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Important California Studio Ceramist F. Carlton Ball, Flared Bowl

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  • Emmanuel Cooper Important British Ceramist Flared Footed Studio Bowl
    By Emmanuel Cooper
    Located in Phoenix, AZ
    Emmanuel Cooper (1938 - 2012) UK Ceramist - flared footed studio bowl. The interior is decorated with an alternating pink and blue pinwheel design. Excellent condition. The EC mark...
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  • Important California Potter Carlton Ball, Studio Ceramic Lidded Vase
    By F. Carlton Ball
    Located in Phoenix, AZ
    Carlton Ball (1911-1992) studio ceramic lidded vase, circa 1960s-1970s. Beautiful green and brown glaze with sgraffito swirl design on the body. Signed on the bottom “F. Carlton Ball”. Excellent condition. Measures: 7 1/8" H (includes lid) x 5 3/4" W. Born 1911 in Sutter Creek, California, Frederick was a ceramicist, ceramics professor, and author of Making Pottery Without a Wheel. He taught ceramics for over 50 years at several different colleges including the University of Puget Sound...
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  • Emmanuel Cooper Important British Ceramist Lava Glaze Studio Bowl
    By Emmanuel Cooper
    Located in Phoenix, AZ
    Emmanuel Cooper (1938 - 2012) British Ceramist Lava Glaze spotted studio bowl. Excellent condition. No damage. The EC mark is seen on the bottom. Measures: height: 3 1/2 inches. Di...
    Category

    Late 20th Century Decorative Bowls

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    Clay

  • Rose Cabat Studio Ceramic Flared Bowl
    By Rose Cabat
    Located in Phoenix, AZ
    This rose Cabat flared ceramic bowl bears an exterior glaze of bluish grey with large drips showing near the base. The interior glaze is two shades of turquoise fading to a mauve...
    Category

    Mid-20th Century Mid-Century Modern Decorative Bowls

    Materials

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  • Rose Cabat Studio Ceramic Brown Flared Bowl
    By Rose Cabat
    Located in Phoenix, AZ
    This gracefully flared ceramic bowl bears her traditional “feelie” soft glaze with large drips showing near the base. Rich brown with cream interior. Measure: 3.5" H x 5.25" W. Mint...
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  • James Lovera Flared Studio Bowl with Lava Glaze
    By James Lovera
    Located in Phoenix, AZ
    Flared studio bowl with lava glaze by well-known California potter James Lovera (1920-2015). Perfect for a centerpiece bowl in a modern home. Measures 4"h x 9 1/4" diameter. Bears ...
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  • F. Carlton Ball Midcentury Signed Ceramic Glazed California Studio Pottery Bowl
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    A fantastic, wonderfully glazed and textured Mid-Century Modern pottery bowl by renowned California master potter F. Carlton Ball. Ball, who studied with Glen Lukens, taught at the University of Southern California between 1956-1967 and later at the University of Puget Sound...
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  • California Studio Craft Mahogany Centerpiece Fruit Bowl by Bob Stocksdale
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  • Vase Ball French Ceramist J. Suzor Geometric Pattern, Craqueling Glazelongwy
    Located in Paris, France
    Jacqueline SUZOR de PANAFIEU (1903 – 1981) Numbered vase signed J. Suzor, circa 1970 geometric pattern, in Art Deco's style, cracked ceramic, creation Desert Occidental, collection "Rouge-Gorge" "Hand made in France, Faiencerie des Recollets". White craqueling glazed, very beautiful pattern and bright colors. Superb vintage condition, no repairs. Born in 1903 in Paris, Jacqueline studied drawing as a teenager. From the 1920s to 1935, she began a promising career as a painter. From Kiki to J.S. de PANA-FIEU, through Suzor, JSP or Pana (more than 6 signatures for one artist!), Jacqueline Suzor de Panafieu assumed several personalities during her life as a Parisian artist. Her signatures bear witness to a woman's life and career made up of ruptures and twists. Curious about everything and everyone, Jacqueline Suzor surrounded herself with artists, writers, filmmakers, actors and photographers who met at her table. She also met Dali and Giacometti. Jacqueline freed herself from the cubist influence, she defined herself in the 1930s, an aesthetic that came from her passion for the Far East, developed through contact with the objects brought back by her ambassador father during his distant travels. Two artists inspired her during the period from 1957 to 1962: Bernard Buffet and Georges Matthieu. From one she borrowed the black lines; from the other she owed her passage to abstraction. Her numerous exhibitions in the 1970s brought her recognition in France and abroad. It was also a time of commitment within the Union of Women Painters and Sculptors (UFPS), of which she became vice-president. MAIN EXHIBITIONS : 1933 - Salon de la Société Nationale des Beaux Arts, Grand Palais, Paris. 1959 - Gallery Mourgue, Paris. Personal exhibition (EP). 1961 - Salon Comparaisons. 1962 - Gallery Hoche, Paris. 1970 - Town hall of Montrouge. M.J.C., Montreuil. Athanor Gallery, Pana Interior Museum, le Véşinet...
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