Early 19th Century Torchères

A Regency bronze incense burner in the form of an urn. Dimensions: H 12.5cm W 9cm D 9cm Origin: French Date: Circa 1820

A very charming pair of early 19th century Pique Cierges - Candle Stands from the Provence region of France. Nicely constructed in oak. Wonderful accent pieces.

Pair of candlesticks for one light in carved pine wood and gilded with gold leaf. Classic shape of the empire style amphora with curly grips. Centerpiece candlesticks, also suitable...

Pair of large Empire torches or candelabra on a three-pass base tapering to the top and inlaid with brass inlays in the form of acanthus leaves and floral motifs. Rising above three ...

A stunning pair of late 18th-Century to early 19th-Century Italian carved gilt wood tripod floor pricket altar candlesticks or torchieres. These gorgeous cathedral candlesticks...

Circa 1810 Pair Tall English Regency Rams Head Parcel-Gilt Carved Torcheres- Display Stands A pair of 19th Century tall triform torcheres having ci...

A rare Italian heavy wrought iron church five-light torchère, black painted raised on a large square geometric base, Italy, early 19th-century. This torchére is in good condition, wi...

A fine and rare pair of English Regency period torchères, or stands (or candle stands) in the manner of Thomas Hope. Circa 1810. Both are raised on tapering simulated-bronze column supports with circular tops and fluted gilt collars, on concave-sided triform bases with winged-panther mask monopodia. The column bases issue from spreading, gilded, carved lotuses. These antique torcheres might also be referred to as columns, ornamental stands, candle sticks, or candelabra. In superb condition throughout. Literature: ‘Thomas Hope – Regency Designer’ ed. David Watkin & Philip Hewat-Jaboor, Yale University Press, New Haven and London (2008). The Aurora Room, Duchess Street, photo from V & A Museum, fig. 68-1, p. 378. The Royal Collection, HM Queen Elizabeth II, RCIN 588- 1-2, 45- 1-2, figs. 78-2, 78-3, p. 396. The Faringdon Collection, Buscot Park, Oxfordshire, illustr. 88, p. 414. The pair of stands we are offering here correspond closely to the pair in the Faringdon Collection (see above). Watkin and Hewat-Jaboor state; ‘’A ‘Roman’ stand of this precise design, perhaps an imaginative variation on one published by Visconti*, is illustrated in ‘Household Furniture’, plate L, number 2… Hope also owned several classical Roman candelabra...

Great pair of Italian Renaissance Revival wrought iron church torchères raised on a large tripod base, early 19th-century. The candleholders are finely handcrafted with elegant detailing and are black painted. Both pieces are in good condition, with original black paint, remained melted wax...

A stunning pair of early 19th century French Empire candelabra, with four scrolled candle arms supported by classical winged figu...

Pair of palatial sized continental floor standing candlesticks / torchères, ca. 1800.

A rare pair of antique large wooden candleholders named "pyramids" with traces of lacquer . The other pair have been united, but it's possible to detach, so we can have four candleh...

Pair of torchère or pedestals painted, George III, circa 1800, each circular top painted to simulate marble panels, above a molded frieze, mounted with brass lion masks, raised on tr...

This beautiful pair of neoclassical hand carved Torchères were made in the early 19th century in Italy. They are gilded in silver and gold, faux painted in Rouge marble and off white.

The pair of tall antique altar candlesticks or torchieres are made of silver-over-copper. Starting at the top with a candle socket and attac...

Italian pair of large walnut carved with a leaf motif candlesticks, early 19th century.     

Handsome George III giltwood pedestal candle stand featuring a fluted tapered column with highly carved base including acanthus leaves and shells and a round wooden dish top measurin...

Elegant and rare pair of heavy wrought iron candleholders with a crown of flowers, raised on a tripod base. Probably from Italy.

A pair of South European carved parcel-giltwood and faux-marble painted torchères from the late 18th or early 19th century. Carved all-over with gilt acanthus foliage, each piece fea...