Blue and White Delft Charger with Chinese Inspired Scene Made circa 1640-1650

We are pleased to offer this pair of Dutch Delft blue and white chargers decorated in the center with an image of a delicate vase filled with chrysanthemums and peonies. The design in the center of the charger is derived from Chinese decoration, where auspicious flowers were put in bamboo baskets as attractive interior decorative elements. The border of the charger is adorned with four floral panels, which alternate with four cobalt blue panels with fish-net patterns. The edge of each charger is painted with orange slip...

This blue and white Dutch Delft charger shows a chinoiserie scene in a lovely naive style. The chinoiserie scene in the center of the charger includes three unique viewpoints. On o...

We are pleased to offer this Antique blue and white Delft charger with a well-painted landscape showing a house and trees. The decoration is crisp. The scene is framed by an attracti...

Made in the factory of "The Axe" circa 1780, this blue and white Delft charger shows a lovely garden scene hand-painted in cobalt blue. In the center, we see a pine tree, a garden fe...

This pair of Dutch Delft chargers in the "Theeboom" pattern shows a tea plant with a fan-shaped bouquet of leaves and flowers. The deep cobalt blue is fabulous! This is one of the ...

We are pleased to offer this pair of blue and white Dutch Delft dishes with lovely chinoiserie decoration, which features an image of a vase overflowing with flowers. Around the vas...

The ovoid jar stands on a slightly spreading foot, has a short upright neck, and is painted in blue with a floral decor. Three large cartouches containing flower bouquets have been a...

Blue and white Delft handled chinoiserie vase. Antique Dutch porcelain vase with rich blue flowers and chinoiserie fencing in a lustrous glaze; with scro...

Decorate a console or buffet with this elegant antique vase. Crafted in France, circa 1880, the tall faience vase is beautifully shaped with a rounded body and a long, thin neck. Han...

Blue and white chinoiserie altar vase. Delft, circa 1685 The ovoid altar vase stands on a high-waisted foot. The flaring cylindrical neck ends in an outward sloping mouth rim. The two blue coloured lion-shaped handles have suspending rings in their jaws. The body is painted with a continuous oriental landscape with banana and pine trees, Chinese figures and houses, while the neck is painted with three bands of different ornaments. The mouth rim is decorated with rectangular ornaments, the foot with leaves under a band around the ankle. Altar vases are also called vases à chimères. The oldest faience examples were made in the sixteen-twenties in Nevers, France and are attributed to the Conrade potters family, who originated from Italy. The shape is based on metal vases used during the services in Catholic churches. Therefore it is no wonder that many altar vases are painted with the Christogram IHS. Altar vases were made in Delft from about 1675 onwards and production continued well into the eighteenth century. Marked examples are known from multiple manufacturers, such as The Greek A and The Moor’s Head potteries (Aronson 2011, pp. 14-15). A pair of eighteenth century vases was made between 1700 and 1716 at The Three Porcelain Ash Barrells pottery. They are marked with PK for the owner Pieter Kam or, after 1705, by his widow (Blazy & Boyazoglu 1983, p. 110). The pair is painted with a dense parsley decor. A miniature example was excavated from a cesspit in the grounds of the former Porcelain Bottle pottery in Delft. At the same location a larger fragment was also found, decorated with a triple-tulip design in blue and yellow (Eliëns, Schledorn, Van Aken-Fehmers, pp. 31 , 36, 45). Three altar vases with similar tulip and flower decoration in blue and yellow are in the collection of the Dutch Open Air Museum in Arnhem and can also be attributed to the Porcelain Bottle pottery (Klein, p. 152). Official Catholic services were not allowed in the seventeenth century in the Dutch republic, however Catholic conventicles were tolerated. At first sight it might be surprising that a Catholic object...

An early and rare 18th century Dutch Delft sweetmeat dish having eggyolk and soft gray-blue overall decorative design with a depiction of a lady sitting...

19th century French faience charger or plate with Gien mark.