19th Century Cast Iron Enameled Urn from France

These huge urns, cast in France from crushed stones and cement measure an astounding 63 inches tall. They are nearly the same dimension as the original “Vase...

Hand-carved in Florence, Italy, in the 1800s, this tall wooden urn has been finished with a white lacquer and golden elements inspired by nature. A golden fruit bouquet arises from t...

This fantastic faience jardiniere and pedestal were hand-painted in Boulogne, France (formally “Boulogne-sur-Mer”) in the late 1800’s. The vibrant set features heraldic displays set among foliate and floral illustrations. Both the pedestal and the jardiniere have white backgrounds festooned with green leaves and blue, yellow, orange, and purple flowers. The opening of the jardiniere has asymmetrical edges dotted by small piercings, with flowering vines painted along the inner rim. Exquisite handles, comprised of curled leaves and C-scrolls, are affixed to the sides of the lobed body. Numerous painted motifs grace the area between the handles, including drapery, scrolls, and floral baskets hanging from an arabesque border. Equally impressive décor can be seen on the tetrapartite stand with a molded top. Each layer of the molding has a different color scheme, ranging from yellow with volute embellishments to solid green. The neck of the stand has been adorned with floral displays above multi-colored scrolls, shells, and scalloped leaves. In the center of each scalloped leaf is a distinct heraldic shield: on one side is a French style shield representing the city of Boulogne, with a swan that symbolizes perfection. On the opposite side is coat of arms topped by a closed crown, emblazoned with a five-fold cross over three roundels, which is the coat of arms for Godfrey of Bouillon, the first ruler of Jerusalem, who was born in Boulogne. Beneath the coat of arms are a pair of scrolled feet adorned with scalloped leaves and scrolls. There are two more feet to the sides that have pierced elements with floral vines beneath. Our 19th century hand-painted faience jardiniere on pedestal...

A unique piece of scientific equipment, this antique cast iron scale would have been used in a Spanish pharmacy during the 1800s. The main cast...

This cast iron charger from Germany was hand-worked in the 1800s. The low-relief image, in this case, a Bacchanalian scene, is full of hundreds of small decorative and figurative details. The main body of the charger is recessed below the outer rim, which is adorned with a ring of foliage motif encircling fleur de lys and scrolls. A raised ridge separates the two repeating motifs, with eight mascaron and scrolled medallions interrupting the interior circle. In the center of the charger is a Neoclassical medallion surrounded by Vitruvian scrolls filled with beading. Based on the lively scene of revelry that surrounds the medallion, it is quite possible that the figure depicted in the medallion is Ariadne, the wife of Dionysus (or as the Romans called him “Bacchus”), the Greek god of wine and merriment. It is most likely an interpretation of when Dionysus found her abandoned on the island of Naxos. Numerous figures dancing and partaking in food and drink can be seen along the outside of the medallion, including mythological beings such as putti, satyrs, and nymphs, set amongst flora dotted with overturned drinking vessels. A small bracket is affixed to the verso side, allowing the cast iron German charger...

This stunning lidded urn might have once been found in a 19th century Italian apothecary. The front of the shaped urn body has the hand-painted phrase “C. Violaru”, which is the heavily abbreviated form of the Latin word for violet (violaceum). Up until the mid-1700’s, apothecaries would make syrups from violets and use it to treat kidney ailments. Above the Latin wording is a whimsical musical scene with a man blowing a horn leading a couple who is holding hands over rocky terrain lined with shrubbery. A large house and trees can be seen behind the trio with a pair of mountains in the distance. On the opposite side of the urn is a floral display with a bird perched on a rock. Beneath the bird is a geometric design, possibly a stylized sun with radiating beams of light. Both scenes are segmented by a pair of thin quarter round moldings that encircle the entire vase. Other hand-painted motifs include floral and foliate margents, geometric patterns, and Vitruvian waves that are infilled with horizontal fluting. The sides of the urn have a fish-scale background beneath two mustachioed mascarons. Both men have been styled in grotesque fashion, with a pair of spiraled horns emanating from their heads. In between the horns is a looping handle that is affixed to the body in similar tight spirals. The domed lid has three scrolled arms that merge in a geometric finial. The base color of the urn is white, with illustrations in a monochromatic cobalt oxide blue, reminiscent of Delft blue pottery...

Pair of 19th century French cast iron garden urns with handles. These stunning French iron urns, planters or jardinieres have beautif...

A stylish antique early 20th-century French neoclassical style cast iron urn or planter. This fine jardiniere is solid and heavy with a lovely patina, and would be lovely displayed i...

Large antique French Neoclassical style cast iron garden urn with swan handles and swag motif. This gorgeous huge Neoclassical iron urn, planter ...

Pair of 19th century French Neoclassical style iron garden urns on plinths. These beautiful French cast iron campana garden urns, planters or jardi...

Pair of lovely classical style French urns. Great as centre piece or console piece. Can be sold individually.  

A campana form urn with twin handles, cast with frolicking putti and trailing ivy leaves. The basin seated on a spiral fluted foot over a square plinth. Stamped CLODION below one han...