2010s Candle Holders

The Link Candle Holder is a modular system that can be expanded to any size, available in cast brass. Sold as a set of five. (not available in cast ...

Two modern style candle stands in rich onyx marble. Tall one measures 2" in diameter and 4.5" tall. Candle hole is 1.5" in diameter and 1" deep. The fla...

Polished brass crescent like shape, candle holders. Solid Bronze Candle Holders; Medium sized candle holder dimensions H: 3.75" W 1" D 2.25" Small sized candle holder dim...

Candlesticks, pressed, cast and chased. Circular. 6 Candle Holder in a row. Highly collectable and valuable. Length 66 cm. Height 12.5 cm. In a beautifully excellent condition, wit...

1970's modern aluminum candle-holder designed by Don Drumm in 1978, in vintage original condition with minor wear and patina due to age and use.

This one-of-a-kind, sculptural beeswax and clay triple candle holder is designed by the Tbilisi, Georgia-based designers Rooms Studio, who skillfully handcrafted this piece in collaboration with Shotiko Aptsiauri. The standing candelabra of sculpturally twisted organic beeswax and clay, entitled "Sacral Geometry Candle Holder", is part of a larger series of hand-formed beeswax works from the artists' collaboration. About the Designers: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The studio’s largest U.S. exhibition to date, Distant Symphony, expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances at the time, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

An extraordinary set of three 1960's candleholders in good condition. Beautifully hand-crafted out of brass these eye-catching candleholders have been professionally restored and are...

An architectural and sculptural candle holder by David Zelman, USA circa 1980s. Produced through Zelman's design firm Prologue 2000. Postmode...

Contemporary candle holder compose of a plate with two tree branches. Made of nickel plated brass.

LEVE candleholders, a creation by the renowned designer Birgitte Due Madsen, are inspired not only by her former work centered around geometry and abstract sculptural fragments...

LEVE candleholders, a creation by the renowned designer Birgitte Due Madsen, are inspired not only by her former work centered around geometry and abstract sculptural fragments, but also the old Italian masters like Tobia Scarpa, futuristic architecture and brutalism. The designer scaled her sculptures to smaller pieces and gave them direct function and purpose, seeing them as fragments that can be pulled apart. LEVE candleholders are available in three sizes – for tealights, pillar candles...

A mid century porcelain triple candle holder from the "Classic Modern White" pattern by Rosenthal, Germany. Circular with a minimalist tapered profile, finished in a glossy white gla...