Louise Macnab, Large Studio Pottery Bowl, Splash Decorated, Canada, 20th C

HANS SENGERS (Johanna Leentje van der Ham Sengers 1923-2015) - Exceptional wheel thrown studio pottery charger with splash/hand painted decorat...

PARÉ - Vintage wheel thrown splash decorated and glazed studio pottery bowl - signed on the base - Canada (Quebec) - mid 20th century. Excellent vintage condition - no loss - no dam...

SALTSPRING POTTERY - Vintage decorative studio pottery bowl - fine hand made quality - featuring a hand painted border and center medallion set against a grey semi matte glaze - sign...

Vintage studio pottery glazed bowl - wheel thrown - signed on the base (unidentified artist/potter) - Canada (likely) - late 20th century. Fair vintage condition - old hairline crac...

Moorcroft (Walter) - Vintage 'Hibiscus' pattern ceramic bowl with inverted rim - hand painted decoration to the interior - signed on the base with remnants of the original factory st...

Superb Studio Pottery conical bowl - wheel thrown featuring a hand painted swirl pattern to the inside of the bowl in tan and turquoise - sand infused glo...

A large and impressive Winchcombe studio pottery bowl with slip trailed patterning and copper glazes attributed to Ray Finch and dating from the latter 20th century. The hand thrown ...

A monumental-scale mid-20th century American studio hand-thrown glazed ceramic bowl with fantastic texture and earthy neutral glaze colors. Signed illegibly on the bottom.

A stylish vintage British studio pottery twin handled bowl by renowned potter Jane Hamlyn and made at Millfield Pottery near Doncaster. The rounded stoneware bowl has impressed wheel...

A gorgeous vintage Biomorphic studio pottery decorative bowl. A beautiful combination appt matte and gloss glazes with beautiful Abstract hand painted detail. This decorative bowl is...

A stunning Canadian studio pottery miniature bowl decorated in yellow glazes with an associated pottery stand by Lane Gordon Thorlaksson (Canadian, 1937-2009) dated 1976. Lane Gordon Thorlaksson was born in 1937 in Winnipeg, Manitoba and moved to Vancouver as a child. In his twenties, he represented Canada in the 1959 Chicago Pan-American Games, running alongside Henry 'Harry' Winston Jerome in both the 100 yard and 220-yard dash. Following this, he attended San Jose University of California and in 1966 received a BFA in Ceramics. Working with clay was Thorlaksson’s passion. He was fascinated with Asian ceramics, in particular the Song dynasty Chinese pot forms and glazes. In 1985, the Mayor of Vancouver, Mike Harcourt, visited China on a goodwill mission for the twinning of Vancouver with Guangzhou China. As gifts, he took with him several of Thorlaksson’s ceramics and presented them to Cao Yun-ping, Secretary-General of the People's Municipal Government of Guangzhou. The pieces were well received and local Chinese potters were interested to learn about his glazing techniques. In 1987, Thorlaksson was invited to visit China’s Guangzhou University to exhibit more of his work. He was aided in this exchange by Joanne Mah, the Director of Intercultural Training and Educational Consultants (ITEC), who had worked with the Harcourt exchange. In 1988, she and her husband sponsored a pre-gallery showing of Thorlaksson’s ceramics at the ITEC’s Hong Kong office, prior to an exhibition at Alvin Gallery in Hong Kong. Thorlaksson was celebrated and introduced to academics and the media, including the head of ceramics at the Guangzhou Institute of Fine Arts. Local Chinese potters were eager to learn about his firing techniques, which used multiple firings to create special glaze characteristics. They were also intrigued to understand how he designed his own stands as an integrated part of his presentation. Unlike Asian potters who used wooden stands, Thorlaksson produced his stands in clay, matching each stand in aesthetic and tone to its pot. This two-part process elevated his pieces to sculpture. He believed that ceramics should be viewed as fine art and not craft. He was inspired by the female form and was quoted as saying 'Most potters make pots; I make parts of people'. The bowl is of wide squat rounded form with a fold over rim and is decorated in pale yellow glazes over a brown ground and stands on a narrow round unglazed foot. The design is probably based and inspired by a Chinese brush washer...

A fantastic vintage Boho Studio pottery bowl. A chic biomorphic design with the artist signature Loser logo. Signed on the bottom. Acquired from a Palm Beach collector.