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Antonia Salmon Studio Pottery Two Part Blade Form Vessel

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  • Hand Built Sculptural Wood Fired Triangular Form Signed Studio Pottery Dish
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    A truly wonderful design piece, and one of my favourite pieces, is this hand-built wood fired three cornered triangular studio pottery dish of scul...
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  • John Shelly Bath Pottery Trailed Pattern Studio Pottery Bowl
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    A stylish mid-century Bath Pottery studio pottery large trailed pattern bowl by John Shelly (British, 1907-1995) and dating between 1951 and 1956. The deep conical shaped bowl is han...
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  • Winchcombe Studio Pottery Large Slip Decorated Bowl
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    A large and impressive Winchcombe studio pottery bowl with slip trailed patterning and copper glazes attributed to Ray Finch and dating from the latter 20th century. The hand thrown ...
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  • Bob Fierek Cornish Studio Pottery Bowl with Barnacles
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    An impressive Cornish studio pottery bowl applied with barnacle designs by Bob Fierek and dating from the latter 20th century. The bowl is of wide rounded form standing on a narrow r...
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  • Peter Voulkos American Studio Pottery Faces Tea Bowl
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    A stunning vintage American Studio Pottery tea bowl decorated with Expressionist faces by Peter Voulkos. The stoneware tea bowl stands on a narrow rounded unglazed foot with a rounde...
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  • Eddie Curtis Celadon Glazed Large Studio Pottery Bowl
    Located in Bishop's Stortford, Hertfordshire
    An impressive and stylish large Studio Pottery bowl decorated in celadon and shino glazes by renowned British potter Eddie Curtis and made in the 20th cen...
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    Borrowed Forms takes on loan shapes of the natural world and translates them into domestic objects. Rocks, charred wood, and forest debris from the Pacific Northwest are selected for form and texture, and their impressions are captured in poured jewelers wax. The wax leaves no trace behind as it peels away—an impactless intervention, as if nothing ever occured. Each resulting cast bronze vessel...
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    Borrowed forms takes on loan shapes of the natural world and translates them into domestic objects. Rocks, charred wood, and forest debris from the Pacific Northwest are selected for form and texture, and their impressions are captured in poured jewelers wax. The wax leaves no trace behind as it peels away-an impactless intervention, as if nothing ever occured. Each resulting cast bronze vessel...
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