Rörstrand, square ceramic dish from the "Harlekin" series. 1960s

Gunnar Nylund for Rörstrand. Square dish in glazed stoneware. Beautiful glaze in brown shades. Rare form, 1960s. Stamped. Measures: 20 x 17.5 x 3 cm. In very good condition. 1st f...

Wilhelm Kåge (1889-1960) for Gustavsberg. Square ceramic bowl. Classic green glaze from the Argenta series. Mid-20th century. In perfect condition....

Gunnar Nylund (1904–1997) for Rörstrand. Rialto bowl in ceramic, oblong organic shape with light green glaze. 1960s. In perfect condition. Marked. Dimensions: L 34.0 x D 13.5 cm.

Gunnar Nylund for Rörstrand. "Ritzi" ceramic bowl in green glaze. 1960s. Marked. Excellent condition. First factory quality. Dimensions: L 12.5 cm x D 10.5 cm x H 5.5 cm.

Vilhelm Bjerke-Petersen for Rörstrand. Ceramic bowl with abstract design. 1960s. Marked. In perfect condition with natural cracks in the glaze. First factory quality. Dimensions: H 6...

Kähler, Denmark, glazed stoneware dish, 1960s. Designed by Nils Kähler. Turquoise glaze. Measures: 23 cm. in diameter. 4 cm. high. Stamped. In perfect condition.

Decorative Italian ceramic dish.

A large and beautiful stoneware dish / bowl with amazing glaze. Made by Marianne Westman for Rorstrand, Sweden, 1960s. Great condition. Incised signature "MW" and "R" för Rörstrand...

A very nice little vintage ceramic plate, made by the very well-known designer Olle Alberius, known as "Kurbits" from Rörstrand, Sweden. Alberius ceramic always has a special feeling...

Gunnar Nylund "NSR" dish blueish green haresfur glaze, Rorstrand Sweden, 1960s.    

Small ceramic bowl with oily green glaze and geometric arrow incisions. Designed by the Danish ceramist Thomas Toft and manufactured at his own studio during the early 1960s. It is s...

Dish designed by Carl-Harry Stålhane for Rörstrand, Sweden. 1960s. Stoneware. Signed. Measurements: H: 6 cm / 2 1/4" Diameter: 18.5 cm / 7 1/4". Carl-Harry Stålhane (1920-1990) was born in the town of Mariestad, in the west of Sweden. As a child, he dreamed of being a successful painter. He started working for Rorstrand in neighboring Lidkoping at the age of 18. Initially, he decorated ceramic wares as assistant for the leading artist Gunnar Nylund. Carl-Harry decorated Rorstrand’s exclusive Flambé range as well as producing idyllic floral designs. In the mid 1940s, Carl-Harry Stålhane began to develop his own stoneware. He had his first solo exhibition in 1948, impressing the public with an ability to work in most contemporary styles of stoneware. But after studying in Paris in the late 1940s, Carl-Harry found a style that was truly his own. Inspired by the hunger for new products to meet the post-war economic boom, he developed from being a gifted decorator to a first-rate ceramic artist. He was praised for his "column-like, slender-necked stoneware vases with their peach surfaces", as one magazine put it. Spurred on by a deep love of the ceramic wares of the Far East, Carl-Harry liberated himself from the European tradition of ceramics, finding inspiration in foreign cultures, in Picasso and in constructivist art. The 1950s brought major successes: a diploma and a gold medal at Milan Triennials as well as solo exhibitions in Sweden, the UK and the USA. Carl-Harry commenced his career as an industrial designer in 1954. His Blanca tableware — in elegant white porcelain — was much in demand and gained him international prizes. He designed almost everything from numerous table sets decorations to rustic ashtrays. Carl-Harry Stålhane’s production of unique ceramic works of art increased notably in the late 1950s. In 1960 he reached something of a peak with an exhibition at Galerie Blanche in Stockholm. The exhibition showed robustly dark wares that were hailed as the new ceramics...