1960s Pop Art Ceramic Grape Dish by Wright Roy Adzak for Atelier A

Lemon aluminum cast Pop Art by Royston Wright Adzak (1927-1987) Atelier A Edition Royston Wright of his real name, Roy Adzak studied at the Reading Grammar School then at Reading ...

Magnificent crystal bowl with decorative metal inclusions. Engraved Paul Nicolas Nancy (1875-1952) Paul Nicolas is a Pioneer of his art and an exceptional master glassmaker from "N...

Ceramic tureen with handle and lid from the 1960s designed by Roger Capron decorated with a white enamel pattern on a blue-gray background. 33cm Diameter with handle Container diame...

Ceramic vase from the 60s with decoration created by Jean de Lespinasse and signed "JDL". In Nice, in the middle of the Second World War, Jean de Lespinasse created his workshop with...

A standing large floor lamp from the studio pottery Accolay with a large rope and resin lampshade attributed to George Pelletier. Double lighting up to...

1960s Sweden suspension or pendant lamp, designed by Einar Backström and Erik Höglund for the glassmaker Boda Glasbruk (later known as Kosta Boda). The enamel painted metal frame sh...

2 Wright Royston Adzak table sculptures for Atelier A

Apple and Grapewine ashtrays by Roy Adzak for Atelier A. Part of a large Pop family of sculptures in cast aluminum.

Dish designed by Carl-Harry Stålhane for Rörstrand, Sweden. 1960s. Stoneware. Signed. Measurements: H: 6 cm / 2 1/4" Diameter: 18.5 cm / 7 1/4". Carl-Harry Stålhane (1920-1990) was born in the town of Mariestad, in the west of Sweden. As a child, he dreamed of being a successful painter. He started working for Rorstrand in neighboring Lidkoping at the age of 18. Initially, he decorated ceramic wares as assistant for the leading artist Gunnar Nylund. Carl-Harry decorated Rorstrand’s exclusive Flambé range as well as producing idyllic floral designs. In the mid 1940s, Carl-Harry Stålhane began to develop his own stoneware. He had his first solo exhibition in 1948, impressing the public with an ability to work in most contemporary styles of stoneware. But after studying in Paris in the late 1940s, Carl-Harry found a style that was truly his own. Inspired by the hunger for new products to meet the post-war economic boom, he developed from being a gifted decorator to a first-rate ceramic artist. He was praised for his "column-like, slender-necked stoneware vases with their peach surfaces", as one magazine put it. Spurred on by a deep love of the ceramic wares of the Far East, Carl-Harry liberated himself from the European tradition of ceramics, finding inspiration in foreign cultures, in Picasso and in constructivist art. The 1950s brought major successes: a diploma and a gold medal at Milan Triennials as well as solo exhibitions in Sweden, the UK and the USA. Carl-Harry commenced his career as an industrial designer in 1954. His Blanca tableware — in elegant white porcelain — was much in demand and gained him international prizes. He designed almost everything from numerous table sets decorations to rustic ashtrays. Carl-Harry Stålhane’s production of unique ceramic works of art increased notably in the late 1950s. In 1960 he reached something of a peak with an exhibition at Galerie Blanche in Stockholm. The exhibition showed robustly dark wares that were hailed as the new ceramics...

Dish anonymous, Japan. 1960s. Stoneware. D: 30.5 cm H: 5.5 cm

Ceramic plate / serving dish by Les 2 Potiers, France, 1960s Les 2 Potiers, Jacques and Michelle Serre, active in France between 1956 and 1970.

Mid-century ceramic decorative plate by Claude Vayssier for Cerenne Workshop (circa 1950s). This ceramic plate with a fish incised in the centre over the lustrous black background is signed by Claude Vayssier, the decorator. The black base is complemented by a brown and cream pattern with repeating vertical lines incised at the edges. An eye-catching piece from the South of France. In good overall condition. The maker's mark appears on the underside with the signature of Mr. Vayssier. Upon request a video may be provided. About Atelier Cerenne: Created by Charles René Neveux, the Cerenne workshop, active from 1945 - 1958, takes its name from the contraction of its company name "Céramique René Neveux". At the height of its renown, the workshop was one of the most important in Vallauris, employing around fifty people, including 15 decorators. Its production ranged from utilitarian ceramics to unique pieces with special custom orders for French and international customers. Cerenne also created pieces of furniture with ceramic...