Small Antique Walnut Wood Table Trunk from Northern Italy, circa 1700

Hand-carved from walnut in France, circa 1880, this unusual inkwell features foliate and floral motifs. A flip-top lid adorned with a pair of bas relief flowers tops the central pen ...

Beautifully designed and highly portable, this French domed top trunk was constructed by hand with a wooden body enveloped in chocolate-colored leather. The trunk, which dates to the...

These beautiful antique Italian console tables are painted in an old rose and ochre/gold, and when pushed together, form a lovely octagonal center table. The consoles are relatively ...

A rather unique painted chest from Europe, this table coffer was commissioned in 1915. The right side (when viewing from the front) is dated, with the numbers flanking a springing ra...

This elegant antique French armoire from Fourques, France is a masterpiece of balance in its design. It has very sparse yet deeply carved c-scroll motifs on all of the thick tri-part...

In 15th and 16th century Europe, the works of blacksmiths from southern Germany were known far and wide. Demand for products by these skilled metal workers spread as far as the Scandinavian countries. Perhaps one of the most intriguing items that was produced by these workshops was the iron money...

A wonderful example of an Akha Tribe spice basket, with a stunning woven pattern on all sides and crafted from a mix of rattan. This basket was once used to store precious spices and...

A wonderful example of an Akha Tribe spice basket, with a stunning woven pattern on all sides and crafted from a mix of rattan. This basket was once used to store precious spices and...

A wonderful example of an Akha Tribe spice basket, with a stunning woven pattern on all sides and crafted from a mix of rattan. This basket was once used to store precious spices and...

Embriachi workshop marquetry casket Northern Italy, 15th century Alla certosina inlays (bone, stained bone, pewter and wood) H 28.2 x W 18 x D 14 cm This beautiful casket of rectangular form is richly decorated with the characteristic geometric patterns of the Embriachi style. The intricate geometric patterns are fashioned by juxtaposing lighter and darker pieces of wood, (colored) bone, horn and pewter. The lid and base are framed by a broad band of horn. When ivory became scarce in Europe due to disrupted trade routes, bone was substituted. The attention to Symmetry and balance created an harmonious visual effect Enhancing the overall aesthetic appeal of the casket. The application of geometrical motifs is in Italy known as marquetry ‘alla Certosina’, named after the Certosina Church in Pavia with its famous altarpiece decorated in this way. This is ‘intarsia technique’, a term derived from the Arabic 'tarsi', which means ‘incrustation' recalling ancient mosaics made from various materials. These geometric elements not only enhance the aesthetic appeal of the caskets but also demonstrate the versatility and skill of the artisans in creating multifaceted works of art. ‘Alla Certosina’ became famous through the Northern Italian Embriachi family who achieved a particularly high standard in working in this technique. Venice in particular was known for the production of these luxurious boxes. The caskets, hexagonal or rectangular, surmounted by a lid decorated in several registers constitute the secular, albeit equally renowned component of the workshop’s production, in addition to mirror frames and various everyday objects. The method of fabrication of those objects was based on two concepts that underlay pre-industrial production: standardization and modularity, thanks to a distribution of skills according to the different phases of fabrication. even the realization of the marquetry motifs (in the form of ingots from which portions of the desired size were cut) were therefore entrusted to various specialized craftsmen, as were the assembly phase. Today better known thanks to the extensive research work recently carried out by Michele Tomasi, this workshop owes its name to its founder and owner, the Florentine Baldassare Ubriachi (or degli Embriachi), a merchant and banker established in the Tuscan capital before he settled in Venice in 1395. Together with sculptor Giovanni di Jacopo, who directed the workshop, from the last years of the fourteenth century, Baldassare oversaw a production that was truly original, and still easily recognizable today, comprising monumental altarpieces and various objects, primarily triptychs and caskets. The precise location of the workshop is unknown, except that it originated in Florence and in ca. 1431 there was apparently a workshop in Venice, in the area of S Luca. They employed local workers specializing in 'certosina' (inlay of stained woods, bone and horn), and the workshop produced items carved in bone (usually horse or ox) with wood and bone marquetry. The geometric decoration of Embriachi caskets reflects the artistic complexity and attention to detail that characterized their work. this inlaid casket is a testament to the skill and artistry of the Embriachi family and serves as a stunning example of the decorative arts of the late Middle Ages. Related Literature : E. Berger, Prunk-Kassetten: Europäischen Meisterwerke aus acht Jahrhunderten / Ornamental Caskets...

Inlaid mother of pearl truck , the top with multiple cast iron studs and the corners feature an interesting pattern of tiny brass beads. The sides have wrought iron carrying handles ...

A fabulous example of a French fruitwood box carved beautifully carved into the form of a trunk. Look closely at the amazing detail, the side handles, the leather stitching, the l...