Finely Chased Ormolu Louis XVI Clock The Toilet of Venus By Lepaute

Dieudonné Kinable Enamel Dial Attributed to Dubuisson (1731-1815) Exceptional Porcelain Lyre Mantel Clock from the Royal Sèvres Porcelain Manufactory Paris, late Louis XVI period, circa 1785-1790 Height 62 cm; width 26 cm; depth 16 cm The round enamel dial, signed “Kinable”, indicates the hours in Roman numerals, the fifteen-minute intervals in Arabic numerals, the annual calendar and the signs of the Zodiac, by means of four hands, two of which are made of pierced gilt bronze, the two others in blued steel. The magnificent lyre-shaped case is made of “bleu nouveau” Sèvres porcelain and finely chased and gilt bronze. The bezel is made up of a gilt bronze twisted rope; the pendulum is adorned with brilliant-cut paste stones; the body of the lyre is adorned with gilt bronze beading and with laurel leaf and seed motifs, with two rosettes issuing floral and foliate swags. The clock is surmounted by a mask with radiating sunrays. The spreading foot is decorated with beading and twisted rope motifs and a leafy garland. The en-suite decorated oval base is raised upon four flattened ball feet. The Royal Sèvres Porcelain Factory produced the lyre clock model as of 1785. Four colours were offered: turquoise, green, pink and bleu nouveau. These exceptional clocks were made for the connoisseurs of the time. Louis XVI had a similar clock in his Salon des jeux in Versailles; its dial bore the signature of the clockmaker Courieult (this is almost certainly the example illustrated in P. Verlet, Les bronzes dorés français du XVIIIe siècle, Paris, 1999, p. 41). Kinable, however, was the clockmaker who purchased the greatest number of lyre cases from the factory, and he developed the model in the late 18th century. Among the porcelain lyre clocks signed by this brilliant horologer, one example is in the Victoria & Albert Museum in London (illustrated in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, Band I, Munich, 1986, p. 252, fig. 4.6.26). A second such clock is in the Royal British Collection (see C. Jagger, Royal Clocks, The British Monarchy & its Timekeepers 1300-1900, 1983, p. 130, fig. 176). Bibliography: M. Gay and A. Lemaire, “Les pendules lyre”, in Bulletin de l’Association nationale des Collectionneurs et Amateurs d’Horlogerie ancienne, Winter 1993, n° 68, p. 5-40. Dieudonné Kinable (active circa 1785-1810) One of the most important Parisian clockmakers of the late 18th century. His shop was located at n° 131 Palais Royal. He purchased a great number of lyre-type porcelain clock cases...

Important white marble “Cercles Tournants” mantel clock. Gilt bronze mounts attributed to Pierre Gouthière. Paris, Louis XVI period, circa 1775...

François Viger, reçu maître horloger reçu maître en 1744 Case Attributed to Robert Osmond (1711-1789), reçu maître fondeur en janvier 1746 Im...

After a Model by Alexandre-Evariste Fragonard Rare Pair of Sèvres Bisque Porcelain Winged Lions Bearing Gilt Baskets Sèvres Royal Manufactory, Restoration period, circa 1...

A rare Louis XVI style gilt-bronze mounted marble annular dial pedestal clock in the manner of Jean-André and Jean-Baptiste Lepaute, attributed to Dufaud, Paris. The eight-day twin-train movement with circular plates and lateral lever escapement on a gilt platform, with cut bimetallic compensation balance, flat balance spring and index regulator, striking the hours and half-hours on a bell. The dial having twin revolving chapter rings with white enamel cartouches with Roman numerals on a revolving ring, with a revolving minute ring above with Arabic numerals, the time indicated by Cupid pointing with an arrow. This fine annular dial or ‘cercles tournants’ clock...

A magnificent and very high quality French 19th century Louis XVI st. marble and finely chased ormolu clock. The clock is raised on six ormolu topie shaped feet below the white Carrara marble base with scrolled foliate ormolu mounts and beaded border. Perched above is a charming winged cherub holding up an arrow. At each side are lovely ormolu maidens draped in classic attire with their flowing hair, holding up a floral wreath. Centered is the ormolu clock with paw feet fluted and scrolled designs at the base and swaging foliate garland. Above the enamel dial is decorated with a winged cherub bust...

An extremely high quality French mid 19th century Louis XVI st. signed 'Lepaute, Paris' ormolu clock. The clock with a superb chasing throughout has all of its original gilt. Raised ...

The circular glazed white enamel dial with Roman and Arabic chapters, set within a pierced case with ribbon-tied fruiting laurel trails, each side with a ram’s mask capped pilaster, ...

This exceptional mantel clock was created in the early 20th century in France, inspired by an 18th century model by the famous metalworker, François Vion (French, 1737-1790). The clock’s design includes sculptures of the Three Graces holding up a spherical clock with a revolving, or ‘cercle tournant...

In fine condition with eagle finial over an enameled clock dial signed Degre, a fine Paris maker listed in Tardys book of French clockmakers. Flanked by two pairs of urns one white marble and the other black over marble columns wrapped in spiraling gilt bronze vines...