1960s Candle Lamps

Mid-Century pine hanging candelabra with blown glass candle or votive holders by Harlyk Denmark. Hand braided rope with pine canopy. Handsome and stylish combination of wood, glass a...

This vintage 1960’s oil lamp is a beautiful addition to any collection or home decor. rafted with a combination of bronze and stone materials, this lamp emanates a warm and invitin...

A 1960s french lantern, multicolored blown glass and pewter, constructed using stained glass techniques.

Originally designed as drinking cups/shot glasses these small beauties serve so well as tea light candleholders. They are made from gold plated metal and has a small blue unattribute...

Blown glass candlestick, 1960 Measures: H 9 cm, D 10 cm.

Lovely pair of black forged wired iron candle holders by Gunnar Ander for Ystad Metall 1960s - Sweden. These special designed candleholders are shaped as a pair of goats with a cand...

A pair of brass and wrought iron Church Torchères candle floor stands, 20th c. The candle stands each feature a brass bobeche, iron stand, rising o...

Spectacular quality and generous scale. The 3 sided bases are appointed with bronze reliefs and the fitted withal glass globes. Superior eye catching design. The bases without globes...

Experience the sheer beauty of a Brazilian modern candle lamp, available for purchase today. Prepare to be amazed by its stunning design and exceptional craftsmanship. This lamp is c...

Rare and special candle lamp design by Hans agne Jakobsson in the 60's and produced in his own factory in Markaryd sweden during that same time. The candel lamp is made with a opal glass base...

A spherical oil lamp in brass. Commonly called a Planet Light here in Denmark. Anonymously made in Denmark circa 1960-70 in a style reminiscent of Henning Koppel and Hans Agne Jakobs...

Wonderful pair of hand made candle lamps by Joseph Simon made at Søholm Pottery in Denmark in the 1960s. The lamps are made from hand decorated glazed stoneware. They can be used standing or hung at the wall. Joseph Simon worked at Søholm for a short period in the late 1960s and is known for his whimsical animal figures. This set of candle holders are probably one of a kind. The Søholm Pottery on the small island of Bornholm in Denmark was established in 1836 and closed in 1996. They were one of Denmarks finest ceramics workshops. With traditional names such as "Søholm", "Michael Andersen" and "Hjorth's Keramik", Bornholm has managed to place itself heavily on the Danish map within ceramics and handicrafts. Just like Japanese ceramics, Bornholm ceramics...

2x2 Oil lamps intervened in shape of an Ying & Yang symbol composed of brass and white and black enamel. Manufactured by G.V. Harnisch Eftf. in Denmark during the 1960s. Design numbe...

A pair of red colored glas and brass candle lamps by Hans-Agne Jakobssen. Designed and manufactured in Sweden in the 1960s. Excellent vintage condition, no chips, the red colored g...

Mid-century brass candle holder with smoke colored glass shades by Odel Messing, Norway 1960s. Beautifully tulip shaped and removable glass shades. You ca...

Mid-century brass candle holder with amber colored glass shades by Odel Messing, Norway 1960s. Beautifully tulip shaped and removable glass shades. You ca...

Mid-century brass candle holder with light green colored glass shades by Odel Messing, Norway 1960s. Beautifully tulip shaped and removable glass shades. ...

Stunning, oversized candle chandelier by Erik Höglund, made from wrought iron and glass. The long, rustic iron frame is adorned with different sized glass medallions that look like large rain drops on a bare tree. The biggest medallions are embossed with patterns of fish. Height 190 + 37 cm. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth idea appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals were an important part of his artistic deed, leading to many assignments of public decorations, around Sweden in churches, schools, banks and other public places, as well as in the United States and Australia. In the early 1960s he also started working with wrought iron, making chandeliers and candelabras, combined with glass or unadorned, that became hugely popular. Boda opened its own smithy, Boda Smide, to satisfy the demand. Höglund also worked with wood, creating rustic and playful children’s furniture, candle holders and beds. Höglund left Boda in 1973 and worked with public assignments, often in collaboration with architects and his wife Ingrid Höglund. He continued to work with glass throughout the years for Pukeberg, Lindshammar and Strömbergshyttan glass works. He was was an incredibly productive artist, creating 150 public works from 1956 into the 1990s. Life cycles, sports and acrobatics, everyday life and family relationships were recurring sources of inspiration. Among his most notable work is the decoration of Johannelund Church in Linköping, which consisted of murals, glass sections, furnishing and the church silver...

Red coloured glass candle holder of brass from the 1960s. Base of polished brass and tulip shaped glass shade. Gives a nice shine when lit. Removable shade - so can also be used with...

Set of ten brass and glass candleholders by Hans-Agne Jakobsson. Cool play between the slender stems and bulbous glass shades. Red, clear, smoke, pale blue and green colored shades. ...

A set of black enameled iron candleholders with thick glass inserts. Both of them is to be installed with tea or ball candles. Designed and manufactured by Dantofte in Denmark in a s...

A figured wood 'Varaflame' butane candlestick with chrome stem on a patinated steel base.