19th Century French Jewelry Box

A fine quality late 19th century gilded ormolu and Sevres style porcelain mounted casket, the hinged lid opening to a silk lined interior (needing repair) and raised on ormolu melon ...

A very decorative late 19th century French Sevres style porcelain, hand painted casket. Having a Burgundy colour ground, with an inset...

A very good quality late 19th Century French Sevres style porcelain casket, having a Cobalt blue ground, scrolling and floral gilded decoration, inset hand painted lakeland scenes, a...

A good quality late 19th century gilded ormolu casket, having a Wedgwood porcelain plaque depicting a classical scene, two further silver plated embossed classical oval plaques.

I very good quality 19th century Meissen porcelain lidded casket. It features a gladiatorial scene with the Emperor and Empress on ...

A very impressive 19th century Viennese enamel table cabinet having gilded ormolu semi clad maidens surrounding two cherubs and a figure supporting a watch case. Enamel panels aroun...

Geometric marquetry pattern and faithful interpretation of the Louis XVI style characterize this 19th-century French jewelry box. Enfolded in intricate marquetry featuring diamond pa...

Comprising an incredible 189 pieces, this impressive Meissen porcelain dinner service is an exceptional example of the firm's prized dinnerware. The bodies are crafted in the New Brandenstein relief pattern designed by Johann Friedrich Eberlein in 1744, which gives this service a distinct Rococo feel. The hand-painted enamel detailing is known as the Flowers and Insects motif and is executed with stunning vibrancy and intricacy. Since each piece is executed entirely by hand, no two pieces bear the exact same adornments.

Similar, single dining pieces are featured in Meissen Domestic Porcelain by Günther Sterba, 1991, figures 83 through 86.

The pieces bear the Meissen blue crossed swords that date this service between 1850/60-1924.

97 dinner plates, 9 1/2" diameter
44 luncheon plates, 8" diameter
21 soup bowls, 9 1/2" diameter
13 dessert plates, 5 3/4" diameter
2 oval serving platters, 22 1/4" wide x 16 3/4" deep
2 vegetable dishes with lids, 11" diameter
a round bowl, 15 1/4" diameter
a round serving platter, 13 1/4" diameter
an oblong serving platter, 21 1/2" wide x 10 1/4" deep
an oblong platter, 23" wide x 11" deep
an oval platter, 18 1/4" wide x 14" deep
an oval platter, 20 1/4" wide x 15 1/2" deep
a large soup tureen
a large soup tureen platter
a small soup tureen
a small ladle

A fine Louis XVI style gilt-bronze and sèvres style porcelain mounted jewellery box. Of rectangular for this charming jewellery box has a hinged lockable lid above silvered column...

Gilt bronze and Sèvres style porcelain Louis XVI style casket on stand This magnificent Louis XVI style ormolu casket is supported by a mirror-topped table stand, which sits on four tapered, fluted legs connected by a curving X-form stretcher. In the centre of this stretcher is an ormolu urn decorated with rams heads, four hoof feet and birds on the top. The legs of the table are also ornately decorated with draped garlands and scrolled detailing. The apron is inset with Sèvres style porcelain plaques depicting scenes of cherubs and children in landscapes as well as decorative floral detailing, and is surmounted with laurel leaf mounts. The casket itself is of oval architectural form, and is set on fourteen small feet. It features further porcelain plaques depicting cherubs, musical instruments and a central oval portrait of Queen Marie Antoinette within a crowned gilt cartouche. Her portrait is flanked by two cherubs and is sat within a decorative royal blue border, matching the turquoise colored borders of the other plaques. The reverse of the casket is similarly decorated and features a painted plaque of her husband King Louis XVI. The plaques are separated by mounted ormolu columns decorated with crowns and draped laurel leaves, and each column is surmounted by floral crowns. Each curved side of the casket features an ormolu mask of a female figure, and the hinged lid is surmounted by two reclining female figures wearing draped dresses and holding a central crown. The casket opens at the lid to reveal a velvet interior. There is an inscription below the portrait of Marie Antoinette which spuriously reads ‘This casket formerly property of Marie Antoinette, presented to my beloved wife as souvenir of our European tour / Sept 8th 1886 / Louis L...

