Pre-Historic Native American Southwestern Pottery Bowl, Mimbres, 1000-1200 CE

Antique circa 1875-1900 historic pueblo pottery bowl, Southwestern Native American Indian dough bowl built by hand and painted with red/orange,...

A plains Indian roach “Headdress or Hair Ornament”. Custom display stand is included. Dimensions without stand measures 15 x 15 x 16 inches. Height with s...

Constructed of native tanned hide with trade beads and horse hair, this doll is wearing a traditional period dress and moccasins. A nomadic tribe, the Sioux territory included parts...

Antique 19th century Native American (Plains Indian) roach headdress made with dyed deer hair and porcupine guard hair on a u-shaped braided cloth with...

American Indian moccasins, expertly beaded by a member of the Sioux (Plains Indian) tribe. The dark blue elements on the vamps symbolize Buff...

Antique Sioux (Native American/Plains Indian) Parfleche in a box form constructed of rawhide and intricately painted in an abstract design with hourglass and geometric motifs with natural pigments and red trade cloth. At the time this was created, the Sioux Indians were nomadic and are associated with vast areas of the Great Plains of the United States including present-day North and South Dakota, Minnesota, Nebraska and Montana. Authenticity is guaranteed. Box is in very good condition - please contact us for a detailed condition report. Parfleches are rawhide containers which were fundamental to the Plains way of life. Functioning essentially as protective travelling suitcases, they enabled the nomadic tribes to effectively pursue buffalo herds and migrate between seasonal camps. So critical were they to a nomadic existence that over 40 tribes are known to have historically produced parfleches. Collectively, these tribes inhabited an area which encompassed the entirety of the Plains, as well as the parts of the Southwest, the Transmontane and Western Plateau regions. Parfleches were, out of necessity, robust and versatile objects. They were designed to carry and protect within them anything from medicinal bundles to seasonal clothing or food. In fact, it was because of the containers’ robusticity and variety that parfleches earned their name in the Anglo world. Derived from parer (to parry or turn aside) and fleche (arrow), the word parfleche was coined by 17th century French Canadian voyageurs and used to describe indigenous objects made from rawhide. Despite their common utilitarian function, parfleches served as one of the major mediums through which Plains Indian tribes could develop their long-standing tradition of painting. In fact, it is in large part due to the parfleche that tribal style emerged. Even though parfleche painting developed simultaneously with beading and weaving, painting as an artistic tradition held particular importance in tribal culture. Believed to have evolved from tattooing, it had always been used as a conduit through which tribal and individual identity could be expressed. As such, many tribeswomen were deeply committed, some even religiously, to decorating their parfleche either with incised or painted motifs that were significant to them and/or the tribe. For some tribes, such as the Cheyenne, the decorative processes which surrounded parfleche production were sacred. For others, it seems that their parfleche designs shared an interesting artistic dialogue with their beadwork, indicating a more casual exchange of design motifs. This particular relationship can be seen in Crow parfleche...

Signed Native American Mimbre white pottery bowl with black cloud pattern on bowl interior. Painted black line rim all around top rim edge. Hand crafted by Pablo Lopez, Central Mexic...

Colorful Plateau cornhusk sally bag with geometric designs of green, blue and red linen. Canvas reinforced. Period: First quarter of the 20th century Origin: Plateau Size: 6" D x 10...

Native American Coushatta lidded pine needle basket with pine cone and needle décor two sides and top. This woven by L.C. John, the last of the great Coushatta basket...

Coushatta lidded pine needle basket with pine cone and needle décor two sides and top. This woven by L.C. John, the last of the great Coushatta basket...

Coushatta lidded pine needle basket with pine cone and needle décor two sides and top. This woven by L.C. John, the last of the great Coushatta basket...

Rare large early Northwest Coast Salish hard burden basket dating from the mid to late 1800's. The basket is finely woven from split cedar bark and root...