Exceptional Pair of Islamic Mamluk Revival Silver Inlaid Quran Side Tables

An Islamic "Alhambra" silvered bronze Quran cabinet in the Islamic Nasrid style, Attributed to Rafael Contreras, circa 1880. Of rectangular form with crest and pendant finials to base, with two hinged doors above a drawer, the lock hidden by a hinged plate, profusely cast with vegetal and geometric designs, the doors in openwork, the reverse stamped with maker's mark, 'GESETZLICH GESCHUTZT...

An exceptional pair of Louis XVI style french ormolu-mounted parquetry and marquetry side tables, late 19th-early 20th century, in the manner of RVLC. These tables are truly excep...

An Exquisite Pair Of Japanese Cloisonné Enamel Vases with Chrysanthemum Blossoms, Attributed to Hayashi, Meiji Period. Experience the exquisite craftsmanship of the Meiji period wit...

A large pair of Meiji Period Japanese Cloisonne Enamel Double Dragon Vases, 19th century. Japanese cloisonne enamel dragon vases are highly ...

A large pair of Japanese Cloisonne Enamel vases attributed to Honda Yasaburo, 19th century. Finley decorated with the rich enamel colors of orange and green, these vases are desig...

A Large Pair of Japanese Cloisonne Enamel Lanterns Attributed to Kaji Tsunekichi, Edo Period, 19th century Japanese cloisonne lanterns were made during the Meiji period, from the late 19th to early 20th century, and were often used as decorative lighting fixtures in temples and shrines. Kaji Tsunekichi (1866-1916) was a Japanese cloisonné artist who was active in the late 19th and early 20th centuries. He was born in Tokyo and learned the art of cloisonné from his father, Kaji Sataro, who was also a cloisonné artist. He was renowned for his mastery of the shippo-yaki technique, which involves creating intricate designs with thin wires on a metal base before filling in the spaces with enamel. Tsunekichi was known for his exceptional technical skills and his ability to create intricate designs with vibrant colors. His works often featured nature motifs, such as flowers, birds, and fish, which were rendered in a highly detailed and naturalistic style. He also experimented with new techniques, such as plique-à-jour, a type of cloisonné that creates a stained-glass effect. Tsunekichi's works were highly prized during his lifetime and continue to be sought after by collectors today. He won numerous awards for his cloisonné creations, including a Gold Medal at the 1900 Exposition Universelle in Paris. His works are characterized by their fine wirework, precise enamel application, and attention to detail. Some of Tsunekichi's most famous works include a pair of large cloisonné vases...

Small inlaid Islamic lamp / side table. 1890. Reference: 8267 Dimensions 22.5 inches (57 cms) High 18.5 inches (47 cms) Diameter

Absolutely stunning Islamic side table we date to circa 1870 The workmanship on this work of art is incredible Look at the intricate and ornate foliate designs with complex geometr...

This stunning pair of ebonized marble-top tables, with impressive ormolu mountings throughout, are from Victorian England, circa 1870s. They feature carved white marble tops which sc...

A fine pair of early Victorian Elizabethan-revival oak side tables, circa 1840. Measures: 37.5in. (95cm) high; 74.5in. (189cm) wide; 24.25in. ...

Table pair with inlaid geometric pattern contrasting wood tops. Very well-made with bold carved cabriolet legs, convex X form base stretcher with center urn finial and handsome carve...

English Regency style mahogany and exotic wood veneer side table with floral and brass line inlaid details on turned gilded acanthus capital supports ...