Archimede Seguso Murano Purple Sommerso Art Glass Bowl

About the Item

Hand blown Murano glass Sommerso bowl / ashtray in purple color with a cased rim in pink/ blue glass. Design attributed to Archimede Seguso for Seguso Factory, Italy, 1960s. A highly decorative geode round bowl lovely to be used as rings bowl, jewelry bowl, vide-poche or ashtray. An interesting piece placed with other Murano glass pieces or decorative objects on a mirror tray to use in a vanity table, powder room our courtesy bathroom. It can be used also it as hand soap bowl. Overall dimensions: 14 cm diameter x 4 cm height ( 5,51 in diameter x1,57 in height ). A curated selection of Murano art glass bowls, centerpieces and vases is avaliable at our 1stdibs marketplace.

Creator:
Seguso Vetri d'Arte (Workshop/Studio)
Attributed to:
Archimede Seguso (Designer)
Dimensions:
Height: 1.19 in (3 cm)Diameter: 5.52 in (14 cm)
Style:
Mid-Century Modern (Of the Period)
Materials and Techniques:
Art Glass,Blown Glass,Glass,Murano Glass,Sommerso
Place of Origin:
Italy
Period:
20th Century
Date of Manufacture:
1960s
Condition:
Wear consistent with age and use. Minor wear of use underneath.
Seller Location:
Barcelona, ES
Reference Number:
1stDibs: LU1096223838052

Shop All Seguso Vetri d'Arte

Seguso Vetri d'Arte

Members of the Seguso family have been leading figures in the manufacture of glass on the Venetian island of Murano since the late 1300s, but for most collectors of vintage design the name evokes two companies formed in the first half of the 20th century. Seguso Vetri d’Arte, born from a small consortium of master glass artisans that included Archimede Seguso (1909–99), thrived under the artistic directorship of Flavio Poli (1900–84), a designer with an eye for modern forms, color and pattern. Vetreria Archimede Seguso, meanwhile, was founded in 1946, when Seguso opened his own atelier in order to employ classical techniques in the making of modern glassware.

The owners of Seguso Vetri d’Arte were justly proud of their skills as craftsmen, but they were not worldly aesthetes — and they knew it. Poli had studied at the Art Institute of Venice, originally working in ceramics before switching mediums and taking up the art of glass. He introduced new simple forms to the genre — the best known of his designs being the Valva, which resembles a clamshell in profile — and employed several novel techniques such as corroso, which gives glass a rough, emery-board-like finish. Poli’s most collectible works are his sommerso pieces, made with a layering process in which clear and colored-glass vessels are “submerged” within one another, producing a kind of nesting-doll effect in striking, elegant vases with bands of separate and overlapped hues.

At his eponymous workshop, Archimede Seguso often favored highly decorative, age-old techniques employed with modern restraint. His layered-glass Losanghe vessels have the look of an abstract checkerboard while his free-form Merletto vases have delicate, lacy patterns created by painstakingly twisting two heated glass straws to create helixes around the walls of the piece.

Though different in their scope and mission, both of these furnaces bearing the Seguso name created some of the most beautiful, alluring and exquisitely crafted works in all of modern design.