Staffordshire Pearlware Greyhound Box and Cover
View Similar Items
Staffordshire Pearlware Greyhound Box and Cover
About the Item
- Creator:Staffordshire (Manufacturer)
- Dimensions:Height: 6.1 in (15.5 cm)Width: 7.1 in (18.04 cm)Depth: 3.7 in (9.4 cm)
- Style:Georgian (Of the Period)
- Materials and Techniques:Pearlware,Glazed
- Place of Origin:
- Period:
- Date of Manufacture:1800
- Condition:Wear consistent with age and use. Cover: Good. Minor flakes to bird and upper and lower rim of cover. KILN EFFECTS: shrinkage crack to left front corner. RESTORATION. Filled chip to front left corner of cover and tip of dog's right ear. Retouching to some of the flakes. Box: Good.
- Seller Location:Chelmsford, GB
- Reference Number:Seller: 211791stDibs: LU4246116609671
Staffordshire
Thanks to its reserves of clay, lead, salt and coal, Staffordshire, England, has been a center for ceramics since the early 17th century. The county was home at one time to hundreds of pottery workshops and as many as 4,000 bottle-shaped kilns that operated year-round. The term “Staffordshire Potteries” refers to the industrial area of Stoke-on-Trent — comprising the towns Burslem, Fenton, Hanley, Longton, Stoke and Tunstall — where most of the production was concentrated.
In 1720, potter John Astbury discovered that he could make what would later be called creamware by adding ground flint powder to the local red clay. Because resources were so plentiful in Staffordshire, local potters could afford to experiment, working to refine their techniques and designs. One such innovator was Thomas Whieldon, an important 18th-century potter known today for his tortoiseshell ware, whose brilliant glazed surface of caramel, yellow and green hues was made with copper and manganese compounds. Whieldon operated the Fenton Low workshop, making coffee- and teapots, dinner services and even ornamental knife hafts. He was an influential figure: Josiah Spode apprenticed at the workshop, and Josiah Wedgwood partnered with Whieldon for five years before establishing his eponymous firm in 1759.
Wedgwood is perhaps the best known of the Staffordshire potters. The firm produced a line of light-colored earthenware for Queen Charlotte, who liked it so much that she granted permission to market it under the moniker Queen’s Ware, which despite the name, was designed for everyday use. In the same regal vein, in 1773, Wedgwood created the 954-piece Frog service for Catherine the Great, of Russia. The company is also known for its black stoneware, Black Basalt, which imitates the color and shapes of Etruscan vases; Jasperware, with its classical reliefs applied on the unglazed body; and pearlware.
By the end of the 18th century, Staffordshire was the primary producer of ceramics for the American colonies, even creating patriotic wares celebrating independence for this market. The imagery on Staffordshire ceramics became more standardized the mid-18th century with the advent of transferware, in which a design etched on a copper plate is printed on tissue paper, which is then used to transfer the wet ink onto the ceramic surface. This technique enabled artisans to decorate their wares with complex scenes that wrapped around an object’s surface and make several copies of popular patterns.
The Staffordshire potters also produced decorative figurines, such as this charming pair of cows dating from the 19th century. Particularly popular in Great Britain were pieces with hunting imagery, such as this George IV porcelain stirrup cup in the shape of a fox head wearing a gilt collar inscribed with the word “Tallyho.” Among the many whimsical vessels produced is this mid-19th-century frog mug. The exterior is painted with a charming scene of people picking fruit on one side and ladies on a garden swing on the other side, while inside a molded frog’s head at the bottom of the mug makes a gurgling sound when the the beverage has been almost completely consumed.
- Staffordshire Pearlware Bocage Piper FigureBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery pearlware bocage figure with a musical theme which features a man playing a bagpipe, his dog beside him, seated on a shaped base. Decorated 'in the round', deco...Category
Antique 1820s English Georgian Figurative Sculptures
MaterialsPearlware
- Ralph Wood Staffordshire Pearlware Medici LionBy StaffordshireLocated in Chelmsford, EssexRalph Wood Staffordshire pottery earthenware color glazed figure which features a Medici lion, stood on a plinth base. Decorated 'in the round', decoration...Category
Antique 1780s British Georgian Figurative Sculptures
MaterialsEarthenware, Pearlware
- Staffordshire Pearlware Musicians and Sheep Bocage GroupBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery pearlware bocage figure with a musical theme which features a couple seated before a tree, playing musical instruments. Sheep and dogs around them, seated on a ...Category
Antique 1820s English Folk Art Figurative Sculptures
MaterialsPottery
- Staffordshire Pearlware 'John Wesley' BustBy StaffordshireLocated in Chelmsford, EssexStaffordshire pottery pearlware bust with a religious theme which features John Wesley, resting on a plinth base. Decorated 'in the round', decoration to front and reverse. Open bott...Category
Antique 1820s English Folk Art Figurative Sculptures
MaterialsPottery
- Staffordshire Pearlware Long Case ClockBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery pearlware model which features a long case clock, stood on a marbleised base. Decorated 'in the round' - decoration to front and ...Category
Antique 1820s English Folk Art Models and Miniatures
MaterialsPottery
- Staffordshire Pearlware Child in Rocking CradleBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery pearlware model which features a child asleep in a cradle. The cradle sits on curved feet, enabling the cradle to rock from side to side.Category
Antique 1820s English Figurative Sculptures
MaterialsPearlware
- Unusual Swansea Prattware Pearlware Pottery Covered Botanical Tea Caddy BoxLocated in Downingtown, PAPearlware Prattware pottery covered Botanical tea caddy box, Cambrian Pottery, Swansea Circa 1800-20 The rectangular-shaped pearlware pottery covered footed Tea Caddy is painted...Category
Antique Early 19th Century English Georgian Pottery
MaterialsPearlware, Pottery
- Antique English Battersea South Staffordshire Enamel Table Snuff BoxBy Bilston BatterseaLocated in Philadelphia, PAA fine and rare antique 18th century South Staffordshire or Battersea enamel table snuff box. The lid has a scene of two noble, young couples in...Category
Antique 18th Century English George III Snuff Boxes and Tobacco Boxes
MaterialsEnamel
- Rare 19th Century Set of Staffordshire Swan TureensBy StaffordshireLocated in Kilmarnock, VAGraduated pair of rare Staffordshire Swan covered boxes with stylish decorative coral motif late 19th century.Category
Antique Late 19th Century English Serving Pieces
MaterialsCeramic
$2,400 Sale Price25% Off - Covered Wood BoxLocated in West Palm Beach, FLCovered wood box in the form of a tree trunk.Category
Vintage 1970s American Decorative Boxes
MaterialsWood
$575 - Lucite Covered BoxLocated in West Palm Beach, FLLucite and Silvered Metal Covered Box Similar to the work of Gabrielle Crespi Unidentified label present The curved interior creates an optic appearanceCategory
Vintage 1970s American Decorative Boxes
MaterialsLucite
- Antique Chinoiserie Blue Staffordshire Porcelain BoxLocated in London, GBA charming mottled-blue glazed Crown Staffordshire porcelain box in the chinoiserie style England, circa 1900–1920. Why we like it The deep, mottled ‘powder blue’ colour of this...Category
Early 20th Century English Chinoiserie Decorative Boxes
MaterialsPorcelain