Late 18th Century Statues

Pair of 18th Century Carved Limestone Angel Wings. Bespoke mounts for wall mounting. France Circa 1780.

China Monumental Pair (2) Antique Stone “Spirit Pathway” Tigers, middle Qing period 1750-1850. Dimensions: 115cm, 46” high and 60cm, 24” in width. Likely utilized as spirit pathway...

The tall column sitting on a socle with square base.

Life-sized Bronze Statue of Hermes, 18th Century, French, After Giambologna Direct, as seen photographed, from a Greenwich CT mansion comes t...

A Bronze Statuette of Arlequin. by Charles-René de Paul de Saint-Marceaux. Cast by Barbedienne. The mischievous Harlequin, arms crossed in contemplation, wearing a grin and a mas...

An impressive life size late 18th century Spanish Colonial Santo figure, most likely Mexican. Carved and painted wood, the cape and other cloth...

Stunning Italian sculpture in white Carrara Marble, bust of child,was part of an very important altarpiece in a private collection from a palace in Turin...

A late 18th century gold painted papier mache eagle with wings spread and on a rectangular wooden base. Originally from Birr Castle, Ireland.An impressive late 18th century gold pain...

Pair of weathered York Stone urn stop Finials.

A pair of 18th century antique stone lions reclaimed from a house in South London. Likely originally used as gate piers, this pair of armorial lions make a striking ornamental feature in gardens traditional and modern. Each are stylistically hand carved into limestone and hold a shield, creating a typically English heraldic look. Over the past 200 years, the lion forms have remained intact with detailed characteristics of the face, mane, paws and tail beautifully preserved. Each stone lion statue...

This mythological Bavarian sheep motif is intended for the garden. The antique German sculpture is made of hand carved sandstone, in good condition according to the age. The left ear...

Exceptional fine and rare pair of French Retour D'egypt period terracotta lions, circa 1790-1810. The French Egyptian Revival style or the retour d'Egypte refers to style that makes use of the motifs and imagery of ancient Egypt. By the end of the 18th century enthusiasm for ancient Egypt generated by Napoleon's unsuccessful conquest of Egypt and, in Britain, to Admiral Nelson's defeat of Napoleon at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt and this was the first time a major study of ancient Egypt was done. Publication of the expedition's work, the description de l'Égypte, began in 1809 and came out in a series though 1826 influencing a new way of life in France thru architecture and decorative arts. However, works of art, decorative arts, furniture and, in the field of architecture and garden follies, funerary monuments in the Egyptian style had appeared in scattered European settings from the time of the Renaissance. The Egyptian Revival style came out in a few waves in France before Napoleon during the ancient Régime Egyptian motifs were mixed with the neoclassical-Louis XVI style in architecture, furniture and decorative arts. A big surge hit France around 1798 during Napoleons Egyptian expedition. This was the first major Egyptian Revival period as this was the first time in history that a major study on Egypt was done. French people became fascinated with the ancient Egyptian history, culture, architecture and furniture. Egyptian ornamentation like scarab beetles, sphinxes, winged lions and lotuses details were incorporated into Classical style furniture and decorative arts creating a style known as a hybrid neo-Egyptian. The next wave was during the height of the French Romantic period 1820s-1850s. The Egyptian Revival emerged as a result of the famous archaeological digs of the first half of the 19th century and was primarily used for Tomb memorials, temples, and cemeteries and some decorative arts. This style is distinguished by its adaptation of Egyptian forms and motifs, sphinxes guarding buildings including lotus blossoms, Pharaoh's heads, the winged disk symbol of the sun God, as well as the use of bold bright colors. At the end of the 19th century 1870s-1890s the Egyptian Revival styles were in vogue once more. At the Height of the Victorian period the Egyptian style was even more elaborate than before. Often incorporated with Neo-Greek & Renaissance Revival styles. Victorians were even more fascinated with these rare finds and incorporated their motifs into jewelry, furniture, glass and Art pottery. Heavily ornamented overstuffed furniture...

Limestone sculpture of a faun.

Stone statue decorated with a Lion, undetermined period, the head is removable, height 87 cm. Additional information: Material: Pierre.