Gracie Mansion for New York mayor John Lindsay. She was also a founding member of the American Institute of Interior Designers. Jeannette died in Evanston, Illinois, in 1977. Cowdray Park 'Cowdray. I settled the terms of purchase yesterday. Price £340,000. It is a big venture, but even if the oil does not prosper and we do not become more heavily involved than our present commitment... we cannot, I think, be accused of undue rashness in buying the property.' Pearson’s purchase included the splendid ruins of the great Tudor house, as well as its Victorian successor, which had been built by the Earls of Egmont: Pearson intended to replace this, referring to his investment in oil in Mexico as 'the trade that I am in - in my dreams - hoping will build the new Cowdray Castle and finish it with one year's earnings'. War, and perhaps wiser counsels, would prevail and the Cowdrays contented themselves with altering the Victorian house. A 'princely estate' by Pearson's own admission, Cowdray is steeped in history. Dating from the early 16th century, Cowdray was purchased from Sir David Owen by Sir William Fitzwilliam, a favourite of King Henry VIII, who obtained licence in 1532 to crenellate walls and towers on the site that had been hitherto known as La Coudreye. In 1542 it passed to Sir William's half-brother, Anthony Mary Browne, whose first son would become 1st Viscount Montague. King Henry VIII visited Cowdray on a number of occasions, as did Edward VI in 1552 (when he is reported to have complained on the food being too rich) - whilst Queen Elizabeth I's visit on her Royal Progress of 1591 was later depicted in an oil by James Pryde. Arguably one of the finest Tudor houses in England, it was devastated by fire in 1793. Little is known of the original interior at Cowdray, save for some 18th century watercolours by a Samuel Hieronymous Grimm, which document the Buck Hall. The Cowdrays as Collectors Cowdray Park House was built in 1874 and has been the family seat since 1909 when it was bought by Sir Weetman Dickinson Pearson, who became the 1st Viscount Cowdray. The first Viscount Cowdray and his wife were among the most prolific and discerning British collectors of the early 20th Century. The couple and their son, Weetman Harold Miller Pearson, the second Viscount Cowdray, bought most of the antiques and artworks in the Collection. Pearson’s purchase included the splendid ruins of the great Tudor house, as well as its Victorian successor, which had been built by the Earls of Egmont: Pearson intended to replace this, referring to his investment in oil in Mexico as 'the trade that I am in - in my dreams - hoping will build the new Cowdray Castle and finish it with one year's earnings'. War, and perhaps wiser counsels, would prevail and the Cowdrays contented themselves with altering the Victorian house. A 'princely estate' by Pearson's own admission, Cowdray is steeped in history. Dating from the early 16th century, Cowdray was purchased from Sir David Owen by Sir William Fitzwilliam, a favourite of King Henry VIII, who obtained licence in 1532 to crenellate walls and towers on the site that had been hitherto known as La Coudreye. In 1542 it passed to Sir William's half-brother, Anthony Mary Browne, whose first son would become 1st Viscount Montague. King Henry VIII visited Cowdray on a number of occasions, as did Edward VI in 1552 (when he is reported to have complained on the food being too rich) - whilst Queen Elizabeth I's visit on her Royal Progress of 1591 was later depicted in an oil by James Pryde. Arguably one of the finest Tudor houses in England, it was devastated by fire in 1793. Little is known of the original interior at Cowdray, save for some 18th century watercolours by a Samuel Hieronymous Grimm, which document the Buck Hall. The Cowdrays as Collectors Cowdray Park House was built in 1874 and has been the family seat since 1909 when it was bought by Sir Weetman Dickinson Pearson, who became the 1st Viscount Cowdray. The first Viscount Cowdray and his wife were among the most prolific and discerning British collectors of the early 20th Century. The couple and their son, Weetman Harold Miller Pearson, the second Viscount Cowdray, bought most of the antiques and artworks in the Collection. The family started out with a small company in Bradford, which became one of the most successful business empires of the 20th Century and one of the largest construction companies in the world. The 1st Viscount Cowdray won a contract to drain Mexico City in 1889, and went on to develop vast oil fields in Mexico, accruing extraordinary wealth. Provenance: The first Viscount Cowdray, Weetman Pearson, Cowdray Park. Literature: 17th Century Interiors & Decoration (Peter Thornton) ill 150 depicts the couch at Knole

Creator:

LENGYON & CO (Maker)

Dimensions:

Height: 43.71 in (111 cm)Width: 69.3 in (176 cm)Depth: 27.17 in (69 cm)

Style:

Charles II (In the Style Of)

Materials and Techniques:

Tapestry,Velvet

Place of Origin:

England

Period:

Early 20th Century