Stone Pedestals and Columns

An alabaster figure on an alabaster pedestal. Simply stunning alabaster figure of a winged angel sitting on a pillow staring at her pinkie finger. The carved and twisted alabaster pe...

Neoclassical pair of palatial antique French Louis XVI style hand-carved Carrera white and grey marble pedestals of unusual form embellished with raised three dimensional neoclassica...

This striking sculptural ewer is exuberantly modeled with sepent form handle and dragon form spout, the baluster body is carved in high relief with a mask of the young Silenus amid...

Pair of veined white marble garden obelisks with contrasting dark green marble moldings, on square stepped plinths with lozenge shaped appliques. Obel...

Mid-century tall alabaster pedestal with hollow interior. The alabaster strong and sturdy. The alabaster has ridged lined in between each side for a textured feel. The top of the ped...

Marble column, French, from the Empire period. It is made of gray “Turquin” marble.

A solid marble column made in the early 1900’s France, with a beautiful naturally aged patina. This carved column would be perfectly topped with an urn, vase, or sculpture in any cov...

A most elegant Italian 19th century neo-classical st. Brèche Violette marble pedestal column. The pedestal is raised by a square base with a f...

Amazing pair of Greco-Roman columns constructed from molded stone plaster. The columns feature neoclassical style Corinthian capitals and fluted shafts. Very heavy and solid with an ...

Bring the timeless elegance of French heritage to your home with this exquisite set of French Limestone Staddle Stone Pillars. Dating back to the 17th century, these handmade columns...

Fabulous Italian column from the first half of the 20th century. Furniture in finely sculpted and chiseled alabaster made up of four elements (see photo) that can be separated to mak...

This unusual stone pedestal is actually a late 19th-century cylindrical mill stone. Hand-carved of solid limestone with a textured and ribbed surface, the stone was used for threshing wheat and other grains on a farm in China's Shanxi province. The heavy stone roller...

This "floating" doon table, carefully hand-carved into a perfect block, has a graceful reveal at its base, giving it a modern lightness. The dark color of ...

19th Century French empire green painted & giltwood pedestal. Beautifully carved gilded stars, faces, rosettes, and architectural details on this green painted wood French pedestal....

Simple and stylish Italian travertine pedestal. Made from solid travertine slabs. Has a clean fluted design running down the length on all sides. Makes a perfect perch for your favor...

Travertine cube table block with large cavernous pores.

"Poésie" a 19th century French Polychromed Symbolist marble sculpture A Carrare, Sienna and very rare Skyros Marbles Symbolist Sculpture Group. Figuring Poetry under the appearance of Dante and Béatrice resting on a rock, Dante holding in his hand a parchment titled "Poetry". It rests on a Neo-Renaissance moulded and hand-carved walnut rotating sellette, the barrel consists of three fluted Corinthian columns, decorated with foliage at the base, resting on a truncated column decorated with female masks connected by a drape. It’s joined, in the upper part, by arcatures with a background of foliated foliage and masks of women crowned alternately with cutout RT monogram. Moulded triangular base, with curved sides and rising from lobed angles with a frieze of oves at the base. Circa 1870 Measures: Sculpture: H. 75 CM • 29 1/2 IN. Sellette: H. 112 CM W. 44 CM - D. 49 CM H 44 1/8 IN. W 17 3/8 IN. D 19 1/4 IN. The poetry of Dante Alighieri (1265-1321) Beatrice Portinari, simply known as Beatrice or Beatrix, commonly refers to the muse of Dante Alighieri, whom he glorifies and loves. But she is also a woman whom, if one follows the New Life, Dante loved from his childhood, and to whom he dedicated a place in all his works. More sensitive than all is the resolute amplification which, after the pathetic force and expressionist intensity of Hell, intensifies with the more elegiac and penetrating emotion of Purgatory and leads to the miraculous triumph of the imaginary in Paradise. Of the three «hymns», it is Hell which is the most known, the most popular one can say: the taste of the picturesque, spread by the romantic criticism, is much to it. Dante, however, had the conviction, repeatedly affirmed in his poem, that by rising from one kingdom to another, he raised his poetry each time by a level which made it worthy of an ever more «high» matter. At a distance of six and a half centuries, there is certainly no obligation to share this view, however assured it may be for the poet. Anyone, however, who wants to enter the world of the Comedy must refuse the scale, eliminatory in its consequences of fact, which puts such a section above the other or brings the Comedy to a rosary of episodes more or less «beautiful» Gabriel Charles Dante Rossetti (12 May 1828 – 9 April 1882), generally known as Dante Gabriel Rossetti...

A marvelous 20th century iron armillary, resting atop an Italian marble column-form pedestal. The armillary has been sandblasted and powder coated in black. This piece is intended fo...

Pedestal in red griotte marble from Belgium. The square top placed on a capital and the molded foot are in contrasting gray marble. It is a work of the 19th century. This pedesta...

This stylish Italian marble pedestal dates to the end of the 19th centutury and was acquired form a Palm Beach estate. Note: There are five seperate pieces that make up the pedestal...

This pedestal originates from Italy, circa 1890. Made with marble.

Pair of neoclassical alabaster pedestals grey/white/black Vein Flevr Dis Lis Tops. Each finely decorated and stylish pedestal having a rich gray and black vein on a white background....

Swedish stone-top black pillar table stone is earlier than 1850 and has a beautiful natural rough underbelly.