Victorian Elkington Electrotype Charger Plate

Large Japanese Cloisonné Brass & Enamel Charger With Hand Carved Wood Stand 30.25" Diamentor

Two Hand-Turned Wood Bowls, One Redwood: Signed, One Segmented Redwood: signed Jerry Kermak 7.5"Dx6"H Segmented: Composed of over 100 pieces, Ash, Birch, Maple, and Walnut, 9"Dx5"H

19th century American treenware sugar canister with lid Dimensions: 5" diameter x 6" high Good antique condition. Please see all images.

19th century new England splint oak basket Possibly Massachusetts Dimensions 14" wide x 12.5" deep x 8" high at the edge x 15" high at the handle Good antique condition wit...

19th century Italian Majolica dish with Renaissance figures Superb highly decorated Italian Majolica plate with hand a hand painted scene of Roman mythology; The abduction of Sabine...

Midcentury copper platter with sterling, circa 1950s Fantastic copper platter surrounded with sterling donkey, bull fighter, farm worker, and various figures. The platter is st...

This is an antique decorative charger. An Indian, brass decagon dished plate with fine engraved detail, dating to the late Victorian period, circa 1880. Fascinating foliate form wit...

Listed is a stunning, 1970s Gold Imari polychrome decorative plate/charger. Featuring, a gorgeous, hand-painted oriental Chinoiserie scene, with gold accents. Three holes on backside...

Set of 3 decorative marble charger plates from the 1980's Italy in mottled red, grey and white. Large centerpieces are 13" across and the smaller is 7" across. 1980's Handmade Italy.

A large Clyde Burt (Ohio, 1922-1981) ceramic charger / plate, circa 1960s. This glazed stoneware charger features a sgraffito abstract design in dark brown on a beige / tan background. Dark brown glazed rim. CB inscribed signature to underside. Measures 1.25" Height x 15.5" Diameter. Excellent condition with no chips, cracks or repairs. Born in Melrose, Ohio in 1922, Clyde Burt would go on to become a major voice in American studio ceramics. He studied at Fort Wayne Art School and later at the Cape Cod School of Art before landing at the Cranbrook Academy of Art to study under Maija Grotell. While Grotell is responsible for bringing the wheel to Cranbrook, Burt made it central to his practice and his thrown works express the same endless curiosity as his teacher. Upon returning to Ohio, Burt built a home studio on his family’s farmland near the Little Auglaize River and harvested rich clay from the surrounding area. He started every day at 5:30 in the morning and would work until he knew he “had enough”. Constantly experimenting with glazes, colors and surface decoration, Burt painstakingly recorded his successes and failures in a small notebook...

Beautiful hand painted multi color charger with large heart. Measuring seventeen inches in diameter, it makes for a great center piece or display. Signed J. Myers 94 and photographed...

Richard L. Knopf Postmodern glass charger plate with raised relief, signed on the border.