Directoire Mantel Clock “The Temple of Love, ” Case Attributed to Deverberie

Important white marble “Cercles Tournants” mantel clock. Gilt bronze mounts attributed to Pierre Gouthière. Paris, Louis XVI period, circa 1775...

François Viger, reçu maître horloger reçu maître en 1744 Case Attributed to Robert Osmond (1711-1789), reçu maître fondeur en janvier 1746 Im...

Dieudonné Kinable Enamel Dial Attributed to Dubuisson (1731-1815) Exceptional Porcelain Lyre Mantel Clock from the Royal Sèvres Porcelain Manufactory Paris, late Louis XVI period, circa 1785-1790 Height 62 cm; width 26 cm; depth 16 cm The round enamel dial, signed “Kinable”, indicates the hours in Roman numerals, the fifteen-minute intervals in Arabic numerals, the annual calendar and the signs of the Zodiac, by means of four hands, two of which are made of pierced gilt bronze, the two others in blued steel. The magnificent lyre-shaped case is made of “bleu nouveau” Sèvres porcelain and finely chased and gilt bronze. The bezel is made up of a gilt bronze twisted rope; the pendulum is adorned with brilliant-cut paste stones; the body of the lyre is adorned with gilt bronze beading and with laurel leaf and seed motifs, with two rosettes issuing floral and foliate swags. The clock is surmounted by a mask with radiating sunrays. The spreading foot is decorated with beading and twisted rope motifs and a leafy garland. The en-suite decorated oval base is raised upon four flattened ball feet. The Royal Sèvres Porcelain Factory produced the lyre clock model as of 1785. Four colours were offered: turquoise, green, pink and bleu nouveau. These exceptional clocks were made for the connoisseurs of the time. Louis XVI had a similar clock in his Salon des jeux in Versailles; its dial bore the signature of the clockmaker Courieult (this is almost certainly the example illustrated in P. Verlet, Les bronzes dorés français du XVIIIe siècle, Paris, 1999, p. 41). Kinable, however, was the clockmaker who purchased the greatest number of lyre cases from the factory, and he developed the model in the late 18th century. Among the porcelain lyre clocks signed by this brilliant horologer, one example is in the Victoria & Albert Museum in London (illustrated in H. Ottomeyer and P. Pröschel, Vergoldete Bronzen, Band I, Munich, 1986, p. 252, fig. 4.6.26). A second such clock is in the Royal British Collection (see C. Jagger, Royal Clocks, The British Monarchy & its Timekeepers 1300-1900, 1983, p. 130, fig. 176). Bibliography: M. Gay and A. Lemaire, “Les pendules lyre”, in Bulletin de l’Association nationale des Collectionneurs et Amateurs d’Horlogerie ancienne, Winter 1993, n° 68, p. 5-40. Dieudonné Kinable (active circa 1785-1810) One of the most important Parisian clockmakers of the late 18th century. His shop was located at n° 131 Palais Royal. He purchased a great number of lyre-type porcelain clock cases...

After a Model by Alexandre-Evariste Fragonard Rare Pair of Sèvres Bisque Porcelain Winged Lions Bearing Gilt Baskets Sèvres Royal Manufactory, Restoration period, circa 1...

This stunning gilt bronze clock and barometer pair was created in circa 1860 in France. The two have been attributed to Raingo Frères, the prestigious, ...

Love this miniature Dutch walnut long case clock. Not only great looking but also a good working time piece. Comes with a good quality watch. M...

This oval white marble clock is applied with high quality bronze and ormolu mounts. The base encloses a French 8-day, twin barrel movement with a silk suspension and a count wheel strike on the bell. The ormolu dial has Roman numerals in blue and white enamels and is set within a rope border surrounded by naval panoplies and a coronet. The sides are embellished with putti with double fish-tails holding a long shell horn in each hand. On top of the clock is a bronze group of the dying Nelson collapsing into the arms of two sailors. With pendulum and key. Stamped on the back plate René à Paris. English, with a French movement, circa 1840. The bronze group of the falling Nelson being supported by two sailors is reminiscent of the positioning adopted by Samuel Drummond in his original version of The Death of Nelson...

This exquisite 19th century trio is comprised of a central clock and a pair of flanking six-light candelabra. The design of the clock case is widely acknowledged to be inspired by one of the most important paintings of French Revolution, ‘The Oath of the Horatii...

Signed: Joseph Gay Horloger du Roy A Turin The movement is contained in a white marble obelisk which is surmounted by an armillary sphere finial. The front with a panel chased wit...

This wooden Folk Art made propeller clock is presumed to have originated in England and fashioned into a mantel clock in North America in circa 1960. T...