This is an exceptional, fine and impressive antique French enamel polychrome painted casket. Each panel of the box is painted in the 18th century manner with charming landscape motiv...

Each piece painted in underglaze-blue and heightened in gilding with an exotic bird perched upon peony branches, comprising: an oval soup tureen, cover and two stands, an 18" oval platter, six 13" oval platters, a 23.5" fish platter, a 21.5" fish platter, four vegetable dishes and covers, two two-handled sauce tureens, covers and stands, a similar smaller sauce tureen, cover and stand, two butter dishes and one cover, two cake stands (one as is), four leaf-shaped dishes, a pierced berry dish, a rectangular stand, two pairs of figural double salts, a shell-shaped pickle dish, a pair of reticulated sweetmeat...

The unique Elizabeth Taylor Richard Burton love letter: A love letter written, in pencil, by Elizabeth Taylor to her husband Richard Burton on their ten year wedding anniversary, March 15th 1974, just days before their breakup. Taylor and Burton were renting a house in Oroville, California while Burton was filming his latest movie "The Klansman". Their lease on the home began on February 15th 1974. The letter reads in full: "My darling (my still) my husband. I wish I could tell you of my love for you, of my fear, my delight, my pure animal pleasure of you - (with you) - my jealousy, my pride, my anger at you, at times. Most of all my love for you, and whatever loves you can dole out to me - I wish I could write about it but I can't. I can only "boil and bubble" inside and hope you understand how I really feel. Anyway I lust thee, your (still) wife. P.S. O'Love, let us never take each other for granted again! P.P.S. How about that- ten years!!" Taylor had warned Burton from the start of their marriage in 1964 that she had zero tolerance for infidelity. However during the filming of When Eagles Dare, Burton resumed an affair with co-star Mary Ure. After that, Taylor made sure she was on set with Burton every day in 1969 for the shooting of Anne of the thousand days. A further affair with co-star Genevieve Bujold lasted many years. An affair with Nathalie Delon followed in 1972, along with rumors of an affair with Raquel Welch. Taylor finally lost patience during the filming of The Klansman when Burton commenced an affair with "a teenager, a hotel waitress and a string of other women." The love letter is accompanied by a letter of provenance from Toni Hennings, the woman who rented the Oroville house to them: "This letter written by Elizabeth Taylor while renting my home from Feb 15th till April 18th 1974. It was left behind - inside a book in a drawer under the master bedroom bed...

A rare and important French ormolu/bronze and Sevres style turquoise porcelain jewelry box casket on matching French ormolu/bronze table with Sevres style porcelain plaques. Of palatial / monumental size! "The Marie Antoinette Jewelry...

Beautiful porcelain Limoges box hand-painted rose flowerettes adorned with painted gold designs and gold hardware.

Gilt bronze and onyx jewelry box. France, late 19th century. It has silk inside.

A 19th century French jewelry stand made from wood and a glass top. A delightful patina has spread across the intricately carved time-touched wood that forms its base. A glass lid sw...

Beautiful antique Victorian jewelery box. The box is made of wood, covered with paper machee, lacquered black and inlaid with a mosaic of mother-of-pearl. Painted with gold colored decorations. The interior of the box is lined with blue silk fabric...

A wonderful heartshaped wooden box with fine intarsia inlay of different wood species and monograms. Probably Italy, 19th century. Life is like a box of chocolates.

This is an exceptional, fine and impressive antique French enamel polychrome painted casket. Each panel of the box is painted in the 18th century manner with charming landscape motiv...

Metal seashell jewelry box. France, late 19th century. It has silk inside.

Geometric marquetry pattern and faithful interpretation of the Louis XVI style characterize this 19th-century French jewelry box. Enfolded in intricate marquetry featuring diamond pa...