Eric Hoglund Wrought Iron Candelabrum for Boda Sweden 1950's

A collection of 6 impressive sized brutalist 1970s candleholders Iron chains and wrought iron has been welded and forged by hand to make these brutalist forms The origin is fr...

Beautiful and super rare illuminated coffee table by French sculptor Philippe Jean edited by the highly prestigious and renowned Galerie Eric and Xiane Germain ,Paris, 1970. The galerie Germain in Paris specialized in high end, small edition furniture and design art by the best contemporary artists of the 1960s and 1970s including the famous 'siege Homme' by Ruth Francken...

1950's Italian Teak Plywood mirror by master designers Franco Campo & Carlo Graffi for their furniture company HOME This example has and shows it age and history and has period repa...

Hard to find as a pair are these Space Age futuristic "Galaxy" swivelling easy chairs by ALF SVENSSON & YNGVAR SANDSTORM for DUX Sweden The design is from 1968 when the space race to the moon and the futuristic Concorde airplane inspired...

Fritz Neth Lounge Chair for Correcta Germany 1950's Original high pile upholstery fabric in a deep blue with brass legs Nice original as found condition

Pair of nicely curved wingback chairs in a senior and lady version by Dutch designer Their Ruth for Artifort manufactured in the 1950's Photo's of the complete classic reupholstery proces are featured in this listing showing the craftsmanship we put back in to restore these chairs as if they where made in the 1950's The Wool Boucle fabric is 'Monza' by Dutch manufacturer De Ploeg These chairs are made of solid Birch wood frames and a classic steel spring & stepped grass & cotton interior and will last another lifetime The sizes listed are for the senior version The lady chair...

Candelabra designed by Erik Höglund. Made by hand in iron at Boda smide and clear glass prisms from Boda glass. Three arms and six glass shards. Very good vintage condition with ligh...

Candlestick, designed by Erik Höglund for Boda, Sweden, 1960s. Erik Höglund was a Swedish artist known for his experimentative work with amber glass. His glass bottles, chandeliers, and candelabras are characterized by their delicate, geometric designs. At age 25, Höglund became the youngest artist to ever receive the Lunning Prize, awarded annually to up-and-coming Scandinavian designers. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic...

Vintage art glass chandelier designed by Erik Höglund for Boda in the 1970s. Measurements: H (full / chandelier) 105 / 40 cm, D 46 cm.

Large candelabra designed by Erik Höglund. Made by hand in iron at Boda smide and clear glass prisms from Boda glass. Three arms and six glass shards. Very good vintage condition wit...

Stunning, oversized candle chandelier by Erik Höglund, made from wrought iron and glass. The long, rustic iron frame is adorned with different sized glass medallions that look like large rain drops on a bare tree. The biggest medallions are embossed with patterns of fish. Height 190 + 37 cm. Erik Höglund was one of Sweden’s foremost glass artists, whose innovative designs and glass making techniques revolutionized the scene of both art glass and serve ware in the 1950s. His bold and personal designs gave him and the glassworks Boda worldwide acclaim. Erik Höglund is considered the most influential Swedish glass artist of the 1950s and 1960s, alongside Ingeborg Lundin. Höglund was admitted to the prestigious school Konstfack at the age of 16, first studying to become an art teacher, but later changing to the sculptor’s line. He rebelled against many of what he considered to be conventional ideas at the school, and was almost expelled. His nonconformism would follow him through his career, aiding him in following his own path and repeatedly breaking new ground. Erik Höglund started working at Boda glassworks in 1953. At the time, Boda focused on producing high-quality serve ware in ethereal, cut-glass designs under the direction of Fritz Kallenberg. Höglund brought new perspectives and ideas, experimenting with the glass mass to give it a bubbly look and introducing colored glass and irregular finishes. These ideas were in direct opposition to the traditional ideas of what quality glass is, and Höglund was initially met with skepticism. He created rustic designs that allowed for everyday, multiple uses of glass, allowing it to be both functional and aesthetic. This down-to-earth idea appealed to both critics and collectors, although it took some years into the 1950s to win over the general public. In 1955, Erik Höglund’s glass was presented at the H55 Exhibition and one of his vases, whilst considered scandalous due to its suggestive decor, was purchased by the Swedish king. In 1957 he was awarded the Lunning Prize, its until then youngest awardee. Following that, his glass was exhibited in the Georg Jensen store on 5th Avenue in New York, making Erik Höglund and Boda world renowned. Erik Höglund was a master of all artistic trades. His glass murals were an important part of his artistic deed, leading to many assignments of public decorations, around Sweden in churches, schools, banks and other public places, as well as in the United States and Australia. In the early 1960s he also started working with wrought iron, making chandeliers and candelabras, combined with glass or unadorned, that became hugely popular. Boda opened its own smithy, Boda Smide, to satisfy the demand. Höglund also worked with wood, creating rustic and playful children’s furniture, candle holders and beds. Höglund left Boda in 1973 and worked with public assignments, often in collaboration with architects and his wife Ingrid Höglund. He continued to work with glass throughout the years for Pukeberg, Lindshammar and Strömbergshyttan glass works. He was was an incredibly productive artist, creating 150 public works from 1956 into the 1990s. Life cycles, sports and acrobatics, everyday life and family relationships were recurring sources of inspiration. Among his most notable work is the decoration of Johannelund Church in Linköping, which consisted of murals, glass sections, furnishing and the church silver...

Erik / Eric Hoglund hanging candelabra / candelabrum / pendent / chandelier. Blown glass and wrought iron. Includes four original drop down extensions. This is an excellent example o...