Louis XVI Period Carved Wood Overdoor

A beautiful Louis XVI style carved wood console table with marble top, circa 1880. The marble top has a chip located on the hind top right co...

A Louis XVI carved walnut Bergère, late 18th century, Georges Jacob (1739-1814, maître in 1765), stamped, arched crest rail, lobed finials, padded arms, fluted and reeded uprights, b...

Wood carved and gilded mirror with sectioned cannelures and beaded carving with top attributes of wheat and a torch with ribbon, flanked by detailed floral motifs. Some gilding is mi...

Stunning tall oak secretair on top, beautifully carved drawers resting on paw feet.

Louis XVI period painted Trumeau with a foliage and ribbon carving at the top, an inset barley twist and beaded border design and the bottom presents a ...

Louis XVI period Dutch commode with central urn and floral carved motif on the drawers flanked by circular rosette hardware with a barley twist round handle. Each drawer has rosettes...

A George II carved pinewood overdoor, in the manner of William Kent, the deep cornice with ovolo, egg and dart and dentil mouldings above a frieze centred by female mask flanked by s...

Rope turned pattern with water and matte gilding .Nicks , chips and minor losses and subsequent touchups. Red bole bleeding through gilding in places.

Pair of tall painted doors with original hardware. Will need new glass. Other doors available but not with glass panel. Doors can work well in Swedish Gustavian style decor

Pair of tall painted doors with original hardware. Will need new glass. Other doors available but not with glass panel. Doors can work well in Swedish Gustavian style décor. Each do...

2 interior doors, hand painted with carved panels, lacquered frame, and complete with overdoor painted on canvas, built in the 18th century for a noble palace in Italy (Piedmont). 1. with frame cm L 114 x H 270, door light...

Originally an overdoor from a boiserie room at a French chateau, this large architectural was hand-carved during the Louis XVI period, circa 1790. The overdoor is roughly rectangular, with the exception of the stepped bottom molding, which would have been necessary to fit over the door frame. In the center of the overdoor is a classical urn adorned with imbricated disks and gadrooning and topped with a pinecone finial. The vessel is surrounded by an ovate border embellished with bead and reel, an oval floret, scrolls, and foliage. Two bundled leaf swags emanate from the top of the medallion, flowing in opposite directions, with crinkled ribbon loosely twirled around the greenery. An additional crinkled ribbon is wrapped around the garland just before the swag feeds through a hoop and turns downwards. Prominent molding with several thick layers surrounds the low-relief carvings, providing a nice border to the architectural panel. The wood has been painted a grayish-green color, sometimes referred to as “French gray”, which is a very neutral color that can be paired with many interior color palettes. Our Louis XVI painted overdoor...