Georgian Mahogany Miniature Bracket Clock

Georgian Lyre Shape Mahogany Bracket Clock by Moncas, Liverpool Georgian mahogany English bracket clock housed in a lyre shape case with ebony i...

Georgian mahogany bracket clock by Hector Simpson, London. Georgian bracket clock in a finely figured flame mahogany case standing on a r...

A stunning antique George III ebonised eight day striking bracket clock with enamel dial and verge escapement. Twin fusee movement with verge escapement striking and repeating the ho...

Small Georgian Bracket Clock by Thomas Robbins, Chatham Fine mahogany arch top case standing on a raised, moulded plinth and resting on four brass ball feet with red silk lined fishs...

A fine 18th century eight day bracket or table clock by Thomas Coxworthy, with a brass bound flame mahogany veneered case and silvered dial. The arched silvered dial has both Roman and Arabic numerals, which at its centre has the smaller calendar dial, and above, a strike/silent dial. The eight day movement has a verge escapement - a feature of early clocks...

Georgian mahogany bracket clock Finely figured flame mahogany break arch case inset at the front and sides with fishscale silk lined sound frets standing on a raised plinth and resting on brass bracket feet. The arch with brass bound single pad above an opening full door. Brass bezel supporting a painted dial with Roman numerals, ‘blued’ steel hands and signed Robert Wood, London. Fine quality substantial double fusee eight day movement striking the hours and repeating at will on a large bell. The backplate with beautiful border engraving and signed within a cartouche ‘Robert Wood, London’. Regulating pendulum and pendulum holdfast. C.1790 ‘Watchmakers and clockmakers of the world’ by Brian Loomes lists Robert Wood as working in London from 10, Horseshow Alley, Moorfields. He was a maker of repute making several fine musical and automation clocks...